Art Dealers Association of America
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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The Outskirts of Guatemala City, [girl with candy apples] Guatemala
By Sebastião Salgado
Located in Santa Monica, CA
Signed, titled & dated in pencil on verso with the photographer's embossed stamp on recto
Gelatin silver print
Image - 12"x17.5", Matted - 20"x24"
Category
1970s Art Dealers Association of America
Materials
Silver Gelatin
![The Outskirts of Guatemala City, [girl with candy apples] Guatemala](https://a.1stdibscdn.com/sebastiao-salgado-photography-the-outskirts-of-guatemala-city-girl-with-candy-apples-guatemala-for-sale/a_14/1749080794361/BC78AEAA_DC0A_4706_BE85_7C22E5FF5979_master.jpg?width=240 "Sebastião Salgado - The Outskirts of Guatemala City, [girl with candy apples] Guatemala")
Brookside
Located in New York, NY
Signed (at lower right): C A Walker
Category
Late 19th Century American Realist Art Dealers Association of America
Materials
Monotype
Hermit Crab Cup
By Ken Price
Located in New York, NY
Ken Price
Hermit Crab Cup
1972
Silkscreen on paper
Print: 28 x 22 inches; 71 x 56 cm
Frame: 30 5/8 x 24 3/4 inches; 78 x 63 cm
Edition of 60
Signed, title...
Category
1970s Contemporary Art Dealers Association of America
Materials
Screen
Cascade Lake
By Ian Ruhter
Located in New York, NY
Listing includes free shipping for unframed prints and 14-day return policy.
Ian Ruhter
Cascade Lake
30 x 40 inch archival pigment print
Edition of 30
*Please note that most order...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper
The Winds of Change, Villa Farnese, Caprarola, 2014
By Karen Knorr
Located in New York, NY
Listing includes free shipping, and a 14-day return policy.
24 x 30 inch archival pigment print
Edition 4 of 5
Signed on artist certificate
Also available in 3 other sizes.
Arti...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Color
Ampitheater, Havana, Cuba
By David Graham
Located in New York, NY
This image, taken in Cuba during the artist's visit in 1997, was part of a collaboration with author Andrei Codrescu, and resulted in the publication of a 1999 book entitled "Ay Cuba...
Category
1990s Contemporary Art Dealers Association of America
Materials
C Print
Gibbous Moon Willow
By Susan Derges
Located in New York, NY
Framing Included in Listing Price, Free Shipping, 14-Day Return Policy.
Gibbous Moon Willow (2012) by Susan Derges.
24 x 13.5 inches
Digital C-Print
Edition 9 of 9
*Last print av...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper
Pinks
By Gary Hume
Located in New York, NY
Gary Hume
Pinks
2002
Silkscreen
17 3/8 x 14 inches; 44 x 36 cm
Edition of 45
Signed, titled, dated and numbered in graphite (lower recto)
Frame available upon request
Available fr...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Screen
$2,000
The Observer and The Observed
By Susan Derges
Located in New York, NY
This is a newly released platinum print of "The Observer and Observed" by Susan Derges. Printed in 2022. Listing includes framing, a label of authentici...
Category
1990s Art Dealers Association of America
Materials
Photographic Film, Photographic Paper, Platinum
Untitled I, II, III
By Robert Mangold
Located in New York, NY
numbered and signed lower margin
S&S Cat. no. 2007.01
edition 6/30
Published by Simmelink/Sukimoto Editions, Kingston, New York
Associated with the Minimalist art movement of the 1...
Category
Early 2000s Abstract Geometric Art Dealers Association of America
Materials
Etching, Aquatint
No. 12-1957
By Stanley Twardowicz
Located in New York, NY
Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble upbringing in Detroit to become a po...
Category
Mid-20th Century Abstract Art Dealers Association of America
Materials
Enamel
Painters of the Forth Rail Bridge, Firth of Forth, Scotland
By Neal Slavin
Located in New York, NY
24 x 19.25 inch digital chromogenic print
Edition 15 + 3AP
Signed, titled, dated and editioned on frame label provided
Neal Slavin, a native New Yorker, began photographing grou...
