Slad Society Of London Art Dealers Still-life Paintings

Calm farm scene of a bucket filled with daisies by an unknown artist (20th Century). In the background a brick barn has a door open, with weeds and plants growing in front of it. A p...

Red Tulips in Interior by Marcel Chesneau (French 1902 - 1975) signed oil on canvas, framed framed: 26 x 19 inches canvas: 22 x 15 inches provenance: private collection, France condi...

Still Life is an artwork realized by an unknonwn artist in the late 19th Century. Oil on Board. 21 x 15 cm. Good conditions

Pilar Margenat (1939) - Still life - Oil on canvas Oil measures 92x73 cm. Frameless. He was born on August 2, 1939 in Sant Quirze del Vallés (Barcelona). He studied drawing and pai...

"French Interior with Statues" Oil on canvas Large original, one-of-a-kind, painting 80x60cm / 31.5x23.5in. Framed! Part of Interior series. Free shipping with 1stDibs code. This painting, "French Interior with Statues", radiates elegance and a strong sense of place. The artist has masterfully conveyed the sophistication of a French interior, blending architectural depth, light, and intricate details with expressive, painterly techniques. The composition draws the viewer’s eye through a series of framed spaces: an open door, a corridor, and a distant room. This layering technique creates a sense of depth and invites the viewer to explore the scene step by step. The checkerboard...

Still life with sunflowers is a beautiful oil painting realized by Daniel Been (1885-1967) Hand signed lower margin. Includes a wooden frame. 60 x 80 cm Good conditions

Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cups, plates, teapots, and dishes, but there is something humorous and provocative about these paintings that belies formality: stacked teacups are also amusing, having a kind of jaunty and upbeat personality of their own, polka dots are as endearing to adults as to children, and everyone responds to the 'bling' and sparkle of gold and Antonova’s seemingly effortless ability to paint these radiant details: Olga Antonova "Three Blue, White and Gold Cups...

Beautiful Seaside Garden With Flowers by American Woman Artist Alice Pritchard ALICE PRITCHARD Alice Pritchard studied fine arts and literature at the University of Virginia, earning a B.A. in English with a minor in Studio Art and Art History. She furthered her education, obtaining an MA in English Language and Literature from the University of Maryland. In addition to her university education, Pritchard studied with watercolorists Charles Reid...

Antique American school modernist watermelon still life pastel painting. Pastel on paper. Signed. Framed. Measuring 18 by 22 inches overall and 16 by 20 painting alone.

Charles Levier (1920-2004) Oil Painting on canvas Vase of Flowers, Fleurs Hand signed lower right Dimensions: 34.75 X 20 framed, canvas is 29.5 X 14.75 Charles Levier He was born in...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Cubist Still Life, Tomatoes by Michele Bardet (French mid 20th century) oil on canvas, framed in original wooden surround frame framed: 21 x 41 inches canvas : 20 x 40 inches provena...