Plant Art

Dark Fern Ferns photographed at dusk. by Stuart Möller Born in Kabul, part German and Anglo-Indian and having grown up all over the world, Stuart Möller is a fine art photographe...

John Fabian Carlson, celebrated for landscapes that capture the changing moods of light, weather, and season, exhibited The Source at major exhibitions in the 1920s—the National Acad...

Stil life with flowers is an artwork realized by an artist of the mid-20th Century.  Oil on panel, 35 x 48 cm with frame; panel 20 x 32 cm. Good conditions

Decorative motifs is an original print by an anonymous artist. Chromolithograph. Good conditions. The artwork represents Decorative motifs in a well-balanced composition.

Eliza Barchus (American, 1857-1959) Mt. Shasta, California Signed Lower Left Titled Verso 11 x 14 inches 13.75 x 16.75 inches with frame Eliza Rosanna L...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. An original work, rich in texture. This handmade oil painting reflects the raw beauty...

Guests relax by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaica, March 1971. Slim Aarons Ocho Rios, Jamaica 1971 C print (Printed later) Estate signature sta...

Sunset Hill - Mykonos is a serigraph on paper with an image size 20 x 36 inches, signed 'McKnight' lower right and numbered lower left. Framed in a contemporary black frame. Numbered...

Trees is an lithograph on paper realized by an unknown artist in the 20th Century. The artwork is in good condition.

Harald Julius Niels Pryn, or Pryene, was born in 1891 in Frederiksberg, Denmark. He was a well-known Danish landscape painter. His specialty and main subjects were light-filled sea...

Anne Sargent Walker’s “Green Deer” is a 30 x 40 inch predominantly green acrylic painting on stretched canvas, framed in black satin wood. A silhouetted young deer in soft black stan...

This painting, painted by the artist from nature, is a stunning still life with an ornate Turkish vase full of vibrant flowers, including pink roses and lush greenery, carefully arra...

Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...

White lilac. 1981, oil on canvas, 60x61 cm Lilac in vase on dark brown background

In this fantastical contemporary oil painting on canvas, an angel like fairy figure with wings and outstretched arms and dark brown pants floats against a botanical background of pal...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Movement –...

Snow Covered Cottage In Bare Tree Snow Woodland Field Oil Landscape Painting signed by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting ...

Provenance Acquired by the gallery directly from the artist Signed "T. Solliday" on lower right Description “Running Waters” is a plein air painting done in Taos, New Mexico. Solliday depicts the Rio Peublo de Taos, a tributary of the Rio Grande, as flowing abundantly after the winter thaw...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Hyacinth Color woodcut, 1917-1918 Unsigned From: Seiyo Kusabana Zufu (Illustrations of Western Plants and Flowers) 1st edition Publisher: Unsodo, Kyoto Condition: Centerfold...

Isla Azul 1 40 x 63 inch Oil on Canvas

Bob Dylan Sidewalk Cafe, 2011 Giclee on Hahnemuhle 350gsm Museum etching paper hand-signed and numbered by the artist Framed: 85 x 68 cm Sheet: 70 x 56 cm Image: 54.5 x 40 cm Edition...

Egg tempera on canvas realized by Lea Monetti (1939) in 1990s. Hand signed and titled on lower center and on rear. Very good condition.

This is one of the most personal paintings of Shizico Yi. The painting would be fully insured when shipping to worldwide. Free Shipping guarantee End to End tracking by Royal Mail. ...

Max Epstein, Canadian (1932 - 2002) - Fishing Hole, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x 35 i...