Category
1980s Contemporary Art Dealers Association of America
Materials
Digital
Canal
Located in Dallas, TX
Signed "Lifschitz 85" at lower right
The overall dimensions, including the frame, are 26 1/2 x 32 3/8 inches.
Category
1980s Contemporary Art Dealers Association of America
Materials
Pastel
Dancing Party, c 1870
Located in Santa Monica, CA
Titled on recto
Vintage hand painted albumen print
Paper 13 x 9 1/2 inches; Image 11 x 8 inches
Category
Late 19th Century Art Dealers Association of America
Materials
Photographic Paper
Hong Kong, November 2016
By Luca Campigotto
Located in New York, NY
19.75 x 25 inch Canson pure pigment print, framed to 28.5 x 33.5 inches.
Edition 15. Signed, titled, dated and editioned on label verso.
Luca Campigotto uses big equipment to captur...
Category
2010s Contemporary Art Dealers Association of America
Materials
Pigment
Untitled (Airport Paris)
By Peter Fischli
David Weiss
Located in New York, NY
Peter Fischli / David Weiss
Untitled (Airport Paris)
2008
Offset lithograph on three sheets
Each sheet: 51 1/4 x 32 5/8 inches; 130 x 83 cm
Edition of 100
Signed and numbered in ink ...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Lithograph
Grace Jones
By Antonio Lopez
Located in New York, NY
Listing includes framing with UV plexi, free express shipping and a 14-day return policy.
Four 4.5 x 3.25 inch unique vintage Kodak prints. Prints are on active consignment from the estate of Antonio Lopez. Purchase includes certificates of authenticity from the estate of Antonio Lopez. These Kodak prints are not signed by Antonio Lopez.
Artist Biography -
The foremost fashion illustrator of the 1970s and 80s, Antonio (as he signed his work) was and remains one of the most highly regarded and influential figures in the fashion world. While not initially known as a photographer, Antonio was rarely without his favorite Instamatic camera, and as his career progressed he turned increasingly to photography to create fashion stories, portraits, and elaborate mise-en-scènes.
A serial Svengali, as the writer Karin Nelson noted: “Lopez brilliantly transformed the women in his world. Under his tutelage, Jerry Hall, a long tall Texan he met at Paris’s Club Sept, evolved into a golden goddess. He put Jessica Lange in gold lamé evening dresses after discovering her in Paris studying mime, and gave aspiring model Tina Lutz her start (and an introduction to future husband Michael Chow...
Category
1970s Art Dealers Association of America
Materials
Photographic Paper, Polaroid
Untitled from "On The Acropolis"
Located in New York, NY
Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...
Category
1980s Art Dealers Association of America
Materials
Silver Gelatin, Photographic Paper
Mr. Blu
By Carol A. Cook
Located in Dallas, TX
After receiving her BFA from the Otis Art Institute in Los Angeles, Carol Cook earned a Master of Occupational Therapy degree from Texas Woman’s University in Denton. In 2000, Cook e...
Category
2010s Contemporary Art Dealers Association of America
Materials
Acrylic, Clay, Glaze
Grand Canyon National Park, National Park Service
By Neal Slavin
Located in New York, NY
24 x 24 inch digital chromogenic print
Edition 15 +3AP
Signed, titled, dated and editioned on frame label provided
Neal Slavin, a native New Yorker, began photographing groups in 1972. He quickly realized that shooting in color yielded greater nuance and detail, placing him among the first generation of photographers, along with William Eggleston and Joel Meyerowitz, to fully embrace color.
Over the past four decades, Slavin has recorded hundreds of groups from the most obscure to the most celebrated, both in the US and abroad: Sabrett Hot Dog vendors, NYC; The Silurian Border Morris Men, Herefordshire; the Mormon Tabernacle Choir, Salt Lake City; Elephant Keepers with Katie and Kumara, Bedfordshire; and the Mahayana Buddhist Service, NYC.
