Women Art

This limited edition triptych by Natasha Lelenco, part of the acclaimed series The Dinners, presents a psychologically charged surrealist scene that intertwines erotic symbolism, fam...

Yoruba proverb says, "Adániwáyè ò gbagbé enikan; àimàsikò lóndààmú edá", meaning "The Creator does not forget anyone; ignorance of divine timing troubles humans". Difficult times may...

Attributed to Harold Knight (British,1874-1961) The Bathers oil on canvas signed `H. KNIGHT’ (lower right) 13 x 16.1/8 in. (33 x 41 cm.)

The painting with rainy Manhattan painting is a great and stylish cityscape - the play of dark and light shades is captured professionally and looks great in the interior of an office or your home. The picture is author's and original. It's signed on the front and back. The edges of the picture are painted. Materials used: oil on canvas, supported wooden frame. Dimensions: 19,7x27,65 in. Packaging: I pack the paintings in special paper, then I wrap them with bubble wrap, and finally I cover artworks with strong wooden sheets. Nikolay Dmitriev...

Signed full length portrait circa 1890 by French impressionist painter Jean Beraud. The work depicts a Parisian lady in a green tuile skirt, a blue jacket with fur and black lace up ...

This selection is an intimate grouping of portraits of celebrities and tastemakers in the burgeoning cannabis industry. I’ve paired these with select portraits evoking the feeling of...

Fantastic hand painted oil after famous artist Marcel René von Herrfeldt (1889-1965).. This was painted by my restorer when we had the original, this frame was on the original paint...

Academic style figurative painting on canvas of a family and red tractor against a classic American farm field "Prosperous Family", painted by Mark Beard under his fictitious persona, Bruce Sargeant 84 x 58 inches unframed, 91 x 65 x 3 inches with a gold painted wood frame Excellent condition, ready to hang as is This Academic style figurative oil painting on canvas was painted by Mark Beard as Bruce Sargeant, a pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargeant. Here, the artist captures a blue collar American farming family in their field with an old red tractor. The man and woman stand stoically with their young child, dressed in simple white garments, perhaps to symbolize their purity. Rolling mountains...

The Nude Model French Post-Impressionist artist, circa 1900's oil painting on canvas, laid on recent board, unframed board: 14.5 x 11 inches provenance: private collection, France co...

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph. From the series "Voyeurism " realized by Newton for Playboy magazine.

Artist: Vahe Yeremyan Title: Fishing Boats Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 9" x 13.5" x 0.8" inch (23 x 34 x 2cm) Presentation: Unframed, Gallery Wr...

A striking Modern figure painting of two bathers in a boathouse by noted Chicago Modern artist, Francis Chapin (Am. 1899-1965). Painted at the OxBow School of Saugatuck, Michigan (t...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION...

A delightfully elegant 18th-century tondo depicting a lady in pearls. The subject is rendered in exquisite detail and is captured in fine attire, typical of the Georgian period. Beau...

'Strike a Pose' (Bombay Beach) 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and ...

José Sierra painted his body as a tribute to Afro-Colombian and pre-Columbian cultures, documenting the performance in photographs that portray him in erotic and suggestive positions...

The Card Players Flemish Old Master, 17th century based on a version (in reverse) of a painting by Cornelis de Vos (Flemish 1584-1651) oil on canvas, unframed Canvas: 39 x 62 inches ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

A very fine example of the work of William Shayer Senior (1787-1879). A Good Ale, oil on panel. Signed to the lower left. Well presented in an ornate gilt-effect frame with floral an...

Artist: John Kacere (1930-1999) Title: Diane Year: 1979 Edition: A.P.; 200, plus proofs. Medium: Lithograph on Waterford paper Size: 19 x 28 inches Inscription: Signed by the artist ...

