Face Art

This intimate genre scene depicts a young lady in a flowing red dress standing in a dimly lit interior, her hands clasped in prayer. The composition employs warm, earthy tones and dr...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 7 x 5.5 inches Provenance: private collection Condition: very good condition Ha...

Oil on canvas 133,5 x 116 cm (161,3 x 146,5 cm avec l’encadrement) = 52.6 × 45.7 in (63.5 × 57.7 in with frame) Signed lower right A pile of luxurious fabrics, a velvet jacket and t...

A Charming, 1950s Modern Portrait of a Young Woman in a Red Sweater by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 8 x 6 inches, oil on Masonite (Framed siz...

Monogrammed work Oil on copper Wooden carved frame 57 x 47.5 x 5 cm

"Melanin Meditation" is a captivating artwork created by Ekele Francis that delves into the depths of cultural identity and self-reflection. Francis, kno...

Study for the Cover illustration for The Saturday Evening Post, June 30th, 1934 LITERATURE: C.D.B. Bryan, Mort Walker and the Art of Illustration, Architectural Digest, July 1988, ...

Vintage black and white photograph depicting Diego Armando Maradona wearing the Argentina shirt. Very good condition.

Portrait is an original Modern artwork realized in the half of the 18th Century in France. Original watercolor on ivory paper. The work is surrounded by a colored frame. The sig...

This artwork is an original sketch for a painting called "Tempest," by Karin Krohne Kaufman. The artist signed the piece lower right. This piece feat...

Portrait of a Seated Lady signed by Jacob Markiel (Polish 1911-2008) *See notes oil on canvas, unframed canvas: 32 x 24 inches provenance: the artists estate, south of France condit...

This captivating painting features a reclining nude woman set against a beautifully intricate, floral-patterned backdrop. The composition skillfully merges the softness of the human ...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Title: Woman in Hat, Size: 31.5 x 3...

The Penitent Magdalene, 18th Century Studio of Pompeo Girolamo Batoni (1708-1787) Huge 18th Century Italian Old Master depiction of the Penit...

A sensitive study of Myron's 'Discobolus' by the artist Pierre Neveu (b.1929). Unsigned. Handsomely presented in a gilt frame with a white card mount. On laid.

NORTH Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of four also a...

Tracey Emin HRH (Her Royal Highness) Royal Britannia, 2012 Signed, dated and numbered 141/200 in graphite on the front Polymer gravure on Zerkall paper Published by Emin Internationa...

Oil on original canvas Image size: 78 1/4 x 44 inches (199 x 112 cm) Contemporary style frame Provenance Sir Rowland Cotton, 1608 Family Descent Private Collection Sir Rowland Cot...

Agent X (Amy) You know Love Is Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 33x33in Edition: 125 Signed, dated and numbered by hand COA provided Ref.: 924802-11...

Ora Coltman (American, 1858-1940) Julia Maud De Forest, 1898 Watercolor on paper Signed and dated upper left 9.25 x 12.75 inches 15 x 18.25 inches, framed Ora Coltman was born in 18...

Mathurin Moreau (French, 1822-1912) The Triumph of Flora Female figural statue of Flora and two putti resting on a rouge marble base. Bronze and Rouge Marble signed 'Math. Morea...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion f...

This vivid and rebellious acrylic mixed-media portrait of Abraham Lincoln transforms the iconic president into a surreal, expressive figure bursting with color and symbolism. Render...

A striking 18th century oil depicting a pious Mary Magdalene. The artist portrays the saint with long, flowing blonde hair and penitent tears in her eyes. A skull at her hands remind...

Printed for Galerie Kammer’s 1981 David Hockney exhibition “Drawings and Prints”, this beautiful poster reproduces Hockney’s drawing Celia in a Black Dress and Red Stockings 1973. Fa...

"Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho Al Hirschfeld (1903 - 2003) Judy Garland 20 x 15 inches (sight) Etching 26 1/2 x 14 3/4 inches Framed...

Unsigned ; attributed to Joseph Biel Good friend of Dr. Mufson View is from New York University School of Medicine. Overall size with original frame 25.5 x 21 in.

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2003 Title: Cupid and Psyche Size: 20" ...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

After Rembrandt (1606-1669). Copy of Self-Portrait with Beret and Turned-Up Collar. Oil on panel. Monogrammed in Hebrew to the lower right. Well presented in a bold gilt-effect frame...

