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Antique Landscape Engravings

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Design Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Design Fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 60 x 44 cm
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

The Abbey Church of St Albans (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter The Abbey Church of St Albans Engraving 62 x 46 cm This engraving was
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Architectural Details of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural details of St Albans Cathedral Engraving 62 x 46 cm
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Architecture Fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 44 x 62 cm
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Architectural Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural fragments of St Albans Cathedral Engraving 62 x 46 cm
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Architectural Segments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
Albans Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Trinity College and John s College, Cambridge engraving by P S Lamborn
Located in London, GB
University of Cambridge Engraving 37 x 52 cm Peter Spendelowe Lamborn was an English engraver and miniature
Category

18th Century Antique Landscape Engravings

Materials

Engraving

Four Framed Hogarth Engravings "Four Times of the Day"
By William Hogarth
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and
Category

Mid-18th Century Old Masters Antique Landscape Engravings

Materials

Engraving, Etching

Castle (University College, Durham) engraving after Samuel and Nathaniel Buck
By Samuel Nathaniel Buck
Located in London, GB
Bishops Palace Engraving 18 x 26 cm An engraved view of Durham Castle, complete with engraved frame in
Category

Late 18th Century Antique Landscape Engravings

Materials

Engraving

Reception for Captain Cook, Tonga: Original 18th C. Engraving, Cook s 3rd Voyage
By John Webber
Located in Alamo, CA
"The Reception of Capt. Cook in Hapaee" is an original 18th century engraving from a drawing by
Category

1780s Antique Landscape Engravings

Materials

Engraving

Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1873
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel
Category

Late 19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving

The Quadrangle of Jesus College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Quadrangle of Jesus College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From
Category

19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving

South Front of Queen s College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'South Front of Queen's College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From
Category

19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving

The Hall Chapel, Oriel College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Hall & Chapel, Oriel College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From
Category

19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving

Quadrangle of Corpus Christi College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Quadrangle of Corpus Christi College' Engraving by John Le Keux after Frederick Mackenzie, 1837
Category

19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving

Floor plan of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Floor plan of St Albans Cathedral Engraving 61 x 95 cm This engraving
Category

1810s Realist Antique Landscape Engravings

Materials

Engraving

Viliers Costret, French chateau, architectural plan, mid 17th century engraving
By Matthaeus Merian
Located in Melbourne, Victoria
series of engravings of 17th-century French landscapes, gardens, buildings and cities. Circa 1655
Category

Mid-18th Century Rococo Antique Landscape Engravings

Materials

Engraving

Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel
Category

Late 19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving

Southwark Cathedral engraving c. 1753 for Stow s Survey of London
Located in London, GB
Church of St Saviour in Southwark' Engraving 24 x 33 cm Stow's Survey of London, a ward-by-ward
Category

1750s Realist Antique Landscape Engravings

Materials

Engraving

Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
By Colen Campbell
Located in Saint Augustine, FL
(First edition) Medium: Original Engraving and Etching on cream Strasbourg Lily laid paper Limited
Category

1710s Old Masters Antique Landscape Engravings

Materials

Laid Paper, Engraving, Etching, Intaglio

Set of Two Engravings from Campbell s "Vitruvius Britannicus" /// Architecture
By Colen Campbell
Located in Saint Augustine, FL
of Two Original Engravings and Etchings on cream watermarked laid paper Limited edition: Unknown
Category

1710s Old Masters Antique Landscape Engravings

Materials

Laid Paper, Engraving, Etching, Intaglio

Set of Two Engravings from Campbell s "Vitruvius Britannicus" /// Architecture
By Colen Campbell
Located in Saint Augustine, FL
of Two Original Engravings and Etchings on cream Strasbourg Lily laid paper Limited edition: Unknown
Category

1710s Old Masters Antique Landscape Engravings

Materials

Laid Paper, Engraving, Etching, Intaglio

Set of Two Engravings from Campbell s "Vitruvius Britannicus" /// Architecture
By Colen Campbell
Located in Saint Augustine, FL
Engravings and Etchings on cream Jean Villedary laid paper Limited edition: Unknown Printer: Colen Campbell
Category

1710s Old Masters Antique Landscape Engravings

Materials

Laid Paper, Engraving, Etching, Intaglio

Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
) Medium: Original Engraving on smooth wove paper Limited edition: Unknown Printer: John Bowyer Nichols and
Category