He has published three books: “Portugal” (Lustrum Press, 1971), “When Two or More Are Gathered Together” (Farrar Straus Giroux, 1974); and “Britons” (Aperture, 1986). His prints have been acquired by the Metropolitan Museum of Art, New York; the Centre Pompidou, Paris; the International Center of Photography (ICP), New York; the National Portrait Gallery and the National Museum of American Art, Washington, DC; the National Media Museum, London; and the John Paul Getty...
Category
1970s Contemporary Art Dealers Association of America
Materials
Digital
Hatton Garden Snooker Club, London, UK
By Neal Slavin
Located in New York, NY
24 x 19.25 inch digital chromogenic print
Edition 15 + 3 AP
Signed, titled, dated and editioned on frame label provided
Neal Slavin, a native New Yorker, began photographing gro...
Category
1980s Contemporary Art Dealers Association of America
Materials
Digital
Placid Sea
By Cornelia Foss
Located in New York, NY
Cornelia Foss is renowned for her expressive landscapes, intimate portraits, and still lifes. Born in Berlin in 1931, she spent her early years in Rome before emigrating to the Unite...
Category
2010s Contemporary Art Dealers Association of America
Materials
Canvas, Oil
Autobiography
By Robert Rauschenberg
Located in Houston, TX
Robert Rauschenberg
Autobiography, 1968
Three panel offset lithograph on three sheets of paper
66 1/4 x 48 3/4 inches each
Ed. 2000, unsigned
Unframed
Can be displayed horizontally o...
Category
20th Century Contemporary Art Dealers Association of America
Materials
Lithograph
Portrait Head
By Lucian Freud
Located in New York, NY
Lucian Freud
Portrait Head
2001
Etching on Somerset Textured White paper
28 1/2 x 22 1/2 inches; 72 x 57 cm
Edition of 46
Initialed and numbered in graphite (lower recto)
Frame available upon request
Published by Matthew Marks Gallery...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Etching
Audrey Hepburn, Rockefeller Tower, New York
By George Douglas
Located in Santa Monica, CA
This is all about the work of George Douglas, a brilliant photographer of the mid 20th Century. In the 1940s, 50s and 60s he worked for leading magazines of the day, both in Britain...
Category
1950s Art Dealers Association of America
Materials
Silver Gelatin
Three Flowers
By Joseph Stella
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of ...
Category
20th Century American Modern Art Dealers Association of America
Materials
Paper, Crayon
The Writer
By Edmund Quincy
Located in New York, NY
Signed (lower right): Quincy
Category
20th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Sweet Peas, 1907
Located in New York, NY
Listing includes framing with UV plexiglas, free shipping and a 14 day return policy.
Lora Webb Nichols
Sweet Peas, 1907
15 x 12 inch gelatin silver print
Image Size: 14 x 8.5 inches
Frame size: 22.5 x 17.5 x 2
Edition of 15
Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us.
At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...
Category
Early 1900s Other Art Style Art Dealers Association of America
Materials
Silver Gelatin
Absence No. 12
By Denis Darzacq
Located in New York, NY
In his "Absence" series, Denis Darzacq’s mines his own work for raw material. By cutting and tearing recent photographic prints of his own work, he generated a wealth of formal mater...
Category
2010s Contemporary Art Dealers Association of America
Materials
Digital Pigment
Los Ojos
By Brian Cobble
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
Category
21st Century and Contemporary Photorealist Art Dealers Association of America
Materials
Pastel
$15,000
Greenhouse
By Donald S. Vogel
Located in Dallas, TX
Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...
Category
Late 20th Century American Impressionist Art Dealers Association of America
Materials
Oil, Panel
The Blind Woman
By Miles Cleveland Goodwin
Located in Dallas, TX
"The Blind Woman" by artist Miles Cleveland Goodwin is oil on canvas, and measures 72 5/8 x 44 5/8 inches. Including the artist-made frame, the overall dim...
