Modern Art

A delightful modernist life study by the artist Georges Eugene Delhomme (1904-1989). Signed and dated to the upper right. Inscribed verso. On card.

White Lotus Lithograph A limited edition lithograph by listed artist Hoi Lebadang, (Vietnamese/French, 1922 – 2015). This print displays an ethereal lotus flower to center, known to ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages sur un fond noir (Figures on a Black Background), from the album Cahiers dArt No. 24, 1949, orig...

"Future Love", acrylic on canvas, 30x38in, 80x100cm Large original, one-of-a-kind, painting. Shipped stretched, varnished and ready for hanging. Free shipping for items over $500 wit...

Strong and vibrant color lithograph by the American artist Benton Murdoch Spruance. Edition size in pencil lower left margin Titled in pencil middle margin and signed in pencil lower...

Elena Burykina's "Bionic Solder" (2023) is an original, handmade oil painting on panel. Artist Statement: Helmet of the Italo-Chalcidian Type Etruscan, probably Vulci Late 5th-4th c...

shipped in roll In this painting, the moment unfolds when light no longer just illuminates space but becomes space itself. The horse, immersed in radiance, embodies serenity and a de...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements mecaniques (Mechanical Elements), from the album L'Art Cubiste, Theories et Realisations, Etude...

Landscape Oil on Canvas Original Art Ready to Hang 65x50 cm 2023 ...My painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, thr...

Title: Abstract Female Portrait Study Expressionist Watercolour Gouache Figure Painting Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W...

Takashi Murakami 12 Arhats, 2016 Offset lithograph with silver Signed and numbered (56/300) in ink lower right Sheet size 68 x 68 cm Frame size 86 x 86 x 2.5 cm Publisher: Kaik...

Animal Frieze me Portrait - Closeup of cat Technique: oil, acrylic, and ink on canvas F30 92x73cm ■■ 36,2x28,7 inch 》》R E A D Y -- T O -- H A N G《《 ❶ → Original signed work. Cer...

Anita Zotkina’s “First Day on Earth” is a 14 x 18 x 0.7 inch oil on canvas painted in 2023. This surreal, symbolic work features a newly hatched emu, perched upon a glowing egg benea...

RUSTIC HOUSES Size: 57 x 67 cm (including frame) Oil on Canvas A wonderfully executed mid-century modernist style landscape composition, painted in oil onto canvas. The composition...

Alison Hyman’s oil painting “Hot Dreams” is a powerful exploration of intimacy, vulnerability, and subconscious desire, rendered in a luminous palette of fiery reds, oranges, and och...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. A difficult time can be more...

Auguste Chabaud was born in Nimes, France and attended the Ecole des Beaux-Arts in Avignon and Paris.He lived in the area of Montmarte where he had a studio and painted various scene...

Salvador Dali Space Elephant from Memories of Surrealism, 1971 Lithograph with etching in colors on Arches paper Hand signed lower right Numbered F 16/175 Reference Field 71-15 D

Provenance Acquired by the gallery directly from the artist Signed "g gallo" on lower right corner. Artist Statement “Here, the earth is quietly awakening as the first moments of l...

Comètes, 1968 Lithograph in colors on wove paper 26.90 x 21.75 inches Signed and numbered in pencil, edition of 200 copies Professionally framed Alexander Calder was born in Ph...

This captivating artwork " The unity of souls" presents an abstract portrayal of four human figures, skillfully rendered in broad, expressive brushstrokes. This painting is all abou...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork entirely made in France: from th...

"Zoltan" - 1990 Male Nude Study Watercolor painting depicting a nude male figure. The brunette male figure is posing, seated on a purple cloth, his left hand gripping a table net to him, while he leans on his right elbow, his face looking straight ahead. The background is made up of hues of green. Signed "AG" lower left. Signed, titled and dated on verso. "Arnold Grossman, 'Zoltan' November 1990" Presented in a white mat. Image with mat: 19"H x 22"W Image: 10.5"H x 14.5"W Sheet: 12"H x 16"W Arnold A...

ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED:...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

A Large, Sensational Mid-Century Modern Painting of a Chicago Night Club Showgirl. Painted in the 1950s, this is a large, vertical, abstracted portrayal of a standing Burlesque danc...

Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2011 Style: Figurative Art Title: Painter Size: 27.5" ...

Original painting on canvas. Hand signed by the artist. Stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be consid...

Acrylic, coffee, ink, pumic, soft pastel, transfer on paper

French contemporary artist Natalya Mougenot invites us into her world of expressive simplicity in "Apples and Roses". In this radiant acrylic painting, a vase filled with red bloomi...

Oil on Canvas by VILLERS, France, 1972 – "Pride". This striking oil painting by French artist Villers, titled "Pride," was created in 1972. The artwork reflects the artist's unique ...

Alphonse Mucha OriginalJOB Lithograph Paris, France 1898 Condition: (B+) condition. Linen Backed with beautiful frame under plexiglass ready to hang. No Issues. Poster: 60.85 x 4...

The artist KOKO signed the painting in the lower right corner, and a certificate of authenticity accompanies the artwork. " For the longest time I’ve wanted to paint a series on land...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

Soft blue and beige tones with dynamic white gestures express emotional freedom and inner truth. This artwork radiates calm energy, openness, and transformation — perfect for creatin...

