Landscape Art

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Vibrant cool colored landscape of Norwegian Fjords by Bay Area artist Lucette Barth (American, 1894 - 1986), circa 1960. Condition: good, three minor tea...

Landscape painting titled "Untitled (Salt Marsh Herring Cove)" by Cobi Moules - Oil on canvas Driven by the desire for adventure and discovery, Cobi Moules embraces the beauty of nature all the while shifting its weight through the exaltation of his own existence within, and as part, of it. This is best exemplified by the way he incorporates multiple self-portraits throughout his compositions. The multiplicity of self takes both precedence over, as well as integration into, the landscape creating a world with a sense of excitement, self-worth and play. The locations of Moules’ compositions are equally important. All of the locations were previously depicted in paintings by the Hudson River School. Through the exploration of the grand American landscape and the reflection on mid-19th century American...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

"Low Tide Afternoon" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the mood and feel of the California Riviera ...

The morning desert of Northern Territory, Australia as captured by photographer, Peter Lik in Painted Skies, an original cibachrome color print mounted on plexiglass measuring 8 x 20...

Paradise Blue 111 By Amanda Horvath [2021] Original Acrylics on canvas Image size: H:70 cm x W:100 cm Complete Size of Unframed Work: H:70 cm x W:100 cm x D:3.5cm Sold Unframed Pleas...

Joseph McGurl is regarded as a leader of the current American landscape school. This has been confirmed by his inclusion in several important museum shows and his successful relation...

An atmospheric oil painted on from a study created on location in Maine by noted California artist Jacobus Baas, "Winter Tree Shadows " exhibits the subtle touch and beautiful light ...

Title: Towards Where Afar Medium: Oil on canvas Size: 26 x 34 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2012 Ar...

Tellurians XVIII [2020] original Acrylic on Canvas Image size: H:30 cm x W:100 cm Complete Size of Unframed Work: H:30 cm x W:100 cm x D:4cm Sold Unframed Please note that insit...

This classic Post cover combines the vastness of the American West landscape with the intimacy of iconic Americana: two kids swimming in a rura...

Cotswold View, Foxcote by Georgie Dowling [2021] original oil paint on canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2cm Sold Unframe...

Oil on canvas

Size: 30 H x 40 W x 2 D cm Year: 2010 Media: oil on canvas Style: modern, art deco, figurative, abstract This painting depicted architecture, city, country, houses, road, square, ch...

Epic landscape of Sierra mountain peaks capped with whispers of snow, and a gorgeous mountain lake surrounded by soft meadow grasses and California poppies by California artist Ken Lucas...

"Little Bear" is a captivating mid-century oil painting by American artist Harold Vincent Skene (1883–1978). This traditional Western landscape, painted in...

Title: British Impressionist Watercolor of Wildflowers, Fields, and Rolling Hills By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x...

Pink Sunrise by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed double sided paper dimensions: 11 x 15 inches condition: very good ...

Dusk by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 15 x 11 inches condition: ve...

Luminous mid century landscape of the sun rising in the Yosemite High Sierras by an unknown artist (American, 20th Century). Unsigned. Unframed. Image siz...

Battle Mountain, Nevada (2005), oil on canvas, 30x40 inches (framed size: 39 x 50 inches) Earl Jones (1937- ) is one of Utah’s best known landscape artists. As an undergraduate at the University of Utah, where he earned a BFA in 1959 and an MFA in 1962, Jones was preoccupied with the figure, studying under the tutelage of portrait painter Alvin Gittins. He then ventured from Utah to New York and the Art Students League where he took figure painting classes with Joseph Hirsch. Later Jones became heir to the landscape legacy of LeConte Stewart...

A dramatic seascape in acrylic, showing violent green waves throwing a ship against the cliffs under an eerily clear sky with glowing moon. The artist has signed to the lower left ed...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. Cuban born “Pozas” is a self-educated artist. After completing his studies in Electrical...

In the autumn cold of the town of Vorokhti, between the fragrant haze of fallen leaves and the silvery crescent of the sky, there is an unprecedented silence. Oleksandr Khrapachov's ...

Edmund Darch Lewis (1835-1910) Mount Washington, New Hampshire 50 x 58 inches, signed dated 1859 Description The area near Mount Washington in New Hampshire was visited by m...

Landscape at sunset. Grassy field, hills, goldenrod. Abstracted realism. :: Painting :: Photorealism :: This piece comes with an official certificate of authenticity signed by the a...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Caribbean Coast, Size: 29.5" x ...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2020 Style: Impressionism, Subject: Lakeside, Size: 45" x 30" x 1''...