This 1917 original wartime propaganda poster, designed by Albert Besnard, was created to promote the Third National Defense Loan (3e Emprunt de la Défense Nationale) in France during World War I. As the war raged on, France needed financial support from its citizens to sustain military efforts, and posters like this played a crucial role in mobilizing the public to contribute to the war effort. The composition is rich with symbolism and emotion. At the forefront, a serene yet resolute woman, draped in blue and white, holds an innocent child while extending an olive branch—a universal sign of peace. Behind her, a winged allegorical figure of Victory, clad in dramatic red robes, brandishes a sword and urges forward action. This juxtaposition between maternal protection and military force highlights the dual message of the poster: peace can only be achieved through victory. The bold red typography reads: "SOUSCRIVEZ POUR HÂTER LA PAIX PAR LA VICTOIRE" ("Subscribe to hasten peace through victory"), emphasizing the patriotic duty of citizens to invest in war bonds as a means of securing France’s triumph and eventual peace. Created in the late phase of World War I, this poster reflects France’s determination and resilience. The use of dynamic lines, rich colors, and classical figures is characteristic of Besnard’s artistic style, blending Academic and Symbolist influences. This piece is not only a historical artifact but also a powerful example of propaganda art...

The Polish artist Ewa Rzeznik reflects reality in her colorful paintings: Fishermen along the French coast, families walking towards the Mon Saint-Michel, children playing in the sur...

"In the Mirror", nude, sepia red on paper. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. Drawing in mat, for display purposes! 1s...

Girls (Till Death do us Part) - 2005, 24x20cm, Edition of 10, digital C-Print print, based on an original expired Polaroid. Certificate and Signature label. Artist Inventory No....

Artist/ School: English School, circa 1740's Title: Portrait of a Lady, traditionally identified as 'Anne of Chesterfield'. Medium: oil painting on canvas, framed Size: painting: ...

This important oil painting on canvas, although it is not signed as is almost always the case with this artist's paintings, is attributed to the great Genoese painter Luciano Borzone...

Portrait of a Russian Nun Oil on canvas 40.7 x 32.5 cm (68 x 61.5 cm with frame) Numbered 701 lower left Wihtout signature

Oil on canvas. In this painting, we see a little girl sitting on her haunches and crossing her fingers near her face as if she holds a secret in her small hands. In this simple gesture, the emotions and mood of the little child are encapsulated. Crossed fingers...

The Cornish Fisherwoman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private c...

Division of the Spoils in a Military Encampment Entourage of Willem Cornelisz. Duyster (Amsterdam 1599 – 1635) Not signed. Dutch school, late 17th – early 18th century Oil on oak pa...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on panel Oil size 27x22 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at th...

Pablo Picasso (1881-1973) - La Grande Corrida Etching from 1934. The edition of 50 on Montval paper. Dimensions of work: 56.8 x 77 cm. Reference: Bloch 1330; Baer 433. The work ...

SHARING THE CHORES is a hand drawn, limited edition lithograph by the acclaimed Charleston SC artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper...

A modernist fantasy winter scene created by Werner Drewes, this print brings key aspects of the period together. His cubist-inspired woodcut technique is utilized here to bring the s...

First Edition. This was published in 1920 by Les Soins de l’Artiste and included in a book titled Cinquante Dessins. The portfolio was edited and printed by Matisse himself. This is...

The 1956 lithography by Jean-Gabriel Domergue Sylvie la manucure, part of the renowned La Parisienne portfolio, stands as an elegant representation of post-war French art and a celeb...

Salvador Dali (1904-1989) Psychoanalysis : Tribute to Freud, 1972 Original coloured lithograph Handsigned in pencil Numbered 984/ 1000 On Arches Vellum 35 x 26" (87 x 64 cm) Ref...

This exquisite lithograph by Victor Brauner (1903–1966), titled L'oiseau au poisson (The Bird with the Fish), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, o...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

This lovely British 18th century portrait oil painting, with excellent provenance, is attributed to circle of George Henry Harlow. Painted circa 1760, it is a standing half length po...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of the Italian actress Sophia Loren waring sunglasses and sits in a director's chair. ...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Artiste et la Ville (The Artist and the City), from the folio Derriere le miroir, No. 246, originates from the 1981 ed...

A beautiful oil on canvas painting by the French artist, Salvadore Demone. Deomne was a Parisian painter known for his vibrant cityscapes that depicted the times of his generation. T...

Imke 16 x 16 cm ( it will be delivered framed/ frame is included: size with frame 18 x 18 cm ) Acrylic paint on wood The Dutch artist Jantina Peperkamp likes to paint portraits of ...

Beautiful Ashcan School portrait of a woman in winter outerwear, 1909. Oil on canvas panel, measuring 17.75 x 18 inches; 21.75 x 22 inches framed. Original frame. Dated lower rig...

