Antiques Associations Members Art
Antiques Association Members
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19th Century landscape oil painting of a river glen
By William Mellor
Located in Nr Broadway, Worcestershire
William Mellor
British, (1851-1931)
A River Glen
Oil on canvas, signed
Image size: 19 inches x 29 inches
Size including frame: 27.5 inches x 37.5 inches
A lovely landscape painting of a river glen by William Mellor. In the foreground, the river flows over large boulders whilst sheep graze on the banks and beyond the trees in the distance.
William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter.
In 1876, he married Mary Elizabeth Watson...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
18th century portrait of the German Flautist and composer Johann Joachim Quantz
By Arthur Devis
Located in Bath, Somerset
Portrait of Johann Quantz (1697-1773), flautist and composer, wearing a blue velvet coat, waistcoat and breeches, standing in a garden landscape with ...
Category
18th Century English School Antiques Associations Members Art
Materials
Canvas, Oil
$14,684 Sale Price
20% Off
19th Century landscape oil painting of Cattle at Grizedale in the Lake District
By Sidney Richard Percy
Located in Nr Broadway, Worcestershire
Sidney Richard Percy
British, (1821-1886)
Grizedale, Westmorland
Oil on canvas, signed & dated 1883
Image size: 12 inches x 19 inches
Size including frame: 21.25 inches x 28.25 inches
A wonderful atmospheric painting of Grizedale Pike in the Lake District by Sidney Richard Percy. Cattle are shown moving along the path in the foreground as sheep roam the hillsides. In the mid distance a figure can be seen walking across a stone bridge whilst another has paused to rest behind them.
Sidney Richard Percy was born Sidney Richard Williams, on the 22 March, 1822 the fifth son of the artist Edward Williams Snr (1781–1855) and Ann Hildebrandt. His brothers Edward Charles (1807–1881), Henry John Boddington (1811–1865), George Augustus (1814–1901), Arthur Gilbert (1819–1895) and Alfred Walter Williams...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
L
avenue Des Champs-élysees au Crepuscule
By Édouard Leon Cortès
Located in Belgravia, London, London
Oil on canvas
Canvas size: 13 x 18 inches
Framed size: 20 x 25.25 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of a harvest
Located in Nr Broadway, Worcestershire
Arthur Walker Redgate
British, (1860-1906)
The Harvesters
Oil on canvas, signed
Image size: 19.25 inches x 29.25 inches
Size including frame: 27 inches x 37 inches
A pleasing lands...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century genre oil painting of cherubs with flowers
By Charles Augustus Henry Lutyens
Located in Nr Broadway, Worcestershire
Charles Augustus Henry Lutyens
British, (1829-1915)
Cherubs with Flower Garlands
Oil on canvas, signed
Image size: 19.5 inches x 29.25 inches
Size including frame: 25.5 inches x 35.25 inches
A beautiful painting of three cherubs or putti with flower garlands by Charles Augustus Henry Lutyens. The winged infants are shown holding rose blooms as they rest on a cloud.
Charles Augustus Henry Lutyens was born in 1829 the son of Charles Lutyens, who was the Deputy Commissary General of the Forces and Frances Jane Fludger. With his family connection to the military it was no surprise that he joined the army in 1848 as Ensign, serving in the 20th Foot Regiment in Montreal, Canada. Whilst there, he met Mary Teresa Gallwey, daughter of Major Gallwey of Ireland and sister of Thomas Gallwey, the Governor of Montreal. They married on 28 November, 1852 and the couple went on to have 14 children in total. He returned to England having been promoted to Captain and lived in Hampshire where was appointed Instructor of Musketry to the regiment.
He retired from the army in 1855, moving to London in the same year where he lived at 4 Allen Terrace, Kensington. He began pursuing an artistic career and most likely took art and sculpture lessons as well as studying animal anatomy. He made his debut at the British Institution from 1860 and by 1861 was living at 6 Palace Garden Terraces in Kensington. In 1862, he began exhibiting at the Royal Academy, where he continued to exhibit regularly until 1903. He initially painted portraits but then developed his subjects to include animals, usually horses and hunting scenes. Many of the people in his paintings were notable horse owners such as King Edward and the Duke of Westminster as well as military figures. He is known to have sculpted clay models of animals which he used during his creative process. He also produced a number of scenes with cherubs which he became well known for.
