Modern Art

by Paul-Louis Bolot (French 1918-2003) signed & dated 1976 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

Tan Tan Bo, 2003 by Takashi Murakami Offset lithograph in colors on Wove paper 25 7/10 × 39 3/10 in 65.8x99.8cm Edition 98/300 Tan Tan Bo is a "reincarnati...

Antonio GUANSE (1926-2008) Still Life with Flowers, 1962 Oil on canvas panel Signed lower right Countersigned and dated on the back On panel, 37 x 45 cm (14.5 x 17.7 in) visible Pre...

Title: Menton Lighthouse Mediterranean Seafront with Mountains French Coastal Scene Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 6...

MAN is a hand pulled, original limited edition relief print created using woodcut and serigraphy(silkscreen) printmaking techniques on white archival heavyweight paper, 100% acid fre...

Posed Nude Model by Helen Greenfield (British 20th century) oil painting on board, un framed board: 20 x 13 inches condition: overall very good provenance: all the paintings we have ...

Contemporary acrylic on canvas painting depicting a nude by Polish artist Michal Bajsarowicz. The artwork is an artistic take on human body with abstract elements. Composition is ske...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17 x 24.5 inches condition: overall very good, a very few light markings t...

This vibrant still life painting exemplifies the bold characteristics of early Fauvism with its expressive use of colour and loose, energetic brushwork. The composition depicts a ric...

Here for your consideration is an original watercolor and gouache with traces of acrylic paint fashion illustration by the world renowned fashion artist, Kenneth Paul Block. Painted ...

Linocut realized by Escher in March 1950. Released through linoleum cut in black and gray-brown on Japan paper, and printed from two blocks. Hand signed lower left, marked "eigen d...

Lloyd Lozes Goff, American (1918 - 1982) - Woodstock, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 19 x 23 inches, Size: ...

Title: “The Call” This work is about the moment of action that sprouts from inner knowledge. An unobvious but precise path that opens up only when a person dares to follow a call, no...

Artist: Slonem, Hunt Title: Chinensis Assumption Parish Date: 2023 Medium: Oil on canvas Unframed Dimensions: 48" x 48" Signature: Signed by Artist on Verso Edition: Unique H...

MICHAL BAJSAROWICZ (born in 1963) He graduated from the Academy of Fine Arts in Poznan, achieving his diploma in 1992 at the studio of prof. B. Wegner. His mainly works in painting, ...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

Bold and expressive large scale figurative abstract painting of two people conversing in a theater, with a silhouette of a third figure in the foreground, by Jane Voitle Mellin (Amer...

Gustavo Acosta (Cuban, 1958) 'Malecón', 2006 Aquatint 25 x 72 cm. (9.8 x 28.3 in.) Edition of 30 Unframed

The Circus Ring, oil on canvas. Signed upper right-hand corner. (Provenance: Atelier Madeleine Flaschner).

Hunt Slonem "Chinensis" Multicolor Bunnies Multiple black outline rabbits on a metallic background. Unframed Hunt Slonem is a well-renowned American artist known for his neo-express...

Kingsley Obasi 1983 - Current Committee of Friend (I), 2022 Acrylic on canvas 129.5 x 190.5 cm 51 x 75 in

Marc Chagall (1887-1985) - Night in Paris Lithograph from 1954. Dimensions of work: 38 x 28 cm. Plate signed. Publisher: Maeght Éditeur, Paris. Sought after copy from a ""legend...

Title: Mountain And Flowers Series I Medium: Oil on canvas Size: 22 x 18 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. ...

Primary Colour Series – Jay and Butterflies and Dusk to Dawn were inspired by Japanese woodblock prints, with a subtle nod to the traditions of calligraphy. The series continues Shiz...

"Juan Sebastian Barbera (Mexico, 1964) 'Personaje', 1991 Silkscreen and Watercolor on paper Velin Arches 300 g. 15.8 x 11.9 in. (40 x 30 cm.) ID...

Signed and titled post impressionist figures in landscape oil circa 1980 by French painter Max Michel Agostini. The work depicts park-goers on a path beside a lake on a sunny spring ...

Artist: DABS MYLA , Title: Good/Great Morning 3 Date: 2020 Medium: Lithograph Unframed Dimensions: 39.5" x 27.5" Framed Dimensions: 45.25" x 33.5" Sig...

Expression 8 by M.Y. I am constantly looking for different techniques, colors and materials to experiment with, and always strive to achieve sensual harmony in every composition. I ...

André Brasilier Cavaliers sur la plage, 1977 Signed lower right Oil on canvas 13 x 21 5/8 inches French artist André Brasilier was born in 1929 in Saumur, a town in western Franc. ...

