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Sonia Delaunay, Plate No. 16, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 19, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 21, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 22, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 15, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 11, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 12, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 14, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 13, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 3, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 1, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), published in 1930 by Editions d'Art Charles Moreau, Paris, and printed under the
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 10, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 2, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 6, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 7, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 9, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 4, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 5, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 8, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
, Sonia Delaunay), originates from the 1930 edition published by Editions d'Art Charles Moreau, Paris, and
Category

1930s Modern Abstract Prints

Materials

Stencil

Hermine David, Untitled, from Alternation, 1946
By Hermine David
Located in Southampton, NY
Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, Paris, and printed by
Category

1940s Modern Landscape Prints

Materials

Engraving

Raoul Dufy, Landscape, from Esprit de la fleur et du fruit, 1954 (after)
By Raoul Dufy
Located in Southampton, NY
Ray, Dufy endures as a symbol of joy and beauty in modern art. The highest auction record for Raoul
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Raoul Dufy, Self-Portrait, from Esprit de la fleur et du fruit, 1954 (after)
By Raoul Dufy
Located in Southampton, NY
), originates from the 1954 edition published and printed by Bernard Klein, editeur, Paris, February 26, 1954
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Couverture pour Douze Lithographies en Couleurs, ou Passage et Interieurs
By Edouard Vuillard
Located in Fairlawn, OH
-1898 Unsigned (as issued) From: Douze Lithographies en Couleurs, ou Passage et Interieurs Printed by
Category

1890s Post-Impressionist Figurative Prints

Materials

Lithograph

Max Ernst, The Idol, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition published and printed by
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, She Keeps Her Secret, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, Teenage Lightning, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
1972 edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Vaccinated Bread, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Scars, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s revolutionary use of
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, Come into the Continents, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
1972 edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Palette of Caesar, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Conjugal Diamonds, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Fascinating Cypress, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Origin of the Clock, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Confidences, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, Little Tables Around the Earth, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
), originates from the 1972 edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The False Positions, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, He Will Fall Far from Here, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
1972 edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, A Glance, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s revolutionary use of
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Chestnut Trees Take-Off, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
1972 edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Scarecrows, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Lime Tree Is Docile, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, Whip Lashes or Lava Threads, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
), originates from the 1972 edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Fugitive, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s revolutionary use of
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, To Forget Everything, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Repast of Death, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, In the Stable of the Sphinx, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
1972 edition published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Pampas, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s revolutionary use of
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Earthquake, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
published and printed by Verlag Gerd Hatje, Stuttgart. This remarkable work exemplifies Ernst’s
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Jean Lurcat, The Virgo, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet, Paris
Category

1950s Modern Landscape Prints

Materials

Lithograph

Jean Lurcat, The Taurus, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet, Paris
Category

1950s Modern Landscape Prints

Materials

Lithograph

Jean Lurcat, The Pisces, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet, Paris
Category

1950s Modern Landscape Prints

Materials

Lithograph

Jean Lurcat, The Sagittarius, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
edition published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet
Category

1950s Modern Landscape Prints

Materials

Lithograph

Jean Lurcat, The Libra, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet, Paris
Category

1950s Modern Landscape Prints

Materials

Lithograph

Jean Lurcat, The Aries, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet, Paris
Category

1950s Modern Landscape Prints

Materials

Lithograph

Jean Lurcat, The Aquarius, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet, Paris
Category

1950s Modern Landscape Prints

Materials

Lithograph

Jean Lurcat, The Gemini, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet, Paris
Category

1950s Modern Landscape Prints

Materials

Lithograph

Jean Lurcat, The Cancer, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
published by Editions d’art du Lion, Paris, and rendered and printed by l’atelier Daniel Jacomet, Paris
Category

1950s Modern Landscape Prints

Materials

Lithograph

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Art Auctions Prints And Multiples For Sale on 1stDibs

On 1stDibs, there are several options of art auctions prints and multiples available for sale. Finding the perfect Pop Art, contemporary or street art examples of these works for your space is difficult — today, we have a vast range of variations and more on offer. These items have been made for many years, with versions that date back to the 18th Century alongside those produced as recently as the 21st Century. You can search the art auctions prints and multiples that we have for sale on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, brown and white. These artworks have been a part of the life’s work for many artists, but the versions made by John James Audubon, Peter Doig, KAWS, after Jean-Michel Basquiat and Margo Margolis are consistently popular. The range of these distinct pieces — often created in lithograph, paper and etching — can elevate any room of your home. If space is limited, there are small art auctions prints and multiples measuring 0.08 across, while our inventory also includes pieces up to 84 inches across to better suit those in the market for large iterations.

How Much are Art Auctions Prints And Multiples?

Prices for pieces in our collection of art auctions prints and multiples start at $100 and top out at $1,500,000 with the average selling for $1,391.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.