SEAN CONNERY. “007, JAMES BOND: GOLDFINGER” [1964] (Goldfinger), directed by GUY HAMILTON. A great shot of Sean Connery on set as the secret agent - together with the infamous Aston...

Listing includes free shipping, and a 14 day return policy. The artwork will ship from London. Immaculate Conception, Villa De'este (2015) 24 ...

English School, circa 1780’s Circle of George Romney (1734-1802) oil painting on canvas, framed framed: 36 x 30 inches canvas: 30 x 25 inches private collectio...

Portrait of the Princess of Conti - Attributed to Louis Ferdinand Elle the Younger (1648-1717) Late 17th century French school Oil on canvas, h. 100 cm, l. 80 cm Important Louis XIV ...

Explore the artistry of graphic design with the advertisement page from "The David Lance Goines Poster Book," published in 1978. This page vividly demons...

Paper Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Image Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fu...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Fisherman Portrait by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 47.5 x 24 inches condition: overall very good, minor surface s...

'Yayoi Kusama' June 12 2013 Tokyo Personal Work (photo Kevin Westenberg) unframed signed and numbered by the artist. limited to an edition of 3 Printed 2020 This Size 60x40''...

Leaning on a Pedestal Paul-César Helleu (1859-1927) JEUNE FEMME EN BUSTE, DE PROFIL À DROITE Black drypoint, circa 1900, on wove paper, signed and annotated 29 in pencil, with full ...

A charming depiction of siblings. They wear shades of red and green and look directly towards the artist. Signed and dated to the upper right corner. Beautifully presented in a folk...

Presented in gilt effect frame and washline mount. Signed in graphite. On paper.

Title: Mid Century French Expressive Ink Studies of Study of Female Faces Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 9 (height) x 13 (width) Stamped: Verso Condition: Good Provenance: All the paintings we have by this artist have come from the artist's estate Description: This expressive ink drawing by Josine Vignon features a study of two female faces, each rendered with bold, confident lines that capture the essence of the subjects. The larger face, positioned in the lower portion of the composition, is depicted with sweeping, fluid strokes that convey a sense of movement and intensity. The smaller face above is drawn with more delicate lines, offering a contrasting depiction of serenity and poise. Vignon’s mastery of ink is evident in her ability to convey depth and character with minimal strokes. This drawing would be a valuable addition for collectors interested in portrait studies and the exploration of expression through line work. Josine Vignon’s art...

Portrait of a Lady English artist, circa 1870’s oil painting on canvas, framed framed: 36 x 31 inches canvas : 30 x 25 inches provenance: private collection, England condition: over...

Dual Portrait of Human Connection Russian artist signed and dated 1999 oil on canvas, framed Framed: 28.5 x 36 inches Canvas: 24 x 31.5 inches Provenance: private collection, France ...

A whimsical oil painting depicting a park scene in Paris during spring by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first half...

This painting depicts a whimsical portrait of a young girl with short brown hair against a light green background and she wears a blue dress. An emotion is felt with in her face. The...

Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) Roman painter 18th century Oil on canvas Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm. This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil. The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands. This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces. Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.  In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda...

Visually, the design evokes a king playing card, reinterpreted through a Mesoamerican lens: Mayan‑style figures, swords, clouds, and other symbolic motifs are composed in a richly gr...

Bruce Helander 1997 - 1998 Love Letters Four Signed Limited Edition Lithographs with Mixed Media Collage Each Lithograph is 21 x 17 in

Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the Right. circa 1640 Etching on cream laid paper with a foolscap watermark, 10 x 7 inche...

A solitary figure rises amid water and lilies. Currents of devotion keep her afloat. Unlike the tragic Ophelia, she stands poised and alive, refusing to be claimed by despair. This p...

GEORGE DENHOLM ARMOUR, RSA, OBE (1864-1949) “Keep your ‘ead in” Signed, inscribed: Cabman: “Now then bunny, you keep your ‘ead in the rabbit-‘...

A pin up picture of a woman (in the likeness of Courtney Cox) sitting in a martini glass. In a fine white contemporary frame. Artist: Mel Ramos Title: M...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

This artwork by Henri Matisse is a lithograph page from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed...

Edition of 5 + 2AP After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from...