Modern Art

A modern Abstract painting by French artist, Roger Derieux, French (1922). Date: circa 1955 Oil on Paper mounted to Canvas, signed l.r. Size: 9 x 11 in. (22.86 x 27.94 cm)

Marc Chagall The Bay of Angels Artist: Marc Chagall Medium: Lithograph Title: The Bay of Angels Portfolio: 1960 Mourlot Lithographe I Year: 1960 Editio...

Roundism – 04-06-18 I was attracted by the musculature of the model’s back and wanted also to map this even more by emphasizing the oblique position of the torso by means of a...

The Finish Line French School, contemporary oil on canvas, unframed Canvas: 15 x 18 inches Provenance: private collection Condition: very good condition Description: This striking ...

This is an Tim Yanke original painting on canvas in excellent condition measures 32x24. Signed in the front and back . Made in 2012

Magical Box Large Abstract On Wood Panel Nicholas Wilton Nicholas Wilton Born 1961, San Francisco, CA. Is known for vibrant abstract paintings that delve into themes of nature, personal experience, and emotional complexity. His work, described as “visual poetry,” is characterized by rich color, texture, and organic forms, creating a complex visual weave that reflects the underlying feelings and intricacies of life. Informed by spontaneity and a balance of opposites, his paintings emphasize the accuracy of feeling over literal representation. Wilton studied at the College of Creative Studies in Santa Barbara, California, and earned a BFA from the ArtCenter College of Design in Pasadena. His work has been chosen for a stamp by the U.S. Postal Service, and featured on book covers such as The Four Agreements by Don Miguel Ruiz. Wilton also founded Art 2 Life, a program dedicated to nurturing creativity and artistic development through workshops and classes. EDUCATION 1979-1983 College of Creative Studies, University of Santa Barbara, CA 1983-1986 Art Center College of Design, Pasadena, CA EXHIBITIONS 2014 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2013 Solo Exhibition Campton Gallery, New York City, NY 2012 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2011 Solo Exhibition Costello Childs Gallery, Scottsdale Three Person Show Stremmel Gallery, Reno, NV 2010 Solo Exhibition Gallatin River Gallery, Big Sky, MT Solo Exhibition: Selby Fleetwood Gallery, Santa Fe, NM Solo Exhibition gallery Jones...

How do you feel when you know you're irreplaceable? People in general are irreplaceable in life. We are ourselves that cannot be copied in a sense of personality. Simply similar Sh...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Alice's Adventures in Wonderland, Edition 25/111. Screenprint in color. Image: 36.5 x 29.3 cm. Sheet: 64.5×42.4 cm. Published in 2012 by Louis Vuitton France on Somerset Paper The i...

Françoise GILOT (1921) The Dream, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Francois...

This exquisite lithograph by Georges Rouault (1871–1958), titled Jentie Bernard (Jentie Bernard), from the album Georges Rouault, Divertissement, originates from the 1943 edition pub...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Stanley Bielen’s paintings often begin with him planting the flower that he intends to capture in paint. He brings clippings from his garden into the studio and combines his intensit...

"Workers" Russian Constructivist 1920s Modern Social Realism Cubism Figurative VLADIMIR VASIL’EVICH LEBEDEV (1891-1967) "Workers" Gouache on paper Monog...

SHARING THE CHORES is a hand drawn, limited edition lithograph by the acclaimed Charleston SC artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper...

"Turkey Tail Mushrooms" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina...

ABOUT THE ARTWORK The painting "Ageless Eyes" from the MADELEINE series is a meditation on memory that does not age, on a gaze that holds centuries, and on feminine resilience passed...

THE FAMILY is an original hand drawn, limited edition lithograph by the African American artist James Denmark, printed using hand lithography on Arches paper 100% acid free. Rich, vi...

In the painting "Mother's Embrace," the artist captures a serene and reassuring moment between a mother and her child amidst a lush garden of vibrant malva flowers, a traditional sym...

Marcia Wise’s “River Road Barn” is a 10 x 12 inch contemporary palette knife oil painting on archival art-board from her barn series. Highly textured blues and greens dominate with t...

Paper Size: 37.75 x 54.5 inches ( 95.885 x 138.43 cm ) Image Size: 27.5 x 54.5 inches ( 69.85 x 138.43 cm ) Framed: No?Condition: A-: Near Mint, very light signs of handling Shipping...

Upon adapting Carmen to a large-scale format to occupy the height of the façade of the Metropolitan Opera House, “Chagall was indefatigable in attempting time after time to achieve t...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

Artist Name: Sam Karres Title: Cozy Corner Bar Wyandotte MI PAINTED 9-7-83 Year: 1983 Medium Type: Watercolor on Paper Paper Size-Width Size-Height: 15'' x 23" Signed, titled, and ...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

ANNA KINCAIDE "Don’t You Want to Feel Alive" Oil and Mixed Media on Canvas 48 x 48 inches Communicating emotion and narrative with limited assistance from her figure’s facial expres...

Artist: MARC CHAGALL Title: God Turns Moses Staff into a Serpent (FROM STORY OF THE EXODUS) Medium: Lithograph on arches paper Image Size: 18.50x13.50 inches paper size: 20 x 15 inch...