This photography is part of a series of zen like beauty of Flowers art photography. In 3 sizes. This piece: Print size: 30 x 37.5 in. Image dimensions are 22 x 30 in. Matted in 8 ply museum archival matt. Ed of 15, signed, editioned on a Certificate of Authenticity by by photographer. About this series: With great patience and respect, the photographer observes the life cycle of the flower, viewing the subject much like a portrait photographer views a person, choosing the particular instance which in his view represents the essence of the flower. We feel the piece evokes a certain poetic, quiet, Zen beauty. The photographer was a London Central Saint Martins graduate and lived in a short spell in a monastery in Japan, and now primarily lives in Japan. ----- The artist was born in the UK in 1971, and after leaving Central Saint Martin’s in London in 1992, determined to explore a deeper sense of meaning, and contemplate life, he journeyed to Japan where he lived in a Zen Buddhist monastery and lived and studied in a temple in the mountains of Yamanashi for months, during which he studied Zen Buddhism and joined the monks in their daily prayers and routines. Over time, the subject matter for this series is borne out of a respect of the inner life of living things, Nature, in this instance and a sense of “mono no aware” (the art of impermanence). His artist vision has drawn influences from his Western artistic culture, Japanese classical aesthetics, and the 1933 classical text, “In Praise of Shadows” by Japanese literary titan, Junichiro Tanizaki (1886–1965). Tanizaki, as translated by scholars, examines the singular standards of Japanese aesthetics and their stark contrast with the value systems of the industrialized West. He writes: “We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates… Were it not for shadows, there would be no beauty.” “Shadows” presumably refers to the subtle interplay between light and darkness, not a stark dualism between black and white. Hence, the quiet beauty expressed in shadows of light and darkness as a living flower moves through the passage of life. The art of impermanence refers to a “pathos” (aware) of “things” (mono), deriving from their transience. The flower is a perfect metaphor for the expression of impermanence and beauty. Each flower has its own distinctive character and temperament, and is in constant dynamic motion. Through the passage of its life, it blossoms to its greatest peak, turning always towards the light until they eventually give up their petals. The artist documents this process through hundreds of images over time, essentially capturing the essence of the life of the subject. Both the visual aesthetic and process of his art calls to mind the transcient nature of things and reminds us to rejoice what we do have. In his gold series - Gold, in turn associated with the sacred, the divine, with supernatural powers and even immortality, has been recognized since ancient times in all the great civilizations as a noble material. Gold leaves have been used to decorate shrines, temples, statues, armor, jewelry since ancient times. At different times of the day, the light reflects off the gold differently as the day progresses, providing a visual context in which the celebration of life was captured. The artist has been recognized for his work for example, with a merit award at the Art Directors Club 87th Annual Awards N.Y. (2008). His work has been in group exhibitions as a runner up at the National Portrait Gallery in London as part of the Taylor Wessing London – Elle Commendation Portrait Awards, and at the Kiyosato Photo Art Museum in 1999. A successful photographer, the artist’s commercial clients include Adidas, Estee Lauder, Hugo Boss and shot celebrities for magazines / editorials featuring Sam Smith, Jeremy Renner, Gwyneth Paltrow, David Fincher, Zhang Ziyi...

Peach blossom blooms in spring, peaceful scenery . My paintings are painted using the drip technique like the artist Jackson Paullock. The painting is dripped with many layers of co...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