1860s Victorian Antique Landscape Engravings

Materials

Engraving

St James s House, London, engraving, Johannes Kip after Leonard Knyff, 1708
By Johannes Kip after Leonard Knyff
Located in Melbourne, Victoria
'St James's House - Le Palais Royal de St James' Engraving by Johannes Kip after Leonard Knyff
Category

18th Century Naturalistic Antique Landscape Engravings

Materials

Engraving

Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook s Journal
By John Webber
Located in Alamo, CA
"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion
Category

1780s Antique Landscape Engravings

Materials

Engraving

Coupang : Ile Timor. Divers Travaux Mécaniques. Early 19th century engraving.
Located in Melbourne, Victoria
'Coupang : Ile Timor. Divers Travaux Mécaniques' Steel-engraving by Friedrich Schroeder (1768-1839
Category

Early 19th Century Victorian Antique Landscape Engravings

Materials

Engraving

Attack on Captain Wallis When He Discovered Tahiti: Original 18th C. Engraving
Located in Alamo, CA
)" is an engraving created by the artist Sparrow based on an engraving in John Hawkesworth's publication
Category

1780s Antique Landscape Engravings

Materials

Engraving

Pierre Gabriel Bernhault ca. 1800 Engraving "Vue intérieure de Paris"
By Pierre Gabriel Berthault
Located in Chicago, IL
A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont
Category

Early 1800s French School Antique Landscape Engravings

Materials

Engraving, Paper

Colossi of Memnon, Thebes, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Vue des Deux Colosses. Thebes, Memnonium' Elephant folio engraving, by Baltard after Dutetre
Category

Early 19th Century Other Art Style Antique Landscape Engravings

Materials

Engraving

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815
Located in Melbourne, Victoria
Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen
Category

Early 19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving

Oxford Christ Church and Carfax 18th century engraving by John Donowell
Located in London, GB
) Engraving 29 x 42 cm An eighteenth century view of St Aldate's, featuring the west front of Christ Church
Category

1750s Antique Landscape Engravings

Materials

Engraving

Engraving of a British Fox Hunting Scene "The Pink Of Condition"
By George Wright
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts
Category

Early 1900s Naturalistic Antique Landscape Engravings

Materials

Engraving

"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook s 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing
Category

1780s Realist Antique Landscape Engravings

Materials

Engraving

Baroque 17th century German fountain design engraving print by Boeckler
By Georg Andreas Böckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg
Category

Mid-17th Century Baroque Antique Landscape Engravings

Materials

Engraving, Etching

Baroque 17th century German fountain design engraving print by Boeckler
By Georg Andreas Böckler
Located in Melbourne, Victoria
17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From
Category

Mid-17th Century Baroque Antique Landscape Engravings

Materials

Engraving, Etching

Baroque 17th century German fountain design engraving print by Boeckler
By Georg Andreas Böckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg
Category

Mid-17th Century Baroque Antique Landscape Engravings

Materials

Engraving, Etching

William Williams engraving of Jesus College Oxford c.1732 Collegium Jesu
By William Williams (painter)
Located in London, GB
. William Williams (Welsh, fl. 1724-1733) Jesus College, Oxford Engraving c. 1732 for Oxonia Depicta (pub
Category

Early 18th Century Realist Antique Landscape Engravings

Materials

Engraving

William Williams engraving of Christ Church - College at Oxford c.1732
By William Williams (painter)
Located in London, GB
. William Williams (Welsh, fl. 1724-1733) Christ Church, Oxford Engraving c. 1732 for Oxonia Depicta (pub
Category

Early 18th Century Realist Antique Landscape Engravings

Materials

Engraving

The New Athenaeum, Waterloo Place - Hand-Colored Engraving after Thomas Shepherd
By Thomas Hosmer Shepherd
Located in Long Island City, NY
Place, Medium: Hand Colored Engraving, Image Size: 3.75 x 5.75 inches, Frame Size: 8 x 10 inches
Category

Early 19th Century Old Masters Antique Landscape Engravings

Materials

Engraving

Colen Campbell: Althorp Hall - Althrop - Diana Princess of Wales engraving 1725
By Colen Campbell
Located in London, GB
of Sunderland & co. 35x50cm Engraving (1715-1725) from 'Vitruvius Britannicus, or the British
Category