Margaret Maitland Howard. English ( b.1898 - d.1983 ). Pan, God Of Nature, Playing Panpipes. Oil On Canvas. Signed Lower Left. Image size 22.6 inches x 18.1 inches ( 57.5cm x 46cm ). Frame size 26.8 inches x 22.2 inches ( 68cm x 56.5cm ). Available for sale; this original oil painting is by the English artist Margaret Maitland Howard and dates from the 1930s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas has been lined and mounted on a newly constructed custom made stretcher. The painted surface has benefitted from cleaning and conservation, all of which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Margaret Maitland Howard was an accomplished and versatile English artist whose works spanned the early to mid-20th century. Known for her evocative and often mythologically inspired oil paintings, Howard’s work reflects a deep engagement with classical themes and her knowledge of nature, and the human form. She was also proficient working in watercolours and pastels and an accomplished sculptor. Margaret, who was always known as “Marjorie” was born in Friern, Barnet, London on 31 July 1898, the daughter of artist and civil servant Henry James Howard. She grew up at Sutton, Surrey, where she spent most of her life. She spent many years living and working from St. Katherine’s, Malgrave Road, Sutton, Surrey. She was educated privately, at the Byam Shaw and then attended the Vicat Cole School of Art, completing her studies at the Royal Academy Schools, where she won five silver medals and other awards. She was also the recipient of a British Institute scholarship and extension and won the 1926 prize for her portrait work at the National Welsh Eisteddfod in Swansea. She exhibited paintings at the Royal Academy, showing at least ten works of classical and biblical themes at Summer Exhibitions between 1923 and 1935. She was one of the early group of women who painted nudes, a practice which was considered somewhat risqué and vulgar in the early twentieth century. She also exhibited at other leading galleries and in the provinces and consistently pursued her art despite the challenges posed by the societal norms of the time. Howard had a significant professional career for a woman of her generation. Just after World War II she was appointed draughtsman to the Institute of Archaeology at London University where she worked from 1948 to 1960. This is now part of University College, London. Here, she worked as an illustrator and sculptor, creating models for Professor Frederick Zeuner to use in his lectures. She also illustrated one of his important books (Zeuner, F.E. Dating the Past, London: Methuen). She also created the bust of Gordon Childe, now in the Institute’s Library. After her retirement from the Institute of Archaeology she collaborated with Ian Wolfran Cornwall on his series of books about the prehistoric world. In 1956, whilst working for the British Institute for the Study of Iraq, she moved to Balawat and supervised the archaeological work at the site of an ancient Assyrian city in northern Mesopotamia. She subsequently prepared drawings of the Balawat Gates, which was significant and technical work. In addition to illustrating various books on ancient history and anthropology, Howard was also known as an illustrator of fictional books, producing an illustrated edition of the Fables of Aesop that was published by John Lane at The Bodley Head in 1926. She also illustrated Elizabeth Ward...

Jim Beckner's (US based) "View to the Kitchen" is an original, handmade oil painting depicting a trio at a bar with a view to the establishment's kitchen. About the Artist: (Bor...

Portrait of a Woman by Louise Alix (French, 1888-1980) *see notes below oil painting on canvas unframed measures: 20 inches high by 24 inches wide condition: overall very good and so...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Make Up Mirror (1953) - Silver Gelatin Print (Photo by Thurston Hopkins/Picture Post/Getty Images Archive) 8th August 1953: Judy Dunlop, a participant in the Holiday Girl...

The Artists Model French School, late 19th century oil on canvas, unframed canvas: 20 x 17.5 inches provenance: private collection, France condition: very good and sound condition

Italian School, 18th century Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...

Denis-Paul NOYER Hotel : Mercedes 370 and Hotel Gonnet Original lithograph, c. 1980 Handsigned in pencil Numbered / 115 copies On Arches vellum 75 x 105 cm (c. 30 x 42 in) INFORMAT...

Portrait - Gregory, Contemporary Black and White Male Nude Portrait Photography by Victor Carnuccio. Portrait – Gregory 1991 Signed, titled, dat...

The Coronation of Gala (The Empress) from Visions Surrealiste Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil E...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed piece of paper is 12 x 9.5 inches In good condition, though with ...

Shades of light and color combinations convey the gentle image of a young dancer. She is light and weightless, it seems that she will jump and fly like a bird

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

A charming scene depicting a woman and her dog in a kitchen interior. The dog eats scraps from the floor whilst the woman washes dishes, looking directly to the artist, capturing a g...