Face Art

Artist: Mel Ramos (American, b. 1935) Title: Hav a Havana #6 Year: 2005 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 22.5 in. x 22.5 in. (57.15 cm x 57.15 cm)

Oil on Canvas. Portrait of a nobleman, proud with his hand resting on the 'hilt of his sword and dressed in an ermine-edged cloak. On the upper right appears the coat of arms of his ...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Accordeoniste (The Accordionist), from the album Chagall, originates from the 1957 edition published by Maeght Editeur...

Melissa Chalhoub, a 2014 graduate of Saint Joseph University in Beirut, seamlessly navigates the realms of cinema and visual art. With a background in directing and sound design for ...

6110A Sailor with the ships model that he just finished making Set in a carved woof frame Image size11.5x8.5"

Black marker pern drawing on paper realized by Maccari in 1935 ca. Hand signed in pencil lower right. Very good condition.

Nadezda's beautiful new oil on panel painting "Where The Swamps Sing" (2024) is a surrealist Slavic portrait of a woman dressed in traditional Russian clothing, standing stoically in front of a bizarre scene, with iconography of demons' heads towered up with a cat resting atop it, deep in an abstracted symbolic forest. Nadezda is a painter, sculptor, photographer, and concept artist. Her artwork is focused on narratives carefully gathered from the hidden chambers of her imagination as well as live theater-inspired work with actors, dancers, and models. Like a quilt stitched of poetic realities, Nadezda’s mysterious world defies the mundane. With a non-linear creative process flowing between different media, the artist explores various vantage points in her creations. This dynamic approach inspires her mind’s eye to focus on the worlds within and evoke an uninterrupted, creative transmission which is then channeled through her paintings, drawings, sculpture, photography, writing and film. SOLO EXHIBITIONS: September 2024 Once There Was, Once There Wasn’t // Modern Eden, San Francisco, CA, USA May 2024 Siren’s Heart // Haven Gallery, Long Island, NY, USA February 2022 Secret Hallway // Modern Eden, San Francisco, CA, USA July 2021 The Great Scale of Little Things // Galleria D’Arte Piero Della Francesca, Arezzo, Italy February 2021 A Place To Dream // SHOH Gallery, Berkley, CA, USA July 2019 Pins & Petals // Haven Gallery, Long Island, NY, USA August 2018 Lukomorye // Spoke Art, San Francisco, CA, USA February 2018 Nightmares & Lullabies // Haven Gallery, Long Island, NY, USA June 2017 Fly-By-Night // Haven Gallery, Long Island, NY, USA MUSEUM EXHIBITIONS: March 2024 Miradas Femeninas // group exhibition, Museu Europeu d’Art Modern (MEAM), Barcelona, Spain FAIRS: April 2020 Art Market San Francisco // SFADA x Modern Eden, San Francisco, CA, USA February 2020 LA Art Show // Abend Gallery, Los Angeles, CA July 2019 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY October 2018 Moniker Art Fair // Spoke Art, London, UK July 2017 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY SELECTED GROUP EXHIBITIONS: June 2024 Portrait Show XII: Myth // Modern Eden, San Francisco, USA March, 2024 BAA Teachers Show 2024 // BAA Gallery, Barcelona, Spain January, 2024 AKSK // Corey Helford Gallery, Los Angeles, USA September 2023 Reverie // Modern Eden, San Francisco, USA August 2023 Mass // Modern Eden, San Francisco, USA October 2023 Bacchus // Modern Eden, San Francisco, USA September 2023 Harvest // Modern Eden, San Francisco, March 2023 Secret Longings // Corey Helford Gallery x Beautiful Bizarre, Los Angeles, CA December 2022 Yule // Modern Eden, San Francisco, CA November 2022 Halcyon Days // Beautiful Bizarre x Modern Eden, San Francisco, CA October 2022 Danse Macabre // Modern Eden, San Francisco, CA September 2022 Totem // Modern Eden, San Francisco, CA August 2022 Mighty // Modern Eden, San Francisco, CA June 2022 X Annual Portrait Exhibition // Modern Eden, San Francisco, CA April 2022 100 Trees // Modern Eden, San Francisco, CA October 2021 Lore // Modern Eden, San Francisco, CA June 2021 Moleskine Project X // Spoke Art, San Francisco, CA June 2021 Portrait Show IX // Modern Eden, San Francisco, CA November 2020 Art Collector Starter Kit VII // Corey Helford Gallery, Los Angeles, CA October 2020 Midnight Garden // Beautiful Bizarre x Modern Eden, San Francisco, CA July 2020 The Art of Quarantine // SHOH Gallery, Berkley, CA May 2020 Unjust Contentment // Beinart Gallery, Brunswick, Australia March 2020 Contemporary Figuration // Abend Gallery, Denver, CO November 2019 Paintguide x Thinkspace Projects // Thinkspace Projects, Los Angeles, CA November 2019 Annual Holiday Miniatures Show // Abend Gallery, Denver, CO November 2019 Esprit De Corps // Modern Eden x Haven Gallery, CA and NY June 2019 Moleskine Project VIII // Spoke Art SF, CA June 2019 Muse, SHOH Gallery // Berkley CA June 2019 Small Works, Beinart Gallery // Australia May 2019 Gaia Reborn // Beautiful Bizarre at Museum of Urban Contemporary Art, Berlin, Germany March 2019 Femme, Spoke Art + Juxtapoz, NY January 2019 Music Box // Haven Gallery, Northport, NY December 2018 Solstice Blue...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