An exceptional oil painted on location in Provence by Maria Bertran, this Contemporary Impressionist seascape captures the beauty of Spring in the South of France. "Crashing Waves, ...

In this piece, I capture the serene embrace of nature using oil paints, blending the evocative textures of realism with the fluidity of impressionism. The scene, a tranquil river win...

60x60x1.5 cm. One of a kind work. Signed front and back. Sold with certificate of Authenticity. Painted on canvas with the highest quality professional oil colors. Sold with a simple...

Orientalist School Attributed to Émile Willaey (1880-1963) Title View of Istanbul – Golden Horn and Süleymaniye Mosque Date 1910 Medium Oil on canvas Dimensions 50 × 89 cm (canvas)...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Adalbert Waagen Munich, 1834 – Bertesgaden, 1898 On the shores of Lake Tegern in Southern Bavaria Oil on panel Signed and dated lower left "A. Waagen. 1857" Located on the reverse "Gegend am Tegern See" 25 x 40 cm (39 x 53 cm with frame) Very good condition Beautiful 19th-century carved and gilded wood frame Adalbert Waagen was a German landscape painter. He painted primarily landscapes, and more specifically mountain landscapes. His style was influenced by his teacher, Zimmermann, through Joseph Anton Koch. Leopold, Prince Regent of Bavaria, bestowed upon him the honorary title of Royal Professor in 1891. His works are held in the Martin von Wagner Museum, the Julius Maximilian University of Würzburg, and the Munich City Museum. Waagen first studied with Albert Zimmermann in Munich between 1855 and 1858. Our painting, dated "1857," dates from this period. After completing his studies in 1860, Waagen established his studio in Munich, in the home of his friend Karl Millner. He regularly undertook study trips with Hermann Krüger and other students to the mountains of Old Bavaria and Tyrol. Our painting, in fact, is set in southern Bavaria, "near Lake Tergen." Waagen's style became broader and more realistic at this time, both in its atmosphere and its use of color. Waagen became a central figure in the vibrant artistic circle of "Young Munich," alongside Otto Stöger, Theodor Pixis, Georg Kremplsetzer, August Spieß, Friedrich and Heinrich Lossow...

John Folinsbee (1892-1972) was born in Buffalo, New York and, after finishing his studies at the Art Students League in 1916, moved to New Hope, Pennsylvania where he joined a renown...

Color fine art long exposure seascape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited...

In creating this painting, I sought to blend the tranquility of impressionism with the vibrant energy of pop art, all while maintaining a grounding in realism. The majestic tree, bat...

Georgina Klitgaard Catskill Mountains Signed lower right Oil on canvas 24 x 30 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artist...

'Sunset Beach' a highly detailed portrait painting of a sunset beach, oranges, blues and sand colours. Ignacio Trelis is a Spanish contemporary painter and gallery owner. Origina...

Kathryn Markel Fine Arts is pleased to announce Sun Fog Rain, an exhibition of new paintings by Sara MacCulloch. This will be her fourth solo exhibition with the gallery. An opening ...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Artist: Ralph Hulett, American (1915 - 1974) Title: Funeral Range Year: circa 1970 Medium: Watercolor on Cardboard, signed Size: 12.75 x 39.25 in. (32.39 x 99.7 cm) Frame Size:...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....

GEORGE PRICE BOYCE, RWS (1826-1897) A Surrey Common in November Signed, inscribed and dated 1866.7; indistinctly signed and inscribed with title and the...

Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

This image captured by New York photographer Christopher Petsos in 2014, featuring The Bow Bridge (cast iron bridge), located in Central Park, New York City. The photograph demonstrates the beauty of New York City in the Fall, when the humidity of summer is gone but plenty of days with warm temperatures and blue skies remain to demonstrate a show of colorful foliage, as do the residential side streets and busy squares. Christopher Petsos is a New York City based photographer and artist. He is best known for capturing Light, pattern, texture, color and motion across the urban realm. Christopher Petsos believes that we see things through a filter of the self, a camera records the physical details of a scene, but our human eyes and sub-conscious self are the interpreters that complete our view of reality. In his own words: “Throughout the process, I stay faithful to the underlying truth of the scene. My work inhabits the space between literal depiction and my emotional Impression of the moment. The result is hyper-reality: facts imbued with feeling.” In this image, Christopher Petsos stands true to his words and brilliantly captures the light, pattern, texture, color and motion across the urban realm and painted it in his own colors to give the viewer a new perspective. Limited Numbered Edition of this iconic print on fine art archival pigment paper and signed by Christopher Petsos are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Stunning Fine Art Archival Print, Nature Colorful Photography...