By 1865, he had moved to 16 Onslow Square...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century genre oil painting of a girl with flowers
By Jane Maria Bowkett
Located in Nr Broadway, Worcestershire
Jane Maria Bowkett
British, (1837-1891)
Collecting Flowers
Oil on canvas, signed with monogram
Image size: 23.5 inches x 17.75 inches
Size including frame: 29.25 inches x 23.5 inches
A highly appealing genre painting of a young girl holding flowers by Jane Maria Bowkett. The girl is posed in a wild flower meadow in front of a wooded area and wears a white lace dress with a pink sash. On her head is a yellow straw hat decorated with white feathers and a ribbon. She is shown gripping the brim of her bonnet with one hand whilst holding a posy of flowers in the other. The girl bears a resemblance to the models featured in some of the artist's other paintings and could well have been a family member.
Jane Maria Bowkett was a figure and genre painter born in Poplar, London on 17 September, 1837, the eldest child of Thomas Edward Bowkett and Jane Bowkett (nèe Watkinson). The family lived at East India Road where he father practiced as a surgeon, later becoming a doctor and was involved in the Chartist movement. Three of her sisters, Eliza Martha Bowkett (1839-1867), Jessie Undine Bowkett (1861-1886) and Leila Matilda Bowkett (1853-1924) also became artists.
She attended the Government School of Design (now Royal College of Art) and in 1858 began her exhibiting career at the Society of Female Artist. In 1860, she started exhibiting at the British Institution and a year later made her debut at the Royal Academy and Royal Society of British Artists. As well as exhibiting in London, she also exhibited more widely at the Birmingham Society of Artists, Royal Scottish Academy, Bristol Academy of Art and the Brighton Art Society. Most of her paintings were genre scenes featuring woman and children in a mixture of both interior and landscape settings. Her work also included a number of beach and coastal paintings.
She married the still life and landscape artist Charles Stuart on 7 February, 1862 at All Saints Church in West Ham. Although married, she continued exhibiting under her maiden name. The couple spent the first years of their married life living in Stepney Causeway where they started a family. One of their sons Charles Edward Gordon...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Walking with Big Sister
By Dorothea Sharp
Located in Belgravia, London, London
Oil on board
Board size: 13 x 16 inches
Framed size: 18.25 x 21.25 inches
Signed with initials lower left
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Board
Still Life of a Copper Pan and Pewter Jug
By François Bonvin
Located in Stoke, Hampshire
Francois Bonvin (1817-1887) French
Still Life of a Copper Pan and Pewter Jug
Oil on Canvas
Indistinctly Signed
9.5” x 16” (24 x 40.7cm)
Bonvin was bor...
Category
19th Century Antiques Associations Members Art
Materials
Oil
$2,719 Sale Price
46% Off
19th Century oil painting of horses
grooms outside a coach house
By Henry Barraud
Located in Nr Broadway, Worcestershire
Henry Barraud
British, (1811-1874)
Horses & grooms at Mount Mascal
Oil on canvas, signed
Image size: 15.25 inches x 29.25 inches
Size including frame: 21.25 inches x 35.25 inches
...
Category
Mid-19th Century Victorian Antiques Associations Members Art
Materials
Oil, Canvas
19th century seascape oil painting of a ship off the Scottish coast
Located in Nr Broadway, Worcestershire
Richard Ball Spencer
British, (1812-1897)
The Perthshire off Ailsa Craig
Oil on canvas, signed
Image size: 22.25 inches x 36.25 inches
Size including frame: 31 inches x 45 inches
This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work.
Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names.