This artwork titled "Someday" c.1980 is an original colors offset lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and numbered 10/425 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 21.75 x 29.5 inches. It is in excellent condition, it has as a small brown ink spot in the bottom margin under the title. has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Nicely painted American school modernist portrait. Oil on canvas. Framed. Ready to hang excellent condition.

Contemporary figurativ oil on canvas painting by Polish artist living in the USA Monika Rossa. Painting depicts three children holding birds. Birds are also flying near them. Artwork...

This vintage work by Esteban Chavez illustrates his skills as a master-printer. Plate size dimension is 4.25" x 4" Framed, the work measures 16.5" x 14" Please note, there is a sm...

MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard) graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Con...

In 1967, at the height of Soviet technological ambition and ideological assertion, Victor Koretsky produced a poster that embodied the forward drive of an entire era. Without words, ...

GEORGES ARTEMOFF "LA FEMME ASSIS A LA MANTILLE NOIRE” OIL ON PANEL, SIGNED RUSSIAN-FRENCH, DATE 1963 PROVENANCE: GALERIE MAKASSAR , PARIS 31.75 X 20 INCHES Illustrated in the c...

Konstantin Razumov (Born 1974) Russian Standing nude wearing a red feather flapper. Oil on canvas: 14 x 9 inches. Frame: 20 x 15 inches. Konstantin Razumov's work has been offe...

“France” (2020) by Raf Urban Giclee on Hahnemühle Rag Bright White 310 gms 29,7 x 42 cm Limited edition of 30 Signed and Numbered (19/30) by the Artist. The beautiful lady in Raf Ur...

"Portrait of a Lady" by Leon Launay (French 1890-1956) charcoal portrait drawing on paper, unframed stamped verso painting: 18.5 x 12 inches Condition report: The painting is in go...

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

This formal portrait depicts a woman in early 18th-century dress, wearing an elegant dark gown with white lace trim and a red drape or shawl. She holds jasmine flowers in her hand, s...

Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...

Dos Cabezas Rufino Tamayo, Mexican (1899–1991) Date: 1975 Aquatint Etching, signed and numbered in pencil Edition of 18/75 Size: 22 x 30 in. (55.88 x 76.2 cm) Printer: Ediciones Poli...