"Frosty Sky" is a dramatic and high-contrast watercolor that captures the raw, elemental beauty of a mountain range at the onset of winter twilight. The painting explores the tension...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

Signed lower right: John Whorf Provenance Private collection Sand Dunes, Cape Cod amply demonstrates John Whorf’s expert handling of the watercolor medium. The fluidity of his styl...

Charming 1940s modernist mountain landscape painting featuring a white farmhouse, outbuildings, and trees set in a verdant meadow near Gunnison, on the western slope of Colorado. Maj...

Photograph of Palm Springs Desert option of paper +can be printed on metal..inquire for pricing comes unframed. Inquire about various sizing About the Artist: Short Biography in a ...

This original landscape painting of a quiet river scene captures the serene beauty of untouched nature. A gentle curve of pale blue water winds through lush green grasses, framed by ...

Joseph Orr (Japanese, American, b. 1949) River Access Signed Lower Right 30 x 30 inches 39.5 x 39.5 inches with frame BORN in Tokyo, Japan, Oct 31,1949, Joseph lived his first years in an orphanage sponsored by American Armed Forces. He was adopted April,1954 and came to the US at age 5 where he became an American citizen. As the Orr’s traveled for the US military Joseph enjoyed a childhood rich in experiences from Germany and back to California where he attended High School and started College. Following his parents to Missouri In 1971 he took a job with Hallmark Cards as machine operator in the cardboard fold dept. It sparked an interest in art, so after a few months he sought out some of the Hallmark artists at their work for private lessons. He learned basic drawing and watercolor from Anthony Allison and, “Probably before I was ready”, he admits, Joseph was entering local art shows and even winning prizes. At that time Joseph also enrolled for art instruction under John Coleman at Longview Community College. He spent one semester there. By the end of 1972 Joseph had quit his day job to become a full time painter, joining an art show tour group called Word Of Art, which was a new concept: culture meets promotion. Booking weekly art exhibits in the new indoor shopping malls across America, The idea transformed part of the art world by bringing art to the masses. For Joe and many other artists in the early 1970’s, it created the chance to paint full time and sell their work to an otherwise unobtainable audience. During this time of continuous self study and painting Joseph transitioned from watercolor to the newer acrylic painting medium. Believing that acrylic, as a fine art painting medium, can be as viable as oil, Orr has always promoted it as the modern medium that it is. In 1990 Joseph, along with his wife, Rita and two other artists, founded the National Oil & Acrylic Painter’s Society. The Orr’s brainchild, they were aided in founding NOAPS organization by local art patrons, Wm & Martha Mitchell and fellow artists Pete Peterson and Dennis T. Yates. While traveling with the World of Art Tour Joseph had met Rita Mathews, an aspiring artist, in Columbia, MO. They were married in June 1974 and stayed in Missouri, traveling and exhibiting their art together. Orr had a brief encounter with printmaking in 1977. He took private instruction in stone lithography and copper plate etching from Frank Stack, professor of art at the Univ of MO, Columbia, but painting remained his principal devotion. By 1999 Joseph had become proficient enough to have obtained Gallery representation with several Fine Art Galleries across the US. Joseph Orr currently resides in Osage Beach, Missouri, but travels to paint and visit his gallery representatives and Exhibit Openings. PHILOSOPHY: For me the idea is that painting should follow some form of illustration and truth telling. Basically, the premise of my painting philosophy, is to build layers of narrative into my paintings. A place or landscape scene is never defined satisfactorily without it’s relationship to color and composition. It is important to balance fact with imagination. “ART REFLECTS THE SOUL OF SOCIETY. A JUDGMENT CAN BE MADE FOR THE ATTITUDE OR CONDITION OF SOCIETY BY INSPECTING THE POPULAR ‘IDEAS’ OF ART OR, IN SOME INSTANCES, THE LACK OF ART.” (JOSEPH C. ORR) NOTED SOLO EXHIBITS : *BIRGER SANDZEN MEMORIAL, LINDSBORG, KS; *HARWELL ART MUSEUM, POPLAR BLUFF, MO; *ASHBY-HODGE GALLERY OF AMERICAN FINE ART, FAYETTE, MO; *NORFOLK ART CENTER, NORFOLK, NE; *KODNER GALLERIES...

Nine Cherry Trees Study 2, Austria - no. 18138 Pigment ink print as part of a limited edition of 9. All prints are made to order in limited editions on Hahnemuehle Photo Rag Baryta. ...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

A one of a kind 36x18 Impressionist Acrylic & Ink on Canvas Painting executed by artist Stefanie Bales. A certificate of authenticity will be provided upon its purchase or delivery. ...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 25" X 67"- Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material tha...