By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Sheep Resting
By Thomas Sidney Cooper
Located in Belgravia, London, London
Oil on panel
Panel size: 17 x 14 inches
Framed size: 22.75 x 20 inches
Signed lower left
Category
19th Century Antiques Associations Members Art
Materials
Oil, Panel
19th Century landscape oil painting of figures harvesting
By Joseph Thors
Located in Nr Broadway, Worcestershire
Joseph Thors
British, (1835-1920)
Harvest Time
Oil on canvas, signed
Image size: 19.25 inches x 29.25 inches
Size including frame: 26.25 inches x 36.25 inches
This wonderfully deta...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of a horse
cart on a country track
By James Edwin Meadows
Located in Nr Broadway, Worcestershire
James Edwin Meadows
British, (1826-1893)
A Country Track
Oil on canvas, signed & dated 1861
Image size: 29.5 inches x 47.5 inches
Size including frame: 36.5 inches x 54.5 inches
A l...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
17th Century portrait oil painting of a lady
Located in Nr Broadway, Worcestershire
Circle of Sir Peter Lely
Dutch, (1618-1680)
Portrait of a Lady, traditionally identified as Princess Henrietta Anne Stuart
Oil on canvas
Image...
Category
17th Century Antiques Associations Members Art
Materials
Canvas, Oil
Horse portrait oil painting of a chestnut hunter in a stable
By George Wright
Located in Nr Broadway, Worcestershire
George Wright
British, (1860-1944)
Chestnut Hunter in a Stable
Oil on canvas, signed, old label verso
Image size: 15.5 inches x 21.25 inches
Size including frame: 22.75 inches x 28...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century winter townscape oil painting of a quay on a frozen river
By Ludwig Hermann
Located in Nr Broadway, Worcestershire
Ludwig Hermann
German, (1812-1881)
Winter on the Quay
Oil on canvas, signed
Image size: 15.75 inches x 22 inches
Size including frame: 23 inches x 29.25 inches
This highly detailed...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of sheep grazing on a clifftop
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones
British, (1836-1892)
Sheep Grazing on a Cliff Top
Oil on canvas, signed with monogram
Image size: 7.5 inches x 11.5 inches
Size including frame: 13.5 inches x 17.5 inches
A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often.
Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.
By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century seascape oil painting of Douglas Harbour, Isle of Man
By William Edward Webb
Located in Nr Broadway, Worcestershire
William Edward Webb
British, (1862-1903)
Douglas Harbour, Isle of Man
Oil on canvas, signed
Image size: 21.5 inches x 37.5 inches
Size including frame: 33 inches x 49 inches
A busy quayside painting by William Edward Webb of Douglas Harbour on the Isle of man. Fishermen in boats can be seen preparing to head ashore as other figures make their way along the quayside.
William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871.
By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester.
Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work.
His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Red Sails at Honfleur Harbour Impressionist Painting, Figures, Boats, Red, Blue
By William Lee Hankey
Located in Shrewsbury, Shropshire
Farmed size: 26.5" x 30.5"
Signed bottom left W Lee Hankey
Red Sails at Honfleur by WIlliam Lee Hankey, this striking oil painting features the iconic port town of Honfleur, Normand...
Category
19th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
A portrait of two hound dogs standing in a landscape, signed and dated 1889
By Henry Frederick Lucas Lucas
Located in Bath, Somerset
Two Warwickshire hounds, named Hermit and Wildboy, standing in a landscape.
Signed and dated 1889 (lower right) and signed, inscribed and dated on the reverse.
Oil on canvas in a gil...
Category
19th Century English School Antiques Associations Members Art
Materials
Canvas, Oil
19th Century pair of seascape oil paintings of shipping on the Medway
By Hubert Thornley
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19.5 INCHES X 17.5 INCHES**
Hubert Thornley
British, (exh. 1858 -1898)
Mouth of the Medway & Rochester on the Medway
Oil on canvas, pair, both, signed
Image size: 13.25 inches x 11.25 inches (each)
Size including frame: 19.5 inches x 17.5 inches (each)
An atmospheric pair of seascape paintings of shipping on the Medway by Hubert Thornley. The first is a view of the mouth of the Medway by moonlight and the second is a scene near Rochester on the Medway.
