Flower Art

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower right. Excellent condition.

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Iris) Year: 1983 Medium: Oil on canvas Size: 60 x 100 inches Inscription: Signed, dated by the artist, verso LOWELL NESB...

Cherry blossoms are very loved by the Japanese people, so in fact they exist as a symbol and the national flower of Japan. For the Japanese, Sakura zensen symbolizes beauty, fragil...

As an artist, He is fascinated by the opulence and richness of still life of the golden age of Dutch painting in the 17th c. These works, of course, symbolize mortality and the tempo...

This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

ANNA KINCAIDE "Don't Look Down" Oil & Mixed Media on Canvas 72 x 60 inches Communicating emotion and narrative with limited assistance from her figure’s facial expressions, Anna Kin...

4 colour screenprint on Somerset Tub Sized 410gsm paper Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due to the production process Sinc...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

This artwork "Girl with Roses" c.1990 is an oil painting on canvas by noted British artist Brenda Burke, b.1957. It is signed at the lower right corner by the artist. The canvas size is 30 x 20 inches, framed size is 37.5 x 27.5 inches. Framed in original wooden beige and gold ornate frame, with fabric liner. The artwork and frame are in excellent condition. The fabric liner is separated at the 4 corners and will be replaced by a new one when sold, before shipping, This will bring the over all condition to excellent. About the artist: Brenda Burke started to paint at an early age of three years. Her career has spanned more than half a century, encompassing paintings, portraits, sculpture and printmaking. She has trained in the classical style of the old masters at the renowned Farnham art school just outside of London, England and continuing her studies in Florence and Rome, Italy, Burke’s wealth of experience, technical excellence and artistic vision is evident in each of her exceptional works of art. Her work can be seen in private collections around the world. Sometimes known as the Painter of Royalty, Brenda has been chosen to present her work to Her Majesty The Queen of England. She was commissioned to paint the celebratory portrait for Prince Charles and Lady Diana's engagement, and she was again selected to create the painting for the christening of Prince William. Her skill and versatility has also been shown in a collection of limited edition wax and porcelain dolls, dressed in fine silks and antique French lace...

A stunning Modern Cubist watercolor on paper of purple irises by Chicago and New York artist Rita Duis (Astley-Bell). Signed and inscribed "Duis A.W.S." (American Watercolor Society...

Title: British Impressionist Watercolor of Cottage Window and Flower Pots By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unf...

Early Bud captures the elegant simplicity of a flower in its earliest stages of bloom. The clean composition focuses on the organic lines of the bud and its sharp, elongated leaves, ...

Genevieve Hamel You are my Light Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.5 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design...

Tess Michalik Tropicana, 2025 oil on panel 36 x 36 in. (mic043)

Artist: Yvette Bossiere (French, b.1926) signed lower corner and verso Title: The Interior Medium: oil painting on canvas, unframed Size: painting: ...

Oil painting on canvas realized by Elena Mardashova, 40x40 cm. , realized in 2022. Excellent condition.

Artist: La Pun, Campbell Title: Sakura Hanami - Pulse Date: 2023 Medium: Aerosol on panel Unframed Dimensions: 40.5" x 28.6" Signature: Signed Edition: Unique

"Autumn Harvest III" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mi...