Portrait of a Nun French School, 19th century oil on canvas, simple wooden slip frame framed: 27.5 x 20 inches canvas: 27 x 19.75 inches provenance: private collection, Champagne reg...

From the smallest of seeds the tree grows, striving for the skies. Branches form, ramify and blossom in the rhythm of time. The human figure transforms. The elements depend on each o...

ARTIST: Salvador Dali TITLE: La Quete du Graal Viviane et Lancelot di Lac MEDIUM: Etching EDITION NUMBER: XV/XXV SIGNED: Hand Signed by Salvador Dali PUBLISHER: Pamela Verlog ...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Punk ‘ Signed by Ian Sanderson lower...

This superb religious figurative oil painting is by noted artist Wilfred de Glehn. Although some experts rank de Glehn alongside Sargent, he is considered as something of a late British Renoir, for his deft use of sunlight and shadow. Indeed he was good friends with John Singer Sargent and collaborated with his on some projects. This painting, painted circa 1910 is of three saints, from left to right they are Saint Jerome, Saint Roch and Saint Sebastian. It is based on a work attributed to 16th century artist Alessandro Oliverio. Saint Jerome was a biblical translator and monastic leader and is depicted in red, holding books. Saint Roch and Saint Sebastian were known as the Plague saints - Plague saints offered hope and healing before, during, and after times of plague. A specific style of painting, the plague votive, was considered a talisman for warding off the plague. It portrayed a particular saint as an intercessor between God and the person or persons who commissioned the painting – usually a town, government, lay confraternity, or religious order to atone for the "collective guilt" of the community. Rather than a society depressed and resigned to repeated epidemics, these votives represent people taking positive steps to regain control over their environment. Paintings of Roch represent the confidence in which renaissance worshipers sought to access supernatural aid in overcoming the ravages of the plague. The thirteenth-century Saint Roch (or Rocco), whose death is still commemorated in Italy, is especially invoked against the plague. He attended plague victims in public hospitals in Italy according to traditional accounts of his life. Images attributed to the Spanish historical painter Nicolás Borrás in the Royal Cornwall Museum, or other works in institutions from The National Gallery to the Wallace Collection, show him baring his thigh to show the mark of the plague, as he is in this painting. Saint Roch is also the patron saint of dogs, after one carried food to him in the prison where he died...

Denied Warhol portrait of Marilyn Monroe Silkscreen Painting on canvas by Charles Lutz Silkscreen and acrylic on canvas with artist's Denied stamp of the Andy Warhol Art Authenticati...

A fine portrait study dated 1737 portraying a young boy from a noble family bearing his first sword. Dressed in fine military-style clothing, he clutches a small sword in one hand an...

Plate #3 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Freddie Mercury of Queen riding on the shoulders of Darth Vader taken by photographer Tom Callins. This famous shot has never been available before and is exclusive to our collecti...

Artist: Marilyn Minter (1948-) Title: ​Prism Year: 2009 Medium: ​C-Print Edition: 9/27, 18 proofs Size: 20 x 15.88 inches Condition: Excellent Inscription: Signed, titled, dated, and...

Work on canvas

This exquisite lithograph by Marc Chagall (1887–1985), titled David et Absalon (David and Absalom), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Ar...

Ready to ship immediately. Free domestic US shipping. Framed 16x20" signed lifetime edition print by Terry O'Neill of David Bowie taken in Los Angeles in 1974, with Bowie wearing th...

An oil painting by Theo Tobiasse from 1967. An expressionist-style textural painting of intensely dark and vivid color palette. Inspired from the artist's personal experiences of the...

Signed full length portrait circa 1890 by French impressionist painter Jean Beraud. The work depicts a Parisian lady in a green tuile skirt, a blue jacket with fur and black lace up ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Quai de fleurs (Flower Quay), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published b...

Caravaggesque painter (17th century) - Saint Jerome. 47 x 73 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good state of conserva...

