Archibald Knox Chair

Long before Liberty became one of London’s most iconic luxury department stores, shoppers of the late 19th century knew it as Liberty Co. — purveyors of fine silverware designed in the Art Nouveau style, Arts and Crafts-style furniture and an eclectic assortment of ornaments, fabrics, fashion and other goods from around the world.

British merchant Arthur Lasenby Liberty founded Liberty Co. in 1875. Liberty dreamed of selling an assortment of fine wares he obtained in the Far East from a ship docked in the middle of one of London’s busiest shopping thoroughfares. However, he could only manage to borrow £2,000 from his father-in-law, so he settled for a small shop on Regent Street.

What began as a modest business grew exponentially over the next few years, and, by 1890, Liberty Co. occupied most of Regent Street. Meanwhile, Liberty forged relationships with many British Art Nouveau artists and designers who were keen to work with one of the most prestigious retailers in London.

In 1899, Liberty Co. hosted an exhibition showcasing a collection of silver pieces designed by notable silversmiths like Oliver Barker, Albert Edward Jones and Bernard Cuzner. A line of silverware called Cymric also debuted and was produced in partnership with silversmith W. H. Haseler of Birmingham and Liberty Co.’s chief designer, Manx artist Archibald Knox. The innovative Cymric collection featured a blend of Art Nouveau with traditional Celtic style, including such pieces as candlesticks, spoons, bowls, tableware and jewelry.

Liberty Co. also had a furniture workshop in Archway, London, run by Lawrence Turner and which employed carpenters to produce handcrafted, Arts and Crafts-style armchairs, stools, bookcases, cabinets, side tables and other furniture. Most of these high-quality and durable pieces were made of solid wood such as oak, mahogany and walnut. In addition to their own in-house creations, Liberty Co. also sold furniture by other designers, including chairs by German architect Richard Riemerschmid.

Liberty died in 1917, and Liberty Co. became Liberty of London after relocating to their iconic location on Great Marlborough Street in 1924. Ironically, the imposing Tudor Revival building is constructed from the timbers of two decommissioned British Navy ships — realizing Liberty’s original “ship-store” dream. 

On 1stDibs, discover a range of antique and vintage Liberty Co. serveware, seating and decorative objects.

Emerging in reaction to industrialization and mass production, the Arts and Crafts movement celebrated handcrafted design as a part of daily life. The history of Arts and Crafts furniture has roots in 1860s England with an emphasis on natural motifs and simple flourishes like mosaics and carvings. This work is characterized by plain construction that showcases the hand of the artisan.

The earliest American Arts and Crafts furniture dates back to the start of the 20th century. Designers working in this style in the United States initially looked to ideas put forth by The Craftsman, a magazine published by Wisconsin native Gustav Stickley, a furniture maker and founder of the Craftsman style. Stickley’s furniture was practical and largely free of ornament. His Craftsman style drew on French Art Nouveau as well as the work he encountered on his travels in England. There, the leading designers of the Arts and Crafts movement included William Morris, who revived historical techniques such as embroidery and printed fabrics in his furnishings, and Charles Voysey, whose minimal approach was in contrast to the ornamentation favored in the Victorian era.

American Arts and Crafts work would come to involve a range of influences unified by an elevation of traditional craftsmanship. The furniture was often built from sturdy woods like oak and mahogany while featuring details such as inlaid metal, tooled leather and ceramic tiles. The style in the United States was led by Stickley, whose clean-lined chairs and benches showcased the grain of the wood, and furniture maker Charles Rohlfs, who was informed by international influences like East Asian and French Art Nouveau design.

Hubs in America included several utopian communities such as Rose Valley in Pennsylvania and the Byrdcliffe Arts and Crafts Colony in New York, where craftspeople made furniture that prioritized function over any decoration. Their work would influence designers and architects including Frank Lloyd Wright, who built some of the most elegant and iconic structures in the United States and likewise embraced a thoughtful use of materials in his furniture.

Find antique Arts and Crafts chairs, tables, cabinets and other authentic period furniture on 1stDibs.

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames. 

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.