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Antique Landscape Engravings

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Northern Scotland: 16th Century Hand-colored Map by Mercator
By Gerard Mercator
Located in Alamo, CA
This is a framed hand-colored 16th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detail...
Category

16th Century Other Art Style Antique Landscape Engravings

Materials

Engraving

Rugen Island, Germany: An Early 17th Century Map by Mercator and Hondius
By Gerard Mercator
Located in Alamo, CA
This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...
Category

Early 17th Century Old Masters Antique Landscape Engravings

Materials

Engraving

View of the New Trinity House on Tower Hill
Located in Middletown, NY
London: Laurie & Whittle, 1799 Engraving on buff wove paper, 10 3/4 x 15 3/4 inches (271 x 338 mm
Category

Late 18th Century English School Antique Landscape Engravings

Materials

Handmade Paper, Engraving

The South West Prospect of London – English School 18th century
Located in Middletown, NY
engraving with hand coloring in watercolor on cream laid paper with a large circular watermark bearing a
Category

Mid-18th Century English School Antique Landscape Engravings

Materials

Watercolor, Handmade Paper, Engraving

Dépt. De L’Ariège, Dépt. De la Vendée, from Atlas National de France Illustré
By Louis Francois Couche
Located in Middletown, NY
Two (2) historiated engraved maps, each 11 1/4 x 16 7/16 inches (285 x 418 mm) with handcoloring, on wove paper, the latter engraved by C. Smith after Couché fils, published by Combe...
Category

Mid-19th Century French School Antique Landscape Engravings

Materials

Watercolor, Handmade Paper, Engraving

The Philanthropic Reform in St. George s Field
Located in Middletown, NY
London: James Whittle & Richard Holmes Laurie, 1814. Engraving with hand coloring in watercolor on
Category

Early 19th Century English School Antique Landscape Engravings

Materials

Handmade Paper, Watercolor, Engraving

Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category

Mid-18th Century Old Masters Antique Landscape Engravings

Materials

Engraving

Four 18th Century Optical views of Paris etc.; "Vue des Rives de la Seine ....
Located in Middletown, NY
et da la Maison du Gouverneur" Paris: Basset - Daumont, c 1750. Four (4) Engravings with
Category

Mid-18th Century French School Antique Landscape Engravings

Materials

Watercolor, Handmade Paper, Engraving

The Queen of Great Britain arriving in Portsmouth 25 May 1662 The Arrival in L
By Matthäus Merian the Elder
Located in Middletown, NY
1662.; Two views from Theatrum Europaeum. Engraving printed on two sheets of horizonally-joined, hand
Category

Mid-17th Century Old Masters Antique Landscape Engravings

Materials

Laid Paper, Engraving

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category

Late 18th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category

Late 18th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category

Late 18th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

Remains of Henry II s Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category

Late 18th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of...
Category

Late 18th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category

Late 18th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category

Late 18th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

Belgium and the Netherlands: A Hand-colored 17th Century Map by Visscher
By Nicolaus Visscher
Located in Alamo, CA
second only to the Blaeu family, among Dutch mapmakers, for the high quality of engraving and decoration
Category

Late 17th Century Other Art Style Antique Landscape Engravings

Materials

Engraving

The Grand Coronation Banquet of King George IV at Westminster Hall, 17 July 1821
By Johannes Kip
Located in Middletown, NY
IV at Westminster Hall, 17 July 1821 R. Wilkinson / Bowles & Carver. Engraving with hand coloring
Category

Early 19th Century English School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Watercolor

St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'. St Margarets was a Regency house in Isleworth, Middlesex. Published by Rudolf Ackermann in his 'Repository of the A...
Category

Early 19th Century Victorian Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'. Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category

Early 19th Century Victorian Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

St. Christophe (St. Kitts): Bellin 18th Century Hand Colored Map
Located in Alamo, CA
Jacques Bellin's copper-plate map of the Caribbean island of Saint Kitts entitled "Carte De De l'Isle St. Christophe Pour servir á l'Histoire Genle. des Voyages Par M. B. Ingr. de la...
Category

1740s Other Art Style Antique Landscape Engravings

Materials

Engraving

The Beheading of the King of England; Enthauptung des Königs in England
By Matthäus Merian the Elder
Located in Middletown, NY
House. The executioner holding the head of Charles up to the crowd below. Engraving on two sheets of
Category