The Dancer is a sculpture realized by Giacomo Manzù in 1957. Unique piece. Exhibitions:  Manzù. L’Uomo e l’Artista, Palazzo Venezia, Roma 2002-2003 Manzù-Marino. Gli ultimi moderni,...

"Mindisayo's Gaze" In this best-selling image, a young women in the Rendille tribe of Northern Kenya wears the unique jewelry and ornamentation of this culturally-rich region. The...

Constantin Terechkovitch, Russian (1902 - 1978) - Mother and Child, Medium: Lithograph, signed and numbered in pencil, Edition: EA XXX/XL, Image Size: 23.5 x 17 inches, Size: 29.5 x ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Oluw...

Marie LAURENCIN Female drawing Original drawing Signed with the stamp of the artist On paper 16 x 10 cm (c. 6.2 x 3.93 in) Good condition, the paper slightly yellowish

Portrait of Victor Hugo is a photografic albumen print in CDV size. The print was made around 1870 by J.M. Lopez in Paris, for the publisher Hautecoeur. Photographer's logo on fron...

The Madonna in Pensive Thought English 19th Century, Pre-Raphaelite artist, unsigned Oil painting on board, framed Framed: 15 x 10.5 inches Board: 13 x 9 inches Condition: The painti...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 023" graphite, Conte crayon and charcoal on Arches paper 30.5 x 17.5 inches unframed Signed, lower le...

The Madonna, Christ Child and St. John Italian School, 18th century oil on wood, framed in period gilt antique frame framed: 16 x 14.5 inches wood: 9 x 6.5 inches provenance: private...

Pair of small bronze sculptures - Grotesque lions. Italy, 18th-19th century. 10 x 5 x h 17 cm. Made entirely of patinated bronze in Renaissance style. Depicting two seated grotesqu...

Rene Magritte Le Fils de L'homme Lithograph, Signed in a Pate, Stamped & Framed One of Magritte’s ( Belgian 1898- 1967) most iconic and enigma...

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

Music has always been a passion for David Bailey. As a teenager, he played the trumpet, thinking for a while that music - rather than photography - might be his future. Among his musical heroes is Miles Davis...

A captivating early 20th-century oil painting depicting a nude woman with a chic 1920s bob, gazing wistfully to the left. She is seated on a bed of green satin, a delicate lace shawl...

Silver gelatin print The present work is hand signed with the artist's copyright, dated 1983, and titled on the back. It is numbered 3 of an edition of only 10. On October 3, 1983, Madonna headlined a memorial concert in honor of Michael Stewart, a graffiti artist in the midst of the AIDS crisis who became a victim of police brutality. Madonna was only 24 years old in 1983, but had already signed her first record deal and was on the cusp of superstardom. In 1984, the year after Madonna appeared in Kroll's shoot, she would release chart hits Like A Virgin, Material Girl and Crazy For You, cementing her place as an international star. This photograph was taken by renowned photographer and editor Eric Kroll backstage at Danceteria - a gritty and popular after hours club and concert venue on West 21st Street in Manhattan, operating out of the first three floors in an old industrial 12-story building. The visible text "ACCUTUNKTIONA TO THE POINT!" and "UNK" are actual, gritty wall graffiti from the venue, adding to the candid nature of the shot. Eric Kroll is a notable photographer, best known for his many fetish subjects, and for documenting America’s seediest spots and denizens, sharing a certain aesthetic with fellow photographers Larry Clark and Richard Kern...

'Venice No.5' Venice, Italy 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand th...

Poster created for a group show held at the American Cultural Center in France, 1979. The show featured works from artists such as Willem de Kooning, Franz Kline, Robert Motherwell a...

Artist: Hendrik Paulides (Dutch, 1892-1967) Title: "Zittend Naakt (Seated Nude)" *Monogram signed and dated by Paulides in pencil lower left Year: 1958 Medium: Original Graphite Penc...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Claude Renoir ecrivant (Claude Renoir Writing), from the album Les Lithographies de Renoir (The Lithographs ...