Category
2010s Realist Art Dealers Association of America
Materials
Canvas, Oil
Untitled (A)
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...
Category
Early 2000s Abstract Art Dealers Association of America
Materials
Color, Aquatint
Self-Portrait as Mad Queen
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Abstract Art Dealers Association of America
Materials
Canvas, Oil
Art Visions #2
By Gail Norfleet
Located in Dallas, TX
Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Glass
Like Ice in the Sunshine No. 08
By Simone Rosenbauer
Located in New York, NY
Archival pigment print. Framing available at additional cost.
Signed, titled, dated and editioned on label verso.
In the latest series by Simone Rosenbauer, entitled Like Ice in the Sunshine...
Category
2010s Contemporary Art Dealers Association of America
Materials
Archival Pigment
Rinsing the Eye
By Terrell James
Located in Houston, TX
Terrell James
"Rinsing the Eye" 2019
Oil on linen
64 x 78 inches
Category
21st Century and Contemporary Abstract Expressionist Art Dealers Association of America
Materials
Linen, Oil
Still Life with Tiger and Fox
By Mary Vernon
Located in Dallas, TX
"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...
Category
2010s Contemporary Art Dealers Association of America
Materials
Board, Oil, Paper
Human and Animal Locomotion. Plate 576.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 576.
Walking; free; light-gray horse Eagle.
14 x 20 inch original vintage collotype print from 1887
Image size 6 3/4 x 16 7/8 inches
Muybridge cop...
Category
1880s Art Dealers Association of America
Materials
Photographic Paper
East Woods Park
By John Cobb
Located in Dallas, TX
“What he has learned from the art of the museums, Cobb has fully assimilated and modified in the development of his own personal vision. And while enriched by these historical perspe...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Acrylic, Panel
Still Life
By Vera Barnett
Located in Dallas, TX
Vera Barnett is best known for creating elements of her composition—by sewing and painting plastic, building objects with cardboard and tape, and assembling found objects—then settin...
Category
2010s Contemporary Art Dealers Association of America
Materials
Oil, Panel
Untitled from "On The Acropolis"
Located in New York, NY
Listing includes free shipping for an unframed print in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...
Category
1980s Art Dealers Association of America
Materials
Silver Gelatin
Epic Western No. 4
By Jim Krantz
Located in New York, NY
Edition 5 of 7. Signed on signature label. Produced by Jim Krantz.
Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions.
If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images from Marlboro ads, and in something of an ironic compliment, when Prince had his mid-career retrospective at the Guggenheim Museum not only were Krantz’s re-photographed images included in the exhibit but the image on all the banners flying along 5th Avenue was also one of Krantz’s. All uncredited.
Krantz’s art has been embraced by the worlds of fashion and popular culture with collaborations with Supreme, Adam Kimmel...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Archival Pigment
Untitled
By Charles Houghton Howard
Located in New York, NY
Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux-Arts in Paris and apprenticed in Boston with Henry Hobson Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury Howard, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals, and reliefs at the Coit Tower and in buildings on the Berkeley campus.
Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist.
Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time.
In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...
Category
20th Century American Modern Art Dealers Association of America
Materials
Paper, Watercolor, Gouache, Graphite
The Race
By William John Hennessy
Located in New York, NY
William John Hennessy was born in Ireland. He came to America in 1849 with his mother and brother a year after his father had fled their homeland after taking part in the unsuccessful Young Ireland Party uprising. The Hennessys settled in New York, and when young William came of age, he decided upon a career as an artist. At the age of fifteen, he enrolled at the National Academy of Design, where he learned to draw from the antique, and the following year he was granted admission to the Academy’s life-drawing class.
