Head Art

Original Lithograph by Jean Cocteau Title: Profil Signed in the plate Dimensions: 65 x 44 cm

Sculpture - original. bronze 6/8 Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of Elisabeth...

A fine patinated plaster sculpture Albert Einstein mounted to a painted wooden base. The sculpture is signed illegibly and dated on the re...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. “These are not ...

A beautiful painting I acquired when I was buying things from Russia and Ukraine maybe 7 or 8 years ago. It's painted on very heavy cardboard, as I'd say the majority from the Soviet...

Jane Maria Bowkett British, (1837-1891) Collecting Flowers Oil on canvas, signed with monogram Image size: 23.5 inches x 17.75 inches Size including frame: 29.25 inches x 23.5 inches A highly appealing genre painting of a young girl holding flowers by Jane Maria Bowkett. The girl is posed in a wild flower meadow in front of a wooded area and wears a white lace dress with a pink sash. On her head is a yellow straw hat decorated with white feathers and a ribbon. She is shown gripping the brim of her bonnet with one hand whilst holding a posy of flowers in the other. The girl bears a resemblance to the models featured in some of the artist's other paintings and could well have been a family member. Jane Maria Bowkett was a figure and genre painter born in Poplar, London on 17 September, 1837, the eldest child of Thomas Edward Bowkett and Jane Bowkett (nèe Watkinson). The family lived at East India Road where he father practiced as a surgeon, later becoming a doctor and was involved in the Chartist movement. Three of her sisters, Eliza Martha Bowkett (1839-1867), Jessie Undine Bowkett (1861-1886) and Leila Matilda Bowkett (1853-1924) also became artists. She attended the Government School of Design (now Royal College of Art) and in 1858 began her exhibiting career at the Society of Female Artist. In 1860, she started exhibiting at the British Institution and a year later made her debut at the Royal Academy and Royal Society of British Artists. As well as exhibiting in London, she also exhibited more widely at the Birmingham Society of Artists, Royal Scottish Academy, Bristol Academy of Art and the Brighton Art Society. Most of her paintings were genre scenes featuring woman and children in a mixture of both interior and landscape settings. Her work also included a number of beach and coastal paintings. She married the still life and landscape artist Charles Stuart on 7 February, 1862 at All Saints Church in West Ham. Although married, she continued exhibiting under her maiden name. The couple spent the first years of their married life living in Stepney Causeway where they started a family. One of their sons Charles Edward Gordon...

Lucifer Bronze Sculpture Contemporary Classic Mythology Male Figure Wings Angel The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft o...

There’s a poise that comes not from perfection but from resilience and the quiet strength we all carry from within. This artwork speaks to the moments when life tests us, yet we choo...

Artist: Francesco Scavullo (after) Title: Pavarotti, 1977 Portfolio: A Photographic Retrospective, Volume I: Song Medium: Gelatin Silver Print Year: 2004 Edition: 106/150 Signed: Sig...

An overly exaggerated nude figure is the subject of Oliver Hazard Benson's drawing entitled "TnT". Upon closer look, the artist's fine hand is evident in the amazing detail in the f...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Limited edition Photographic Mosaic. Edition of 8 Joel creates these contemporary pieces by adding lots of tiny images of the female form to make up the larger image. These small p...

In this piece, I poured my vibrancy and passion for music into a tapestry of oil and wax. The cubist influences breathe life into the figurative forms, inviting viewers into a dance ...

"Saint Lawrence Looking at the Treasures" is a captivating painting attributed to the Bolognese School, a prominent art movement from Bologna, Italy, flourishing primarily in the 16t...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

A gorgeous solid bronze on marble pedestal depicting a demure young woman observing something that appears to be just in front of her. Is she a bit timid, perhaps? A lovely patina ha...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 35) 26 x 39 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Cleopatre, Year: 1875, Medium: Heliogravure, Size: 4.75 x 7 in. (12.07 x 17.78 cm), Printer: Amand Durand, Des...

LONDON – FEBRUARY 26: English singer, songwriter and lead singer of the Rolling Stones, Mick Jagger, at Television House Studios during rehearsals for the ITV show “Ready Steady Go!”...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 18.75 inches Beautifully decorative, mid 20th century French ori...

David Bailey Rolling Stones Colour Out of Our Heads, 1968 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58...

An energetic portrait of a fashionable woman, likely dating to the late-1940s. Presented glazed in a distressed gilt-effect wooden frame. Unsigned. On board.

Stages II Watercolor on Arches paper, 2021 Signed with the artist's initials lower right (see photo) Signed with the artist's Yummy blindstamp lower right Signed, titled and dated in...

"Apollo" by Henri Bouchard (1875-1960) An Art Deco period masterpiece! Exceptional bronze sculpture with a golden-brown patina Signed " H. Bouchard " Unique piece This work personifies Apollo, god of the Arts. Represented here as Apollo Musagète, leader of the procession of muses and winner of the serpent Python. This subject was commissioned to adorn the entrance to the Palais de Chaillot in Paris, and whose monumental bronze is still exhibited there. To participate in the Venice Biennale in 1938, Henri Bouchard had reduced in 1937 the large Apollo of the Palais de Chaillot, which had not yet been installed. Vintage cast by Bisceglia (cast founder stamp) made during the artist's lifetime. Incised dedication below signature : " à mon cher ami E. Sandoz " This is a unique cast made for the sculptor Edouard-Marcel Sandoz (1881-1971). This cast was exhibited at the 1938 Venice Biennale. France 1937 height : 82 cm width : 45 cm depth : 30 cm weight : 31,2 kgs Stickers under the bronze cast : - Sticker mentioning that this cast has been exhibited at the Venice Biennale of 1938 under the number 354 ("Biennale Internaz. d'Arte Venezia – 1938 – XVI – 354"). - Sticker mentioning that this cast went through Italian customs ("ne – merci – dogana italiana – visitate - 9622") - Damaged Sticker mentioning the name ("A…") and the address ("25…") of the owner of the cast (maybe for the workshop "Atelier Henri Bouchard", 25 rue d’Yvettes, 75016 Paris). Provenance : - Edouard-Marcel Sandoz, Paris, according to the dedication. - Property from the Collection of Seymour Stein (entrepreneur and founder of Sire Records, famous American record label ; and avid collector of 19th and 20th century fine art...