This contemporary abstract expressionist woman’s figure was created by French artist Natalya Mougenot and forms part of her ongoing series dedicated to women, in which she explores t...

Artwork size: 200x190 cm Frame size: 205x196 cm Signed by the artist, titled at the verso. Free shipment worldwide. Bengt Lindström was a big man from the central parts of the No...

AUTUMN STREETWALK Oil on board Size: 55 x 49 cm (including frame) A vibrant mid-century modernist street scene composition, executed in oil onto board. The artwork portrays a pathw...

Title: Sunlit Woodland Path with Flowers French Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 6.25 x 8.75 inches Signe...

Figure By Window is a hand made limited edition print by Graham Fransella, displaying a black figure on a orange background. ADDITIONAL INFORMATION: Figure By Window Graham Fransel...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalt...

'The Chess Match', oil on cardstock paper, by Raymond Debiève (1973). Rich colours, bold, painterly brush strokes and an unusual subject for a work of art, Debiève has created this s...

Title: French Château Landscape Study with Trees and Red Roofs Countryside Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W...

This limited edition five-color offset lithograph by Joan Miró was created for an exhibition of his work held at Pace Columbus in Columbus, Ohio, in 1979...

Henri Matisse: Colour Lithographs after the Cut-Outs, Framed Print, 1958 In 1941 Matisse underwent abdominal surgery after which he found painting to be physically taxing. Increasi...

Fishermen at the Shore in Concarneau - Seascape after Edouard Doigneau Fishermen at the Shore in Concarneau - France Landscape by M. Saint-Guily. Lively watercolor of boats at the s...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

Pressure mounts, a silent weight, Pushing forward, tempting fate. In the crucible of time, we find, Diamonds formed, hearts refined. :: Painting :: Abstract Expressionism :: This ...

Bergstein grew up in France between Paris and Saint-Rémy-de-Provence. At the age of 18, he flew to Barcelona, Spain where he joined an industrial design school. Back in Paris, he com...

Artist: Cooper, Kim Title: Daphne Date: 2025 Medium: Acrylic on canvas Unframed Dimensions: 30" x 30" Signature: Signed Edition: Unique

Untitled is a lithograph realized by  Mario Tozzi  in 1970s. Good conditions except for some light folds. Hand-signed on the lower right.  Numbered on the lower left.Edition of 99.

Fred Yates (British, 1922 – 2008) Beach Party Acrylic on board Signed and dates ‘YATES 70’ (lower left) 18 x 36 in. (45.7 x 91.5 cm.) Provenance: Deceased estate of Fred Yates Fred...

"Night Blues" Female Nude, seen from the back, and a second view in the mirror. from another perspective. Part of "Nude in Interior" series, inspired by Matisse. Ultramarine tempera ...

Artist Name: Sam Karres Title: Cozy Corner Bar Wyandotte MI PAINTED 9-7-83 Year: 1983 Medium Type: Watercolor on Paper Paper Size-Width Size-Height: 15'' x 23" Signed, titled, and ...

Lithograph in colors on Arches paper. Hand signed and numbered by Marc Chagall. Mourlot 713. Edition 41/50. Image size 27.25 x 21 inches. Sheet size 32 x 24.25 inches. Frame ...

This is a beautiful painting by Alberto de Blobs (Barcleona, 1982). Alberto is a talented painter whose elaborate mixture of figurative and free form ...

View Towards Christmas Cove, Maine, c. 1923 Watercolor on paper Signed lower right 14 x 19.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The South of France Medium: oil on board, unframed board: 9.5 x 13 inches Provenance:...

"Wild Summer Flowers in Champagne" is an abstract expressionist painting by Romina Milano where a landscape of black gestures unfolds across colorful brushstrokes infused with raw em...

"You can teach a girl femininity for a long time, but stockings will do it instantly."

Title: "Colorful Countryside Scene with Cypress Trees and Cottage" - Vibrant Expressionist Pastel Drawing Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist pape...

Still Life of Flowers French School, signed with initials and dated 1959 signed oil painting on board framed in Montparnasse style frame framed: 41.5 x 35 inches board: 35.5 x 21 inches provenance: private collection, France condition: very good and sound condition Montparnasse picture frames...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Coastal Shoreline with Rocks Oil on board, signed on reverse, from the artist’s studio This luminous coastal study by Charles ...

A charming, vibrant 1950s painting of Martha’s Vineyard by notable Chicago Modern artist Francis Chapin. Depicting a colorful, bustling view of Main Street in the historic whaling p...

Pierre GARCIA FONS Tribute to Cezanne : 14 Apples, 1964 Original oil painting Signed upper right corner Signed and titled on the back On canvas 50 x 50 cm (c. 20 x 20 inch) PROVEN...