Antiques Associations Members Portrait Drawings and Watercolors

E. Rusch (late 19th century) Memento mori - Study of a skull in two positions Pencil drawing Signed and dated lower right Drawing Size - 13 x 18 in Framed Size - 19 1/2 x 24 1/2 in ...

E. Rusch (late 19th century) Memento mori - Study of a skull Pencil drawing Drawing Size - 11 x 18 in Framed Size - 17 1/2 x 24 1/2 in Memento mori is an artistic or symbolic trope acting as a reminder of the inevitability of death. The concept has its roots in the philosophers of classical antiquity and Christianity, and appeared in funerary art and architecture from the medieval period...

A pastel portrait of Lady Margaret Smith-Burges, later Countess Poulett (1754-1838) by Sir Thomas Lawrence (1769-1830). Oval, pastel on paper 29.5 x 24cm (excluding frame), in an ornate giltwood and gesso frame with a coronet crest, circa 1785. Inscription on reverse ' Portrait in crayons by Sir Thomas Lawrence of the Dowr. Countess Poulett'. This is a rare and early work in Lawrence's career who as a child prodigy began working as a youth in pastels, moving on to work almost exclusively in oils after 1790. Margaret (born Burges) was the daughter of Ynyr Burges and Margaret Brown. She became the wife of Sir john Smith-Burges, 1st Baronet in 1771 and later after his death the wife of John, 4th Earl Poulett whom she married in 1816. During her first marriage, Margaret was a regular visitor to Bath and very likely sat for the young Lawrence whilst he was living there. Thomas Lawrence was born the son of an innkeeper who moved the family to Bath in 1779. His father, recognising his son's talent from an early age, advertised his services as a portraitist in the Bath Journal; 'Master Lawrence continues to take very striking Likenesses of Ladies and Gentlemen in the most pleasing attitudes, either in pencil or crayons'. The large number of potential sitters who had come to Bath 'for the season' or to 'take the waters' helped to support the family with a steady income and the child prodigy became very popular with aristocrats and the famous and wealthy. Hi sitters in Bath included Georgiana, Duchess of Devonshire and the actress Sarah...

A fine 1930s watercolour of a Parisian bordello scene by the Russian Post-Impressionist painter Konstantin Rudakov (1891-1949). Signed by the artist and hanging in a newly commission...