Hubert or William Thornley was a painter of coastal scenes and marines who lived in Greenwich and for many years had a studio overlooking the Medway near Rochester in Kent. According to art historian Denys Brook-Hart, he was actually born Charles Thornley and exhibited under this name from an address in Paddington, London.
Although called Charles, his best known name was William Thornley. He would also exhibit and sell paintings...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
English 18th century portrait of a lady, Circle of Thomas Murray (1663-1735)
Located in Bath, Somerset
An early 18th century portrait of a young lady, half length, wearing a blue silk gown with white chemise and gold trimmed cloak draped across her arm and shoulders. Her sensitively observed soft expression and skilfully painted youthful 'dewy' complexion are reminiscent of the portrait style of John Closterman whose work Murray would have been familiar with, being a close colleague of Murray's teacher, John Riley.
An old label on the reverse identifies the sitter as a young Princess Charlotte...
Category
Early 18th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
$8,158 Sale Price
20% Off
19th Century river landscape oil painting of Doeford Bridge, Lancashire
By Henry H. Parker
Located in Nr Broadway, Worcestershire
Henry H Parker
British, (1858-1930)
Doeford Bridge, Clitheroe
Oil on canvas, signed & further inscribed in pencil to stretcher
Image size: 11.5 inches x 17.5 inches
Size including frame: 16.5 inches x 22.5 inches
Provenance: MacConnal-Mason Ltd, Duke Street, London
This attractive scene featuring Doeford Bridge near Clitheroe is by Henry H Parker. Two figures can be seen on the bridge overlooking the river Hodder. Doeford Bridge is located in Bowland Forest Low, Lancashire, 9 miles north-west of Clitheroe between Chipping Village and Whitewell. It spans over the river Hodder, near the confluence of the rivers Hodder and Loud. The bridge was built around 1770 and was constructed with squared sandstone blocks formed into 2 segmented arches with a central triangular cutwater. It was made a grade II listed building by Historic England in 1952.
Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon...
Category
Late 19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of sheep in a Sussex lane
By William Luker Sr.
Located in Nr Broadway, Worcestershire
William Luker Snr
British, (1828-1905)
Sheep in a Sussex Lane with Pevensey Bay in the distance
Oil on canvas, signed & dated 1875
Image size: 17.25 inches x 25.25 inches
Size including frame: 23.25 inches x 31.25 inches
A tranquil landscape scene of a shepherd and his flock resting in a lane near Pevensey Bay, Sussex by William Luker. The ruins of Pevensey Castle can be seen in the distance with the sea beyond.
William Luker Snr was born in 1828 at Faringdon, Berkshire to William and Jane Luker (née Charlwood). His father was a plumber and glazier by trade and the family lived at London Street in Faringdon. Little is known about his early education and it is believed for the most part he was self -taught. However, given the quality of his work and the fact that his family were able to keep a servant, he may well have received some artistic tuition.
By the early 1850’s, he had begun earning a living as an artist by advertising in local directories, earning commissions from local landowners. He made his debut at the Royal Society of British Artists in 1851 and was a prolific exhibitor there for over 40 years. He began exhibiting at the Royal Academy in 1852 and also exhibited at the British Institution.
He married the artist Ada Augusta Margetts (1839-1930) on 27 October 1864. Their eldest son William Luker Jnr (1867-1951) also became a well-known artist. The couple soon moved to London where they lived at 22 Gloucester Terrace, Campden Hill from where they both exhibited. From 1867, they lived at 15 Sheffield Terrace in Kensington until 1874 when they moved for the final time to 22 Notting Hill Square, later renamed Campden Hill Square in 1893. He died at Campden Hill-square on 28 February, 1905.