In his work, Tetteh condenses the internal sentiments and tensions of his characters and focuses them, using the eyes as the outlet for expression. In this way his subjects become in...

Richard Judson Zolan (1931-2001) "Be Calm" A sailor girl (or sailor boy) with a toy boat in a pond. Oil painting on canvas, hand signed upper left, Dimensions 40 x 30”, framed to...

Karen Alexander broke ground as a black model in the 1980s and 1990s and is sometimes known as “the other supermodel”. "Natural beauty and refined elegance of Karen Alexander" Ritt...

Birendra Pani - Re Vision - 66 x 42 inches (unframed size) Acrylic on Canvas , 2008 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Francine Brandt by a swimming pool in Acapulco, Mexico, January 1961. Slim Aarons Francine Brandt Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping t...

"Diego’s Diary" Figurative Portrait Painting (FRAMED) 24 x 18 in by Isaac Pelayo Medium: Oil and aerosol on wood panel Comes in frame (wood & gold leaf) Size framed: 30" x 24" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff...

After Renoir etching on cream archival paper. Impression size is 6.5 by 4.25. Sight size is 7.25 by 5 inches. This is most likely the third posthumous edition by Floury in 1923. Un...

The first serious painting I bought as a collector, when I was around 30, was by William Anzalone of Texas. I saw it at the venerable Meredith Long Galle...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Kaikai & Kiki: Dreaming of Shangri-la by Takashi Murakami Offset print, numbered and signed by the artist Framed 23 ⁵/₈ × 23 ⁵/₈in 60 × 60 cm Edition 155/300 Takashi Murakami is be...

This piece is an original vintage photograph by Milton Greene in 1956. This photograph depicts Hollywood Icon Marilyn Monroe, who was a close friend and business partner of the artist. This piece is a part of Greene's series entitled "The Black Sitting...

Film star Britt Ekland (Britt-Marie Eklund) in Porto Ercole, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stampe...

German fashion model Renata Boeck (wearing a monocle) enjoying breakfast in bed at the Regency Hotel in New York, 1964. She is wearing a black monocle and a fur-lined turquoise robe as she reads the morning paper, propped up against sumptuous yellow pillows. Morning light pours through the sheer curtains...

Legendary Life Magazine Art Director and Illustrator Charles Tudor depicts a vibrant 1930s Automobile Exhibition. In the background, four onlookers are shown studying a vehicle. At ...

Larry Clark b. 1943 Boy in a car, 1963 silver print, printed later signed, dated, numbered '4/25' and dedicated 'for Laetitia andPaolo' in pencil on verso edition of 25 this work is ...

Edition of 3 American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was i...

Olio su tela. L'opera, dipinta seguendo lo stile della pittura spagnola di inizio '600, è in realtà di fine '800. Ritrae una nobildonna che indossa la gorgiera, il colletto pieghetta...

“Fall of Jericho" was commissioned by Vera List, Byrone, Connecticut, for her grandson Joshua Lincoln Mack’s Bar Mitzvah in New York. It was mailed with the invitation to the guests....

Contemporary in a Traditional style Impressionist Figurative Portrait Oil Painting of Model in White Gown adjusting the suspenders on her silk Stockings...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

A Fine, Mid-Century Modern 1950s Drawing of a Reclining African American Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed studio figure stud...

David Bailey Paul McCartney [Mirror], 1967 Silver Gelatin Print Signed by the artist, on verso Image: 43.1 x 43.1 cm Sheet: 50.8 x 60.9 cm Edition of 25

ALEX KATZ (1927-Present) This Alex Katz work 'Yvonne' is a 2018 cutout in powder-coated aluminum, UV archival inks, stainless steel. The signature impressed to the base ‘Alex Katz’....

Circa 19th Century Watercolor portrait of a woman reading a book

Oil on copper after Raphael " the virgin of Lorette " Chantilly Museum . Ecole Hollandaise from around 1600 . No signature at this time La Vierge de Lorette (Madonna del Loreto) ap...

Denied Warhol Marlon Brando Silkscreen Painting on raw linen by Charles Lutz Silkscreen and acrylic on raw linen with artist's Denied stamp of the...

Richard Avedon was an American fashion and portrait photographer who's work often showed the vulnerability and humanity in celebrities. This poster is signed in marker. Published by ...

Print measures 26 in x 24 in In fair/poor condition - water damage found throughout poster Published by Pub. Arthur Rothmann Fine Arts. Printed in Austria, plate signed

English actor Michael Caine, throwing a punch, August 1965. (Keystone Features/Hulton Archive/Getty Images). As an authorized Getty Images Gallery partner, we offer premium quality...

PORTRAIT OF PRISCILLA, MRS WILLIAM OSBORN half length, oil on canvas, WILLIAM JACOB BAER (1860-1941) housed in the original early 19th c gilt cavetto frame The overall size being 94....

Rick Sindt's knowledge of the male physique is evident in this drawing of a nude male torso. The subject is tilted back with his head turned away, as if to shield himself from the v...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...