"Audrey Hepburn" by Bert Hardy May 1950: Belgian-born US actress Audrey Hepburn (1929 - 1993) in Kew Gardens. She is on a break from rehearsals in the London revue 'Sauce'. Original...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating the individuality and inherent strength of the female experience. Each painting features endless floral arrangements that frame the mysterious visages of beautiful women, creating a stunning celebration of floral abstraction and wild, fanciful coloration. Lavish in application and luxurious in composition, Sally K.'s work is inspired by pop art, culture, and fashion, resulting in a powerful, visually stunning artwork that captures the essence of femininity. This monochrome 47-inch high by 38-inch wide painting is created with acrylic paint with green paint accents on canvas. It is stretched, wired, and ready to hang. This floral figurative artwork is signed by the artist on the front of the artwork. The sides are a continuation of the painting and it is stretched, wired, and ready to hang. Free local Los Angeles area delivery. Convenient U.S. and global shipping is available. A certificate of authenticity issued by the art gallery is included. Sally K. is an Ohio-born artist of Lebanese heritage who spent her formative years in Saudi Arabia before attending high school and college in Beirut. She graduated with distinction from the Lebanese American University of Beirut, earning a BA in Fine Arts. After moving back to the United States in 2013, Sally K. and her family eventually relocated once more to Qatar in 2019. Sally's multicultural background and diverse experiences inform her artistic vision, resulting in a unique style that blends Middle Eastern and Western influences. Sally K's work is a celebration of femininity, strength, and individuality, reflecting her own journey as a woman and artist. Her captivating portraits of contemporary women are a masterful blend of abstract expressionism and portrait painting, featuring vibrant blooms that create a dreamlike aura around her powerful subjects. Her paintings not only capture the beauty of women but also their confidence and strength, conveying a powerful femininity that inspires and empowers. With alluring, flirtatious, and demure features, Sally's portraits radiate sensuality, independence, and confidence - the very qualities that define strong women. Sally's portraits are intensely personal, as each woman she paints is an extension of her own feelings, thoughts, and experiences. Through her work, she captures the qualities that captivate her in other women - the qualities she admires and strives to gain for herself. Her paintings are a celebration of the complexities and strengths of women, conveyed through a masterful use of color, texture, and composition. Sally K's use of occlusion, a technique where she covers the eyes of the figures, adds a layer of depth and complexity to her pop-realistic artworks. This technique creates a sense of mystery and intrigue that invites the viewer to contemplate the inner life of the subjects, while the lack of eye contact encourages a deeper emotional connection with the painting. As a result, viewers are able to engage with the piece on a more personal and intimate level, experiencing a range of emotions and reactions that are unique to them. The sense of mystery and depth allows for a more immersive and personalized experience, making Sally K's works truly captivating and thought-provoking. Sally draws inspiration from photography, pop culture, and fashion as well as artists ranging from the pop art of Willem de Kooning and Jackson Pollock to the gilded florals and figures of Gustav Klimt. Her highly regarded paintings have been featured in group and solo shows in Beirut, Dubai, Italy, Switzerland, and the USA. They have been collected worldwide. Notable collectors include Jesse McCartney and Kelly Clarkson. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2024 Artspace Warehouse, Los Angeles, CA 2024 Affordable Art Fair, Austin, TX 2023 Artspace Warehouse, Los Angeles, CA 2022 “Identity with a Chance of Imperfection”, Artspace Warehouse, Los Angeles, CA 2022 “Saturate Euphoria”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York, NY 2021 “Splatters of Life”, Artspace Warehouse, Los Angeles, CA 2020 LA Art Show, CA 2020 Art Palm Springs, CA 2019 Affordable Art Fair Hong Kong 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles, CA 2018 "Colored Whipped Cream," Artspace Warehouse, Los Angeles, CA 2018 Threshold Art Gallery, Los Angeles, CA 2018 484 North Gallery, Laguna Beach 2013 Beirut Art Beat 2009 Lebanese Artists Association 2009 Gallery Surface Libre 2008 Lebanese Painters Exhibition 2007 Café De Prague Hamra 2007 Cream Saifi Village 2007 Matignion Gallery, Horsh Tabet 2007 Drops Batroun (permanent) 2007 Cloud Nine Jemaizeh (permanent) 2007 Tribecca Monnot 2006 Art Lounge, Beirut, Lebanon 2006 MILK Jemaizeh (permanent) 2006 Gauche Caviar Jemaizeh (permanent) 2006 ESCWA Riad El Solh 2006 Tapas Jemaizeh (permanent) 2006 Zinc Achrafieh 2006 Blush Monot 2006 The Basement Jemaizeh 2005 Solo Gallery Show, Art Lounge, Beirut 2005 Zinc Achrafieh 2005 Tribecca Monot Café 2004 Paul Guiragossian...

This contemporary landscape painting of a tree was created by Peter Hoffer. Canadian artist Peter Hoffer captures the glory of an apple tree in spring in this vividly coloured mixed...