Luker specialised in landscapes featuring animals such as sheep and cattle, horses and deer. He travelled around visiting areas such as Sussex, Buckinghamshire, Kent, Wales and the Highlands. However, he also made trips to Egypt and Libya producing a series of Oriental scenes in the early 1860’s. His works show a great attention to detail and his use of a lighter palette gives his subjects a luminous quality that instantly attracts the viewer. Examples of his paintings are held by the Atkinson Art Gallery, National Library of Wales, Newstead Abbey...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century winter landscape oil painting of Highland cattle
sheep
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones
British, (1836-1892)
Highland Cattle & Sheep in Winter
Oil on canvas, signed with monogram & dated (18)65, further inscribed verso
Image size: 23.5 inches x 35.5 inches...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century historical genre oil painting of a courtship
By Henry Gillard Glindoni
Located in Nr Broadway, Worcestershire
Henry Gillard Glindoni
British, (1852-1913)
The Suitor
Oil on canvas, signed & dated 'Jan 1908'
Image size: 27.5 inches x 35.5 inches
Size including frame: 41 inches x 49 inches
Thi...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century sporting animal oil painting of a horse
groom in a stable
By John Ferneley Junior
Located in Nr Broadway, Worcestershire
John Ferneley Jnr
British, (1815-1862)
Horse & Groom in a Stable
Oil on canvas, indistinctly signed
Image size: 18.75 inches x 23.25 inches
Size including frame: 23.5 inches x 28 inches
Provenance: The Parker Gallery, Berkeley St., London
A mid-19th century sporting painting of a horse and groom in a stable by John Ferneley Jnr. A stable hand is depicted in the middle of a stall grooming a bay horse. Nearby, a tabby cat can be seen resting on table whilst a small black and tan dog wanders by a door to the left.
John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Madame du Barry white marble bust by French sculptor Augustin Pajou (1730-1810)
Located in Bath, Somerset
A 19th century white marble bust of Marie-Jeanne Bécu, the Comtesse du Barry after the 18th century original by the French sculptor Augustin Pajou. ...
Category
19th Century Antiques Associations Members Art
Materials
Marble
18th century painting of the Dalbiac family in the gardens of a country house
By Charles Philips
Located in Bath, Somerset
The painting depicts James (Jacques) Dalbiac, his wife Louise (ne de la Porte) and their five children, James, Charles, Louise, Marianne and Martha in the ornamental gardens of a grand country estate.
The extensive gardens extend into the distance with gardeners working in the background and figures strolling through the avenues of trees. A peacock and peahen can be seen on the wall to the left and a potted orange tree to the right. Louise Dalbiac holds an orange taken from the orange tree, aluding to the family's faith and their loyalty to the protestant King William of Orange and their adopted country.
The Dalbiacs were wealthy London silk and velvet merchants of French Huguenot origin who had fled France at the end of the 17th century to escape persecution for their protestant faith. England offered safe refuge and their skills and industriousness allowed them to establish one of the most successful businesses in London's Spitalfields which became a new centre of the silk trade, effectively leading to the collapse of the once dominant French silk industry. Both sons, James and Charles followed their father and Uncle into the family business, successfully growing the family's fortune and each going on to own their own country estates.
A conversation piece is a genre of painting used to describe group portraits of families and friends, often depicted with their servants and family pets and set within an elegantly furnished interior or the garden of a grand country house. They were a celebration of the intimacy of family relations as well as a sign of status, property and the power of succession. The informality of conversation pieces grew popular in 18th century England, allowing the sitters to present themselves in a more relaxed pose, perhaps engaged in intellectual conversation or showing their talents or interests. In this present portrait, the Dalbiacs are shown richly dressed and and at leisure in a grand country house setting, conveying their success and cultural and social aspirations.
Charles Philips (c.1703–1747) was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. He was the son of portrait painter Richard Philips...
Category
Early 18th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
English 18th century portrait of a Lady and her Daughter in an interior
By (attributed to) Joseph Highmore
Located in Bath, Somerset
Portrait of a lady, three-quarter length, wearing a blue silk gown, seated in a classical interior, with her daughter in a pink gown standing beside her holding a sprig of blossom. T...