Early 18th Century Realist Antique Landscape Engravings

Materials

Engraving

Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was
Category

1770s American Impressionist Antique Landscape Engravings

Materials

Engraving

Family in Dusky Bay, New Zealand: Original 18th C. Engraving from Captain Cook
By William Hodges
Located in Alamo, CA
"A Family in Dusk Bay, New Zealand" is an original 18th century engraving from a drawing by William
Category

1780s Antique Landscape Engravings

Materials

Engraving

River Landscape with Boats
By Dominique Vivant
Located in Middletown, NY
Denon, Baron Dominique Vivant, after Jan Van Goyen Etching with engraving on buff wove paper, 4 3
Category

Late 18th Century French School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Etching

The Holy Sepulchre at Heckington in Lincoln (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie The Holy Sepulchre at Heckington in Lincoln Engraving
Category

1790s Realist Antique Landscape Engravings

Materials

Engraving

Temple at Esne, Egypt. Engraving from Napoleon s Description of Egypt, 1820
Located in Melbourne, Victoria
'Vue perspective du temple au nord d' Esnee' Engraving by Rousseau and Lorieux after Devilliers
Category

Mid-19th Century Victorian Antique Landscape Engravings

Materials

Engraving

Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
Dadley (1767 - 1817) after Edward Dayes (1763 - 1804) Front View of Christ Church Engraving 33 x 45 cm
Category

1790s Antique Landscape Engravings

Materials

Engraving

Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
By Matthaeus Merian
Located in Melbourne, Victoria
series of engravings of 17th-century French landscapes, gardens, buildings and cities. Circa 1655
Category

Mid-18th Century Rococo Antique Landscape Engravings

Materials

Engraving

Magdalen College, Oxford Tower and Bridge 18th century engraving by James Basire
Located in London, GB
Basire II (1769 - 1822) after Edward Dayes (1763 - 1804) Magdalen Tower and Bridge etc. Engraving 35 x 44
Category

1790s Antique Landscape Engravings

Materials

Engraving

Castle of Irrois in Champagne, French architecture, mid 17th century engraving
By Matthaeus Merian
Located in Melbourne, Victoria
'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and
Category

Mid-18th Century Rococo Antique Landscape Engravings

Materials

Engraving

Castle and Town of Tanlay, French architecture, mid 17th century engraving
By Matthaeus Merian
Located in Melbourne, Victoria
'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and
Category

Mid-18th Century Rococo Antique Landscape Engravings

Materials

Engraving

The Holy Sepulchre at Northwold in Norfolk (1795), engraving by James Basire
Located in London, GB
Engraving 45 x 60 cm This engraving was originally published by the Society of Antiquaries of London, an
Category

1790s Realist Antique Landscape Engravings

Materials

Engraving

View of Greenwich and Down the River engraving by Stadler after Farington
Located in London, GB
Down the River (1795) Hand-coloured engraving 23 x 33 cm Joseph Constantine Stadler was a prolific
Category

18th Century Antique Landscape Engravings

Materials

Engraving

Charles Louis Balzac ca. 1809-1829 Engraving Koum Omboû (Ombos)
Located in Chicago, IL
An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du
Category

Early 19th Century French School Antique Landscape Engravings

Materials

Paper, Engraving

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Antique Landscape Engravings For Sale on 1stDibs

There is a broad range of antique landscape engravings for sale on 1stDibs. Browse a selection of Old Masters versions of these works for sale today — there are 1 Old Masters examples available. These items have been produced for many years, with earlier versions available from the 18th Century and newer variations made as recently as the 19th Century. If you’re looking to add an antique landscape engravings that pops against an otherwise neutral space in your home, the works available on 1stDibs include that feature elements of beige, gray, brown and more. There have been many well-done artworks of this subject over the years, but those made by Victor Levasseur, Isaac Slater, Erik Dahlberg, Adriaen van der Cabel and Isaac Commelin are often thought to be among the most beautiful. The range of these distinct pieces — often created in engraving, paper and ink — can elevate any room of your home. Large antique landscape engravings can be an attractive addition to some spaces, while the smaller iterations available — each spanning 0.1 inches in width — may make for a better choice for a more modest living area.

How Much are Antique Landscape Engravings?

The average selling price for antique landscape engravings we offer is $165, while they’re typically $85 on the low end and $2,800 for the highest priced.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.