Flowers - Italian oil on canvas painting. Italy, 2007, Roberto Suraci, cm.70x50 Flower Still Life depicts a lush variety of different flowers, Roberto Suraci combines a complex and ...

This still-life is painted by Dutch Painter Ingrid Smuling. The now 77-year-old artist is still most in her element when she is painting in her beautiful studio in the middle of The...

“Irises in a Terracotta Pot” is a contemporary floral painting inspired by Vincent Van Gogh’s iconic irises and created as part of Natalya Mougenot’s ongoing “Floral” series. In this...

A cherry branch is placed in a smooth, neutral space. The various shades of pink color of flowers with its thin delicate petals inspire me to create this work. My intention was to ke...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Edition AP of 75. Artwork is in excellen...

One of a kind original Oil painting by Ukrainian artist Alisa Onipchenko-Cherniakovska - Canvas painting - Painting signed front and back - Certificate of Authenticity for painting i...

'Four Dahlias’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemüh...

Wonderful impressionistic landscape painting of Koloa, on the Island of Kauai, Hawaii by Katherine O. Baldwin (American, 20th Century), 1971. Signed and dated lower right and titled ...

This artwork titled "The Piano" c.2000, is an oil painting on canvas by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower right corner by ...

In creating this piece, I surrendered to the dance of colors and textures, letting oil become emotion on canvas. Each brushstroke captures the trembling beauty of nature's fleeting m...

ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dreamy-nostalgia into her work. She has created work for Prada, Miu Miu, and 24 Sèvres, and...

Experience the luxurious beauty of an oil painting featuring a stunning bouquet of lilacs, which speaks volumes more than words ever could. Each brushstroke brings the delicate petal...

Watercolor on heavy paper realized by Carlo Ravagnan in 1971. Hand signed lower right. Excellent condition.

Vicki McKenna’s “Balloon Milkweed/Memories” is a 8 x 10 inch (image size), 14 x 16 inches (matted), handcrafted, platinum/palladium, photographic print. The contemporary black and wh...

From 1833 to 1835 Johan Laurentz Jensen lived in France and Italy; while in Rome, he was considered the most prominent painter in an extensive colony of Scandinavian artists there. I...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Subject: Lavenders Valley Size: 43.5" x ...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Genevieve Hamel Bouquet Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.5 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design and natu...

These stunning magnolia placed in a transparent vase. A dark background helps to reveal delicate forms of flowers and capture the reactions of light with glass. The medium used is oi...

This still life is autumn’s farewell gift: a touch of romance, a pinch of melancholy, and a whole lot of coziness. It’s not just a decoration—it creates an atmosphere that inspires w...

Original oil painting with beautiful white water lilies in a pond, painted in the style of impressionism, art of realism. The incredible beauty of this flower on the water inspired t...

Watercolor on heavy paper realized by Carlo Ravagnan in 1971. Hand signed lower right. Title and dated in pencil on rear. Excellent condition.

Oil on canvas realized by an italian painter in 1990s and hand signed "De Silvestri". Very good condition.

Work on canvas Molded frame in wood and gilded plaster 62 x 53 x 4.5 cm

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: Flowers Size: 27.5" x 31.5" x 0.8'' ...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Morning Se...

Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...

UNTITLED GARDEN 7 Archival pigment print on 305gsm 100% cotton Hahnemühle Edition 24 Bespoke sizes available Numbered, signed and supplied with a Certificate of Authenticity Prints ...

Work on cardboard Golden wooden frame 54 x 44.5 x 3.5 cm

'Blooming hands' 2023 A Fusion of Nature and Creation Analogue double exposure photograph made using 4x5 large format camera. Creating focal details of the photograph and depth of ...

"Many Seasons" by Hui Chi Mau New York Graphic Society, 1977, Printed in Italy Print measures 25 in x 34 in Print is in good condition

Gary Bukovnik, American (1947 -) - Spring Bloom, Year: 1983, Medium: Watercolor on Paper, signed and dated in pencil lower right, Size: 45 x 71 in. (114.3 x 180.34 cm), Frame Size...

"In this oil painting, I poured my soul into capturing the enchanting interplay of light and shadows, where blooms dance above tranquil waters. Merging realism with impressionistic t...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...