Category
Early 18th Century Old Masters Antiques Associations Members Art
Materials
Oil
Studies of Zebra and Giraffe
Located in Belgravia, London, London
Oil on canvas
Canvas size: 24 x 36 inches
Framed size: 32.5 x 44.75 inches
Signed and inscribed
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
18th Century large scale portrait oil painting of a lady with a lamb
By Arthur Pond
Located in Nr Broadway, Worcestershire
Attributed to Arthur Pond
British, (1701-1758)
Portrait of a Lady
Oil on canvas
Image size: 50.75 inches x 41.5 inches
Size including frame: 58.5 inches x...
Category
18th Century Antiques Associations Members Art
Materials
Canvas, Oil
17th Century portrait oil painting of a gentleman
By John Riley
Located in Nr Broadway, Worcestershire
Circle of John Riley
British, (1646-1691)
Portrait of a Gentleman
Oil on canvas
Image size: 29 inches x 24 inches
Size including frame: 36 inches x 31 inch...
Category
17th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
19th Century pair of French townscape oil paintings
By Henry Schafer
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES x 13 INCHES**
Henry Schafer
German/British, (1841-c.1914)
Chartres, France & Metz, Lorraine
Oil on canvas, pair, both signed
Image size: 10 inches x 8 inches (each)
Size including frame: 15 inches x 13 inches (each)
A lovely pair of French townscape paintings featuring Cathedrals by Henry Schafer. The first offers a view of Metz Cathedral and other medieval buildings from the river Moselle. On the right, figures can be seen at a market stall whilst others walk down a street. Meanwhile to the left, a boat is shown docking at a quayside in front of an archway. The other painting is of Chartres Cathedral seen from a cobbled town square lined with Medieval buildings. Two figures are depicted next to a market stall on the left as others chat or make their way towards the square along a lane to the right.
Henry Schafer was born in Hanover, Germany in 1841. Although little is recorded about his upbringing, he was known to have studied at the l'Ecole National de Beaux-Arts in Paris. After leaving art school, he travelled throughout Europe painting town scenes and buildings of Northern France, Belgium and Germany. By 1864, Schafer had travelled to England with his wife Theresa, to work in London where they settled and started a family. All four of their children were born in England. One of his daughters Emilie Anna Schafer (1871-1937) became a painter and art teacher.
Around 1871, the family were living at 53 Vauxhall Bridge Road and in 1881 were recorded as residing at 6, Sophia Terrace, Beulah Road, Thornton Heath in Surrey, with Henry continuing to work as an artist. By 1891, he had moved to 7 St Peters Road in Islington where he lived for the rest of his life. Sometime around the turn of the century, he became a British subject. Schafer is believed to have died in London c1914.
Many of his works depict the architecture of gothic cathedrals and churches, as in these two fine examples. He also produced interior studies of churches. Schafer's style resembles that of Alfred Montague...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century Pre-Raphaelite Oil Painting of Guinevere King Arthur
s Quee Camelot
Located in Gerrards Cross, GB
‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915).
Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exemptions und...
Category
Late 19th Century Pre-Raphaelite Antiques Associations Members Art
Materials
Oil
Historical genre oil painting of a couple eloping
Located in Nr Broadway, Worcestershire
Jules Girardet
French, (1856-1938)
Le Coeur a des Raisons
Oil on canvas, signed
Image size: 41 inches x 33 inches
Size including frame: 50.25 inches x ...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Chàteauneuf-Sur-Cher
By Marcel Dyf
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18.25 x 21.5 inches
Framed size: 26 x 29.5 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
19th Century winter landscape oil painting of a caravan with Cossacks on horses
By Adolf Constantin Baumgartner-Stoiloff
Located in Nr Broadway, Worcestershire
Adolf Constantin Baumgartner-Stoiloff
Austrian (1850-1924)
The Gold Convoy
Oil on canvas, signed
Image size: 26.25 inches x 40.5 inches
Size including frame: 32.25 inches x 46.5 inches
An animated winterscape of Cossacks on horseback with a number of covered wagons by Adolf Constantin Baumgartner-Stoiloff. The caravan is shown moving at speed and flanked by a group of armed Cossacks. During the 19th century, Cossacks were often used by the Czar to collect tributes or taxes from many of the native tribes in Russia.