Mid-17th Century Old Masters Antique Landscape Engravings

Materials

Laid Paper, Engraving

Ceiling plan of Crosby Hall, Bishopsgate Street
Located in Middletown, NY
Robert Wilkinson, 1816. Copperplate engraving on buff wove paper with hand coloring in watercolor
Category

Early 19th Century English School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Watercolor

Le Petit Braconnier
Located in Middletown, NY
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 9 x 11 1/4
Category

Mid-19th Century French School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Etching

Le Matin
Located in Middletown, NY
Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua
Category

Mid-19th Century French School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Etching

Place de la Concorde, Paris
By Giuseppe De Nittis
Located in Middletown, NY
Paris: Gebbie & Co., 1895. Photogravure and engraving on cream wove paper, 6 11/16 x 9 5/8 inches
Category

Late 19th Century French School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Photogravure

Salvator Rosa et les Brigands; ..L Art adoucit même les plus féroces
Located in Middletown, NY
"Art softens even the most ferocious." Paris: Cadart & Luquet, 1865. Etching and engraving on
Category

Mid-19th Century French School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Etching

Daniel Marot s The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661
Category

Late 17th Century Old Masters Antique Landscape Engravings

Materials

Engraving, Etching

Gresham College
By George Vertue
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria
Category

Early 18th Century English School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Etching

Chateau de Verneuil
By Matthäus Merian the Elder
Located in Middletown, NY
Engraving with hand coloring and heightening in watercolor on two leaves of expertly conjoined
Category

Mid-17th Century Old Masters Antique Landscape Engravings

Materials

Watercolor, Handmade Paper, Engraving

Veduta della Piazza del Popolo
Located in Middletown, NY
. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermark, 11 1/4 x 14 1/2 (285 x
Category

Early 19th Century Italian School Antique Landscape Engravings

Materials

Watercolor, Handmade Paper, Engraving

Northern Scotland: 17th Century Hand-colored Map by Mercator
By Gerard Mercator
Located in Alamo, CA
This is a framed hand-colored 17th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detail...
Category

Mid-17th Century Other Art Style Antique Landscape Engravings

Materials

Engraving

The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754 Engraving on fibrous laid paper with a "C" watermark, 9 3
Category

Mid-18th Century French School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Laid Paper

England and the British Isles: A Large 17th Century Hand-colored Map by de Wit
By Frederick de Wit
Located in Alamo, CA
This is a large hand-colored 17th century map of England and the British Isles by Frederick de Wit entitled "Accuratissima Angliæ Regni et Walliæ Principatus", published in Amsterdam...
Category

Late 17th Century Other Art Style Antique Landscape Engravings

Materials

Engraving

Fountains of Rome; Fontana e castello dell Acqua
By Giovan Battista Falda
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625. Etching and engraving on cream laid paper, 8 3/8 x 11 1/4
Category

Early 17th Century Old Masters Antique Landscape Engravings

Materials

Laid Paper, Engraving, Etching

Fountains of Rome
By Giovan Battista Falda
Located in Middletown, NY
Giacomo De Rossi, 1625. Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm
Category

Early 17th Century Old Masters Antique Landscape Engravings

Materials

Laid Paper, Engraving, Etching

The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream
Category

Mid-18th Century English School Antique Landscape Engravings

Materials

Laid Paper, Engraving, Watercolor

The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell) John Bowles & Richard Wilkinson, 1751. Steel engraving
Category

Mid-18th Century English School Antique Landscape Engravings

Materials

Watercolor, Handmade Paper, Engraving

A Hand Colored 18th Century Framed Map of South America by Thomas Jefferys
Located in Alamo, CA
This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...
Category

Mid-18th Century Other Art Style Antique Landscape Engravings

Materials

Engraving

Pommiers à Auvers
By Charles François Daubigny
Located in Middletown, NY
New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...
Category

Late 19th Century French School Antique Landscape Engravings

Materials

Laid Paper, Engraving, Aquatint

Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
By Israel Silvestre
Located in Middletown, NY
Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full
Category

18th Century Old Masters Antique Landscape Engravings

Materials

Handmade Paper, Laid Paper, Engraving, Etching

East Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
By John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854)
Located in Melbourne, Victoria
'East Side of the Chapel of St Paul' Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. Fro...
Category