Sometimes we are out of sight, not intentionally, but the world puts us in these situations. Most times it is out of our control.. I believe each faces in life has its need and impor...

Raoul DUFY Colorful Birds on Blue Background, 1965 Lithograph (Mourlot workshop) Unsigned On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Posthumous published lithograph pub...

This abstract landscape painting by Danish artist Steffen Bue immerses the viewer into a new interpretation of color, form, and movement. With a zoomed-out perspective, Bue crafts a ...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

James Sellars (1927-2000) Auto-Lithograph, 1952 Image: 23.5 x 16.0 cm Frame: 36.5 x 28.5 cm Produced at the Royal College of Art in 4 colours By The Curwen Press, Pliastow, E.13 Sellars lived and worked in the county and the landscape captured his imagination and features heavily. He taught at Herefordshire College of Art before going on to be appointed head of fine art printmaking at Southampton College of Art. The Test Valley with its chalk downlands, streams and river were a rich source of inspiration for his later work and a natural progression...

shipped in roll This work speaks about the state when love lifts us above the ordinary and fills life with lightness. When love inspires, it gives us wings even across the miles. It ...

The original exhibition poster by Kandinsky, titled "Aquarelles et Dessins," showcased the artist's mastery of watercolors and drawings at the esteemed Galerie Berggruen in 1972. Was...

Vita Merca(1951) Still life, canvas/oil, 84x72 cm

Artist: Jean Cocteau Medium: Original Lithograph, 1956 / 1975 Dimensions: 19.5 x 25.5 in, 49.5 x 64.8 cm Arches Paper - Excellent Condition A This original lithograph is from the illustrated portfolio: "Jean Cocteau: 25 Lithographies, 1956-58". This project represents a group of lithographs...

Original painting by Daria Kusto. acrylic on canvas. The magic flow reality... A smiling figure and their surreal horse set off into the unknown — through blue-tinted dreams, cryptic...

Etching and aquatint realized by Lam in 1967. Hand signed in pencil. Artist proof printed by Giorgio Upiglio. Very good condition.

Body Double Original art, signed 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio The drawing has 2 wooden p...

"The Fresco" Oil on canvas Large original, one-of-a-kind, painting - 33.5x63in / 85x160cm Nude in a Italian Baroque interior, with blue marine painted fresco. Picture from the sol...

This is an paul maxwell original artwork painting. 47 3/4 by 48 3/8 inches Weight 34 lbs Condition with stains throughout, areas of cracking and separation between canvas and rais...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

'Water lilies on the Novomilskyi Pond' Size 23 x 15 inches (57 x 38 cm). Original watercolor painting - painted on watercolor paper (Fabriano). Need a decorative frame. On the fron...

Title: British Impressionist Watercolor of Trees Reflected in a Still Lake By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.5 i...

Bananas, peaches and grapes MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Cult...

A striking fusion of modernist aesthetics and Olympic spirit, this 1972 original poster by Victor Vasarely stands out as one of the most iconic contributions to the visual identity o...

The Magic Flute is an original Contemporary Artwork realized by the Italian artist Sabrina Pugliese (b. 1990). Original oil painting on canvas. Hand-signed on the lower right corner: Sabrina Pugliese. Hand-signed, titled, and dated on the back too. Total dimensions: 50x100 cm. Mint conditions. "This painting wants immerse the viewer directly into the snowy scenario of Turin. The buildings in the background are transformed into magic flutes that play the music described in the flying scores. I am particularly attached to this city because I lived in Piedmont for three years". Sabrina Pugliese BIOGRAPHY Sabrina Pugliese was born on April 2nd, 1990 in a small village in the Southern Italy, Nova Siri. Since she was a child, she was interested in arts in their different forms: singing, playing piano and visual arts. She graduated in Modern Literature at the University of Urbino, in the heart of the Italian Renaissance, the birthplace of Raffaello Sanzio. She didn’t have the chance to attend artistic high school because it was too far from home. So, after the graduation, she began to devote herself to her passions: painting, exclusively oil on canvas. She has started painting as a self-trained painter to promote and improve her territory, Basilicata, also named Lucania. Nowadays, she expanded her project because she wants to spread Mediterranean holidays’ colours, sounds and perfumes, with the image of the sea, all over the world. She knows that painting can give voice to landscapes of the soul through seascapes. She lived for ten years away from home to study and work and, in this way, she created a stronger relationship with her origins. During the pandemic, she has decided to return to Basilicata to offer her small contribution to the Southern of Italy. She has participated in several national and international exhibitions including: • Collective exhibition with two painters: Giulio Orioli e Nino Oriolo for “Night of the brigands” 2019, in Nova Siri Centre (MT) thank to collaboration of Maria De Lorenzo...

The Palisades Series was inspired during a walk where I was struck by the graceful dancing movement of trees over looking the Pacific Ocean. My long-term involvement with mysticism,...

An invitation to "Andy Warhol: A Print Retrospective 1963-1981" held at the Leo Castelli Gallery in New York City, printed with the iconic image of Marilyn Monroe. Published by Caste...