Adolf Constantin Baumgartner-Stoiloff was born Adolf Baumgartner...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Pair of 19th Century coastal seascape oil paintings
By Walter Williams
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 12.75 INCHES X 10.75 INCHES**
Walter Williams
British, (1834-1906)
Stormy Seas & By the Shore
Oil on canvas, pair, both si...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of cattle by a Kent stream
By William Sidney Cooper
Located in Nr Broadway, Worcestershire
William Sidney Cooper
British, (1854-1927)
At Marshside, Kent
Oil on canvas, signed & dated 1920, inscribed in pencil verso
Image size: 15.5 inches x 23.5 inches
Size including fram...
Category
Early 20th Century Antiques Associations Members Art
Materials
Canvas, Oil
The Little Charmer
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18.75 x 25 inches
Framed size: 29.5 x 35.5 inches
Signed and dated 1890 lower left
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century genre portrait oil painting of a girl with a writing slate
By Charles Sillem Lidderdale
Located in Nr Broadway, Worcestershire
Charles Sillem Lidderdale
British, (1831-1895)
The Scholar
Oil on canvas, signed with monogram & dated (18)94
Image size: 26.5 inches x 19.5 inches
Size including frame: 33.5 inche...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century seascape oil painting of ships at a Normandy port
By Charles Euphrasie Kuwasseg
Located in Nr Broadway, Worcestershire
Charles Euphrasie Kuwasseg
French, (1838-1904)
A Normandy Port
Oil on canvas, signed & dated 1875
Image size: 21.5 inches x 38.75 inches
Size including frame: 30.25 inches x 47.5 inches
A wonderful seascape painting of a port in Normandy by Charles Euphrasie Kuwasseg. The scene shows large ships anchored...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of a harvest
By Alfred Augustus Glendening Senior
Located in Nr Broadway, Worcestershire
Alfred Augustus Glendening Snr
British, (1840-1921)
Harvest Time
Oil on canvas, signed with monogram & dated (18)81
Image size: 23.25 inches x 35.25 inches
Size including frame: 32.5 inches x 44.5 inches
A lovely landscape painting of figures harvesting in a field by Alfred Glendening Snr. On the crest of a hill, a man ties sheaves whilst others harvest the crop. In the valley below, more figures can be seen stacking shocks into a cart.
Alfred Augustus Glendening was born in Hampton near Richmond upon Thames...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Historical genre oil painting of two gentlemen sat in a garden
By Frank Moss Bennett
Located in Nr Broadway, Worcestershire
Frank Moss Bennett
British, (1874-1952)
In the Garden
Oil on panel, signed & dated 1917
Image size: 11 inches x 13.5 inches
Size including frame: 20 inches x 22.5 inches
A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men are shown drinking wine and eating fruit at a linen covered table...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
19th Century Welsh landscape oil painting of the river Mawddach
By William Henry Mander
Located in Nr Broadway, Worcestershire
William Mander
British, (1846-1914)
On the River Mawddach, Dolgellau, North Wales
Oil on canvas, signed & further inscribed & signed verso
Image size: 19.5 inches x 29.5 inches
Size...
Category
19th Century Antiques Associations Members Art
Materials
Oil, Canvas
Venetian Façade Atmospheric Impressionist Painting of Venice Canals, Water
By Edward Seago
Located in Shrewsbury, Shropshire
Framed Size: 34.5" x 28"
Venetian Facade captures the atmospheric allure of Venice with Seago’s characteristic elegance and restraint. Rendered in soft, muted tones, the painting depicts a quiet canal-front façade. Its arches...