Early 19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

West View of St Nicholas Chapel, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832). Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...
Category

Early 19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

West Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
By John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854)
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...
Category

Early 19th Century Naturalistic Antique Landscape Engravings

Materials

Engraving, Etching, Aquatint

Temple of Fortuna Virilis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on
Category

Early 19th Century English School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Etching, Aquatint

Venus Lamenting over the Death of Adonis
By Herman van Swanevelt
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark
Category

Mid-17th Century Old Masters Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Etching

Temple of the Dea Tussis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on
Category

Early 19th Century English School Antique Landscape Engravings

Materials

Handmade Paper, Engraving, Etching, Aquatint

Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...
By Giuseppe Vasi
Located in Middletown, NY
By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor
Category

Late 18th Century Old Masters Antique Landscape Engravings

Materials

Watercolor, Laid Paper, Engraving, Etching

Landscape With A Milkman - Engraving after Rembrandt -19th Century
By Charles Amand Durand
Located in Roma, IT
Landscape With A Milkman is an engraving on ivory-colored paper realized by Charles Amand Durand
Category

19th Century Old Masters Antique Landscape Engravings

Materials

Engraving

Landscape with an Obelisk - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Landscape with an Obelisk is an engraving on ivory-colored paper realized after an etching by
Category

19th Century Old Masters Antique Landscape Engravings

Materials

Engraving

The Prairie – Small Romantic Engraving of the American Frontier, 1841
Located in Langweer, NL
This is a finely executed 19th-century hand-colored engraving titled "The Prairie," published in
Category

1840s Antique Landscape Engravings

Materials

Paper

19th century engraving figurative landscape Victorian urban city scene signed
By Winslow Homer
Located in Milwaukee, WI
"SEESAW--Gloucester, Massachusetts" is an original wood engraving after Winslow Homer. The artist
Category

1870s Academic Antique Landscape Engravings

Materials

Engraving

Piazza Navona allagata solito farsi nelle Feste di Agosto
By Giuseppe Vasi
Located in Fairlawn, OH
, already an established printmaker, and spent most of his career documenting the urban landscape of the
Category

1750s Old Masters Antique Landscape Engravings

Materials

Etching

Piazza del Popolo con Obelisco Egizio
By Giuseppe Vasi
Located in Fairlawn, OH
printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through
Category

1750s Old Masters Antique Landscape Engravings

Materials

Etching

Slowakisches Bauernhaus,
By Karl Schwetz
Located in New York, NY
and known for his etchings and wood engravings, landscapes and watercolors.
Category

1910s Vienna Secession Antique Landscape Engravings

Materials

Linocut

French Victorian Framed Engraving of a Landscape "Le Matin"
Located in Queens, NY
French Victorian oak framed engraving of landscape titled: "Le Matin" or "The Morning".  
Category

Late 19th Century French Victorian Antique Landscape Engravings

Materials

Oak

The Rocky Mountains, Western Frontier Landscape – Antique Engraving, ca.1873
Located in Langweer, NL
The Rocky Mountains, Western Frontier Landscape – Antique American Engraving This refined 19th
Category

1870s American Antique Landscape Engravings

Materials

Paper

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Antique Landscape Engravings For Sale on 1stDibs

There is a broad range of antique landscape engravings for sale on 1stDibs. Browse a selection of Old Masters versions of these works for sale today — there are 1 Old Masters examples available. These items have been produced for many years, with earlier versions available from the 18th Century and newer variations made as recently as the 19th Century. If you’re looking to add an antique landscape engravings that pops against an otherwise neutral space in your home, the works available on 1stDibs include that feature elements of beige, gray, brown and more. There have been many well-done artworks of this subject over the years, but those made by Victor Levasseur, Isaac Slater, Erik Dahlberg, Adriaen van der Cabel and Isaac Commelin are often thought to be among the most beautiful. The range of these distinct pieces — often created in engraving, paper and ink — can elevate any room of your home. Large antique landscape engravings can be an attractive addition to some spaces, while the smaller iterations available — each spanning 0.1 inches in width — may make for a better choice for a more modest living area.

How Much are Antique Landscape Engravings?

The average selling price for antique landscape engravings we offer is $165, while they’re typically $85 on the low end and $2,800 for the highest priced.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.