Bird and Hibiscus Cibachrome print, 1980 Signed and dated by the artist in pencil lower right (see photo) Deaccessed from the Reader's Digest Association Collection (#18717) with label (see photo) Purchased from Lieberman & Saul Gallery, between 1986 and 1993 when the name oif the gallery changed to Julie Saul Projects Very small edition Provenance: Lieberman & Saul Gallery, New Yokr, NY (until 1985) (label verso) Reader's Digest Association (label) Condition: Excellent Image size: 9-7/8 x 9-7/8" (25 x 25 cm.) Frame size: 20-1/2 x 16-1/2" Suzanne Camp Crosby Posted by FMoPA Apr 7, 2021 FMoPA In Focus 0 Suzanne Camp Crosby, Gasparilla Ship, 2004 In December of 2020 beloved Tampa photographer and educator Suzanne Camp Crosby died. She had taught generations of students at the Hillsborough Community College where she had been a professor of photography for 38 years. Camp Crosby had the prestigious honor of being the 2004 City of Tampa Photo Laureate and the exhibition resulting from that body of work, Suzanne Camp Crosby: 2004 Photo Laureate City of Tampa Public Art – Big Picture Project, was presented at the Tampa Museum of Art that same year. Other awards include a Southeast Artist Fellowship from the National Endowment for the Arts and Southeastern Center for Contemporary Art in 1978-79. Suzanne Camp Crosby, Paper Flowers, c. 1990 The Florida Museum of Photographic Arts (FMoPA) has gratefully accepted the task of helping to place the photographic archives of this beloved artist. This collection includes more than 725 photographs spanning her career of over 40 years. A broad selection of this work will be brought into the collection of FMoPA, with an exhibition to follow in the summer of 2022. Other institutions in the area are also considering simultaneous showings. University of Tampa student Alyssa R. Miller has signed on to help with the documenting and digitizing of this body of work. This will help make it possible to distribute photographs to other institutions, with limited works to be sold to help finance the efforts. Examples of her photography are already currently held in the collections of FMoPA, the Tampa Museum of Art (TMA), Los Angeles County Museum of Art, and the New Orleans Museum of Art, among many others. Three wonderful examples of her talent are currently on view at the TMA’s exhibition Her World in Focus: Women Photographers from the Permanent Collection, on view until June 27, 2021. Suzanne Camp Crosby, Doris Day at Clothesline, 1980 Camp Crosby’s solo exhibitions include Suzanne Camp Crosby: Kid City, 2009 at FMoPA, and multiple exhibitions at the HCC Galleries, where she eventually became the Program Manager for the Visual Art and Dance departments in addition to her teaching and exhibitions. She also taught and received her MFA at the University of South Florida in Tampa. Additional schools where she was an instructor include the University of Central Florida in Orlando, FL, and the St. Petersburg College, Clearwater campus. Camp Crosby specialized in creating thematically directed photographs, created by adding unexpected objects or people to mostly everyday scenes. Her artwork is often playful and witty. Early work included tender black and white compositions often using her children or friends to create evocative scenes. Later photographs brought in color and experimentation. Examples include the juxtaposition of life-sized 2-D paper doll cut-outs of 1950s movie stars to real-life mundane household settings, as well as a wide selection of other artificial items placed into real-life settings. As a visual storyteller, she continued to explore and experiment with ideas and themes throughout her lengthy career. Courtesy The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS Suzanne’s artwork is in many permanent collections, including the Tampa Museum of Art, the USF Museum of Contemporary Art, the Orlando Museum of Art, the Polk Museum of Art, the Florida Museum of Photographic Arts, the Leepa-Rattner Museum of Art, the New Orleans Museum of Art, the Los Angeles County Museum of Art, Walt Disney World Corporation, Tropicana Corporate Collection, City Bank, Tampa Electric Company, Shriner’s Hospital, Tampa General Hospital, Hillsborough Community College, City of Tampa Public Art, City of Orlando Public Art, and the von Liebig Art Center. From ARTFORUM JULIE SAUL (1954–2022) Julie Saul, who through her long-running eponymous New York gallery did much to elevate contemporary photography within the art world, died February 4 in Tampa after a battle with a rare form of leukemia. Saul was known for her willingness to show an eclectic range of works in media ranging from painting to sculpture to video to ceramics by an equally diverse range of artists, but it was her eye for both traditional and avant-garde contemporary photography that cemented her reputation and that of her gallery, which she first established in 1986 in SoHo, then a frontier for the arts. Saul was born in Tampa on New Year’s Eve in 1954 to a father who was head of a sewn-products company and a housewife mother, a native New Yorker and volunteer docent whom Saul would later credit with introducing her to the arts. “Tampa had no museums, but she would take us to museums in New York,” she told the Tampa Bay Timesin 2003. “We had a house that wasn't filled with great art, but there were great reproductions and great art books.” In 1979, Saul moved to New York, obtaining her master’s degree from New York University’s Institute of Fine Arts in 1982. Four years later, with partner Nancy Lieberman, she opened Lieberman Saul Gallery at 155 Spring Street in SoHo, showing contemporary photography at a time when not many others were. “One thing that drew me to photography from the very beginning—and it still holds—is that photography is an affordable medium. Almost anybody can afford to collect photographs,” she told the Association of International Photography Art Dealers (AIPAD) in 2010. “Fundamentally, photography is a medium and what makes work great is the idea behind it and how well it’s executed.” Among the photographers whose work Saul championed are Nikolay Bakharev, Morton Bartlett, Eugene Bellocq, Andrew Bush, Sally Gall, Luigi Ghirri, Andrea Grützner, Sarah Anne Johnson, Adam Magyar, and Arne Svenson...

Self-portrait of the artist, painted at the moment of falling in love. The painting radiates femininity, love, warmth.

Great example of the the artistic excellence of William J. Kayla and his mastery of the watercolor. Circa 1925. Signed lower left. Condition is very go...

Title: Countryside Medium: Oil on canvas Size: 23.5 x 35 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2013 Artist:...

Max Epstein, Canadian (1932 - 2002) - Big Foot Country, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 50, Image Size: 13 x 20 inches, Size: 15 in. x 2...