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Panel
19th Century portrait oil painting of a young woman with pearls
a rose
By Alfred Seifert
Located in Nr Broadway, Worcestershire
Alfred Seifert
Czech, (1850-1901)
Portrait of a Young Woman with a Pearl Necklace & Rose
Oil on panel, signed
Image size: 15.5 inches x 12 inches
Size including frame: 23 inches x...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
19th Century landscape oil painting of cattle next to the River Leam
By Thomas Baker of Leamington
Located in Nr Broadway, Worcestershire
Thomas Baker
British, (1809-1864)
View on the Leam from the Private Estate of Lord Somerville
Oil on canvas, signed & dated 1853
Image size: 19.25 inches x 29.25 inches
Size includ...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Taunting the Geese
By Herbert William Weekes
Located in Belgravia, London, London
Oil on canvas
Canvas size: 25 x 16.5 inches
Framed size: 32.75 x 24.75 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of cattle
sheep in the Highlands
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones
British, (1836-1892)
Cattle & Sheep in the Scottish Highlands
Oil on panel, signed with monogram & dated (18)75, further inscribed verso
Image size: 19.75 inches x 15.75 inches
Size including frame: 26.75 inches x 22.75 inches
A dramatic Scottish landscape painting of Highland Cattle and Sheep by Charles ‘Sheep’ Jones...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
19th Century seascape oil painting of ships at Brading Haven, Isle of Wight
By George Stainton
Located in Nr Broadway, Worcestershire
George Stainton
British, (1838-1900)
Brading Haven, Isle of Wight
Oil on canvas, signed & transcribed verso
Image size: 23.25 inches x 35.5 inches
Size including frame: 31 inches x...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
18th Century portrait oil painting of a girl with an orange
By Robert Byng
Located in Nr Broadway, Worcestershire
Circle of Robert Byng
British, (1666-1720)
Girl with Orange
Oil on canvas
Image size: 29 inches x 24 inches
Size including frame: 36 inches x 31 inc...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
19th century oil painting of the Doge’s Palace from the Dogana, Venice
By Jane Vivian
Located in Nr Broadway, Worcestershire
Jane Vivian
British, (fl. 1869-1890)
Looking towards the Doge’s palace from the Dogana
Oil on canvas, signed
Image size: 17.25 inches x 31.25 inches
Size including frame: 22.75 inch...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
The Cornish Coast
By David James
Located in Belgravia, London, London
Oil on canvas
Canvas size: 12 x 20 inches
Framed size: 15.75 x 23.75 inches
Signed and dated 85 lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century Scottish landscape oil painting of Highland cattle at Glen Goil
By William Watson
Located in Nr Broadway, Worcestershire
William Watson Jnr
British, (1847-1921)
Up Glen Goil, West Highlands
Oil on canvas, signed & dated 1892, further inscribed verso
Image size: 23.5 inches x 35.5 inches
Size including frame: 36.25 inches x 48.25 inches
This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool.
William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s.
As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists.
Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century genre oil painting of a woman
children gathering berries
By Jane Maria Bowkett
Located in Nr Broadway, Worcestershire
Jane Maria Bowkett
British, (1837-1891)
Gathering Blackberries
Oil on canvas, signed with monogram
Image size: 22.75 inches x 34.75 inches
Size including frame: 28.75 inches x 40.75...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Scion of a Noble - 19th Century Exhibition Oil Painting English Forest Landscape
Located in Gerrards Cross, GB
‘A Scion of a Noble’ by Andrew MacCallum (1821-1902). The painting is signed by the artist and dated 1889, in which year it was exhibited at the Grosvenor Gallery in London.
At fir...
Category
1880s Victorian Antiques Associations Members Art
Materials
Oil
19th Century landscape oil painting of cattle
By Thomas Baker of Leamington
Located in Nr Broadway, Worcestershire
Thomas Baker
British, (1809-1864)
Cows with a Willow Tree
Oil on canvas, signed & dated 1860
Image size: 14 inches x 11.75 inches
Size including frame: 20.5 inches x 18.25 inches
P...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
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