Hennessy first exhibited at the National Academy in 1857, starting a continuous run of appearances in their annuals that lasted until 1870, when he expatriated himself to Europe. During his time in America, Hennessy was principally known as a genre painter and prolific illustrator for such publications as Harper’s Weekly and a number of books, including illustrated works of William Cullen Bryant...
Category
19th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Francesca Woodman, Providence, RI
By George Lange
Located in New York, NY
Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange.
11 x 14" archival pigment print
17 x 21 x 2" frame with UV plexgias
Edition 2 of 10, signed and e...
Category
1970s Art Dealers Association of America
Materials
Archival Pigment, Digital Pigment
Francesca Woodman, Providence, RI
By George Lange
Located in New York, NY
Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange.
14 x 11" archival pigment print
21 x 17 x 2" frame with UV plexgias
Edition 2 of 10, signed and e...
Category
1970s Art Dealers Association of America
Materials
Archival Pigment, Digital Pigment
Horse Blinders (south) and Horse Blinders (east)
By James Rosenquist
Located in New York, NY
Lithograph and screenprint with collage (silver foil)
Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm)
Published by Multiples...
Category
1970s Pop Art Art Dealers Association of America
Materials
Silver
Cypress Trees, October
By Jim Stoker
Located in Dallas, TX
Texas artist Jim Stoker began developing his confetti-splatter technique of painting in 2000 to depict his interpretations of the unique flora along the Guadalupe River, as well as t...
Category
2010s Contemporary Art Dealers Association of America
Materials
Linen, Oil
Old Cottonwood
By Brian Cobble
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Etching
Distant Voices
By John Moore
Located in New York, NY
John Moore was born in St. Louis, MO in 1941. He received a BFA from Washington University in St. Louis (1966) and an MFA from Yale University (1968). Over a career spanning forty ye...
Category
2010s Contemporary Art Dealers Association of America
Materials
Canvas, Oil
Saint-Malo, Brittany
By William Stanley Haseltine
Located in New York, NY
The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved.
Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University.
After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf.
The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life.
At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome.
Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...
Category
19th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Kunsthaus Garden
By Mary Vernon
Located in Dallas, TX
"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...
Category
2010s Contemporary Art Dealers Association of America
Materials
Graphite, Oil, Panel
Grop #2
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Art Dealers Association of America
Materials
Canvas, Oil
Up Here Down There
Located in New York, NY
"Up Here Down There" by JR, Oliver Jeffers. 2016.
Hand embellished lithograph in colours on 270 grm BFK Rives paper
28.9 x 20.3 inches unframed (please inquire about framed dimensio...
Category
2010s Street Art Art Dealers Association of America
Materials
Acrylic, Lithograph
Home 2
By Elizabeth Turk
Located in New York, NY
Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore.
In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it.
A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...
Category
2010s Contemporary Art Dealers Association of America
Materials
Marble
$195,000
San Francisco 37° 48’ 30’’ N 2010-10-09 lst 20:58
By Thierry Cohen
Located in New York, NY
Framing included in listing price ($1,500 value), free art transport to the continental U.S., and a 14 day return policy. Please note there is some repaired damage to the frame noted in the images.
San Francisco from Thierry Cohen...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Color
Ties
By Dan Wingren
Located in Dallas, TX
"My head is somewhere near the intersections of the fields of art, history, psychology, engineering, and religion," Dan Wingren was quoted as saying, when he was named the Meadows Di...
Category
1980s Modern Art Dealers Association of America
Materials
Canvas, Oil
$5,400
Bark Framed #2
By Maria Elena González
Located in New York, NY
Cuban-born artist María Elena González is an internationally recognized sculptor based in Brooklyn, NY, and San Francisco, CA. González interweaves the conceptual with a strong dedic...
Category
2010s Contemporary Art Dealers Association of America
Materials
Driftwood, Ink, Cardboard
Untitled
By Allison Gildersleeve
Located in Dallas, TX
"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...
Category
2010s Contemporary Art Dealers Association of America
Materials
Paper, Ink, Acrylic