Step into a world of color, memory, and rural charm with “Girl with Sheep and Car,” a joyful and visually rich original oil painting on board by renowned Mexican-American folk artist...

William Guy Wall, a renowned artist of the early 19th century, is celebrated for his exquisite landscape paintings, and particularly with this watercolor. This painting, titled, "Nat...

Title: Towards Where Afar Medium: Oil on canvas Size: 26 x 34 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2012 Ar...

Title: Windblown Trees on Hill Medium: Oil on canvas Size: 39 x 27.5 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2...

Albert Herter American, 1871-1950 Still Life of Flowers and Fruits Oil on canvas Piece: 30 x 22 in Frame: 36 x 28 in Signed upper left Provenance: Private Collection, New York, ...

Spring is in the air By Lynda Martin [2021] Original Oil paint on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W...

Paradise Blue 111 By Amanda Horvath [2021] Original Acrylics on canvas Image size: H:70 cm x W:100 cm Complete Size of Unframed Work: H:70 cm x W:100 cm x D:3.5cm Sold Unframed Pleas...

Lithograph realized in 1980s. Hand signed and numbered in pencil. Hand retouched. Not numbered.

An atmospheric oil painted on from a study created on location in Maine by noted California artist Jacobus Baas, "Winter Tree Shadows " exhibits the subtle touch and beautiful light ...

The painting size is 13.75"x10.25, signed lower left. Girard Edmond-Emile Girard-Mond, French 1892-1953 Girard Edmond was born in Paris in 1892 and was a...

White And Pink Peonies Still Life Oil Painting, framed. canvas size 23.5x31 framed 28.5x36 Zbigniew Kopania, artist painter, cinematographer, born December 21, 1949, in Łódź Poland. ...

A wonderful watercolour study by the British artist and gallery owner Frank Constantine. Here the artist has captured empty playing fields on a drizzly day in early spring. Signed an...

'Curling At St. Moritz' 1963 Slim Aarons Limited Estate Edition Print Curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. (Photo by Slim Aarons/Hulton Archi...

Maka Cielecka Graduated from the Warsaw Academy of Fine Arts. Worked in Canada and in the Netherlands as a graphic artist. In the mid-90s she began her extensive travels, including t...

Pink Spring Floral Painting Hand Embellished Giclee on Canvas 40H X 60W State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edition G...

Red Breast 2021 Signed, dated, and numbered, recto Watercolor using rubber stamps on handmade Twinrocker paper (Edition of 200) 5.75 x 8.5 inches (14.6 x 21.6 cm) This work is off...

Painted alla prima or wet in wet and finished in one setting. I believe in only using quality materials and varnish all my paintings for protection. This is painted on a 3/4â€

Old Days  - Historical Photo is a vintage black and white photograph realized in the Mid-20th Century. Good conditions.

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Artist: Bart Perry (American, 1906-1992) Title: Lake Tahoe Year: c.1960 Medium: Watercolor Paper: Watercolor paper Image size: 17 x 22.5 inches paper size: 17 x 22.5 inches Signature: Signed lower right in red pencil by the artist Condition: Excellent, some glue residue remaining on the back at the sheet edge. About the artist. Bart Perry studied at the California School of Fine Arts, MFA, 1928. Fine Arts, Mills College, Berkeley, CA. 1955. Selected Exhibitions: Lucien Labaudt Gallery with Wm. Mayo, 1946; California School of Fine Arts, Roy DeForest...

Sinking #1 digital C-PRINT 3 sizes: 53.1 x 43.3 inches, edition of 3 + AP 39.3 x 31.9 inches, edition of 6 + AP 19.3 x 15.7 inches, edition of 6 + AP This floral photography has a d...

Armand Tatossian, Canadian, 1948-2012 Saint-Hilaire, Quebec Oil on canvas 20 x 24 in (picture) Signed lower right Signed and titled verso framed For our US customers: 1) The artwork...

Martha Mans lavender The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be e...

Artist: Ian Hornak (1944-2002) Title: Untitled (Angel, Gabriel) Year: 1973 Medium: Ink on heavy archival paper Size: 22 x 30 inches Condition: Good Provenance: Estate of Ian Hornak, ...

Title: Mid Century French Pastel Drawing of Mountain View with Sunlit Foliage Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19 (height) x 25 (w...

I love you as that plant that never blooms but carries itself the light of hidden flowers This is a beautiful oil painting of an array of flowers in a vase in front of a dark back...