"Inspiration" is an original lithograph by Marc Chagall published in the "Lithographs of Marc Chagall vol. II". The book was published in a limited edition of 6000. Size: 12.5 x 9.5...

George Bertrand Mitchell was born in East Bridgewater, Massachusetts just before America’s Centennial. He initially worked in Lowell and Provincetown, where he befriended numerous a...

Gustavo Acosta (Cuban, 1958) 'Malecón', 2006 Aquatint 25 x 72 cm. (9.8 x 28.3 in.) Edition of 30 Unframed

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Contemporary acrylic on canvas painting depicting a nude by Polish artist Michal Bajsarowicz. The artwork is an artistic take on human body with abstract elements. Composition is ske...

The figurative surrealist paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing. This presence exposed Francisco to the world of figurative arts while...

Salvador Dalí­ Pisces from Signs of the Zodiac, 1967 Lithograph Hand signed lower right Numbered 144/250 lower left Image size: 64 x 48 cm Sheet size: 73 x 52 cm Printed by Mourlot...

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: Meeting Medium: Original Oil on Linen Dimensions: 36" x 47" x 1" (91 x 120 x 3 cm) Year: 2012 Unframed, Stretched o...

Woman With Parrot is a very colorful lithograph realized by the artist Michael Ciomakov in the 1970s . Hand-signed in pencil on the lower center. N...

Born in Columbus, Ohio, in 1965, Ron Hicks was an avid artist from an early age. Hicks began his formal studies in art at the Columbus College of Art and Design in Ohio. Hicks contin...

Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...

"Duet #2" is an original painting on canvas measuring 48 x 36 inches by Erik Freyman. The artist is best known for his 80's style which draws heavily on Art Deco and Cubism. Frey...

A striking life study depicting a nude life model in statuesque pose. The artist captures the strong forms of her body in layers of pastel colours. Unsigned. Presented in a white car...

This limited edition five-color offset lithograph by Joan Miró was created for an exhibition of his work held at Pace Columbus in Columbus, Ohio, in 1979...

"Hypnos God of Sleep and Dreams", ink and acrylic on paper Hypnos is the personification of sleep, the god who touches humans with his wings. His mission is to help people sleep and ...

"River Scene" Artist: Jean Metzinger Medium: Oil on Canvas Size: 23" x 28.75" Date 1902-3 Signed, bottom right. Metzinger Catalogue Raisonne Number: AM-...

This painting is a large format oil on canvas, depicting a composition that combines anthropomorphic figures and animal elements, integrated into a dark setting with geometric fragme...

A Wonderfully Stylized, 60s Mid-Century Modern Oil Painting of Standing Male Ballet Dancers by Noted Chicago Artist, Rudolph T. Pen. Painted in the 1960s, this captivating dance stu...

ABOUT THE ARTWORK "Ukrainian Christmas" is a vibrant portrayal of the traditional celebrations and rich folklore that characterize a Ukrainian Christmas. The painting is alive with ...

Mia Bergeron's (US based) "New" is an original, handmade oil painting that depicts the glow of a lit candle with the morning light of sunrise Mia Bergeron's interest in art was cul...

This artwork showcases a vibrant bouquet of flowers, meticulously rendered in a rich tapestry of colors and textures. The artist employs a bold, impasto technique, giving the floral ...

Oil on canvas Dondi Schwartz is an Israeli artist born in Canada in 1961 who lives and works in the Kibbutz Beeri, Negev, Israel. Schwartz studied art at the Avni School of Arts in...

vibrant and elaborate luchador mask in elaborate design with outlines of other figures in the background. Signed and numbered from the edition of 57. JOSE LOZANO received his Mas...

Figurative acrylic on paper painting by young professional European artist Waleria Matelska. Artwork is minimalist and composed with synthesized shapes. Painting is vibrant- main col...

(after) Georges Braque, (1882 - 1963) Les Oiseaux Noirs (Black Birds), 1956 Lithograph Printed in Jacomet workshop On vellum 40 x 48 cm (c. 16 x 19 inc...

PABLO PICASSO (AFTER) Tête de Femme au Chapeau. Color lithograph 1956 Sheet size 650x540 mm; 25⅝x21¼ inches, full margins. Proof before letters, aside from the published poster e...

Those that tell the truth Are always on the run... If you stand for the truth You will always stand alone Shipping Procedure Ships in a well-protected tube from Nigeria This work is...

Titled "Yellow Symphony", this abstract oil painting by Marcel Demagny depicts distinctive yellow color blocks emerging against various blue colors defi...

The painting "I Choose My Inner Freedom" conveys a moment of deep awareness and personal choice. The woman is depicted in a calm, contemplative pose — as if she is immersed in a mome...

Artist: Peter Max (1937) Title: Cosmic Jumper, Detail I Year: 2003 Edition: 495/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent I...

Markers acrylic on paper Shipped well protected, unframed

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Claude GAVEAU Blue and Pink Composition : Surrealist Bouquet (Silence in petals) Original pastel drawing Handsigned in pencil Countersigned on the back (with another drawing on the ...