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Audrey Hepburn on Striped Sofa, Rests on Book Head Up, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn at home -- This image is an out take from the photo shoot for the cover of the April
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Striped Sofa, Rests on Book Head Up, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn at home -- This image is an out take from the photo shoot for the cover of the April
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Striped Sofa, Rests on Book Head Up, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn at home -- This image is an out take from the photo shoot for the cover of the April
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on the set of Sabrina, Smiling, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c2_1 -- Audrey Hepburn and William Holden on the set of Sabrina. Image size is 10
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on the set of Sabrina, Smiling, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c2_1 -- Audrey Hepburn and William Holden on the set of Sabrina. Image size is 22
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on the set of Sabrina, Smiling, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c2_1 -- Audrey Hepburn and William Holden on the set of Sabrina. Image size is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on the set of Sabrina, Script, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c2_3 -- Audrey Hepburn and William Holden on the set of Sabrina. Image size is 22
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on the set of Sabrina, Script, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c2_3 -- Audrey Hepburn and William Holden on the set of Sabrina. Image size is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on the set of Sabrina, Script, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c2_3 -- Audrey Hepburn and William Holden on the set of Sabrina. Image size is 10
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and Director Billy Wilder on the set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c23_44 -- Audrey Hepburn and Director Billy Wilder on the set during the filming of
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and Director Billy Wilder on the set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c23_44 -- Audrey Hepburn and Director Billy Wilder on the set during the filming of
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and Director Billy Wilder on the set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c23_44 -- Audrey Hepburn and Director Billy Wilder on the set during the filming of
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn, Wally Westmore on the Set of Sabrina, Looking Up, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, Wally Westmore on the Set of Sabrina, r1_11 – Audrey Hepburn gets a last minute
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on Set of Sabrina, Run Lines, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn and William Holden on Set of Sabrina, 1953 -- Photographed on the set of Sabrina
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on Set of Sabrina, Run Lines, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn and William Holden on Set of Sabrina, 1953 -- Photographed on the set of Sabrina
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on Set of Sabrina, Run Lines, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn and William Holden on Set of Sabrina, 1953 -- Photographed on the set of Sabrina
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn, Wally Westmore on the Set of Sabrina, Looking Up, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, Wally Westmore on the Set of Sabrina, r1_11 – Audrey Hepburn gets a last minute
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn, Wally Westmore on the Set of Sabrina, Looking Up, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, Wally Westmore on the Set of Sabrina, r1_11 – Audrey Hepburn gets a last minute
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Chats with a Colleague on the Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r1_2 -- Audrey Hepburn on the set of Sabrina Fair, "turns happily to chat with a
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Chats with a Colleague on the Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r1_2 -- Audrey Hepburn on the set of Sabrina Fair, "turns happily to chat with a
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Chats with a Colleague on the Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r1_2 -- Audrey Hepburn on the set of Sabrina Fair, "turns happily to chat with a
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, Tilted, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_7 -- Audrey Hepburn at home. This image is an out take from photos shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hands on Face, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_11 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hands on Face, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_11 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hands on Face, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_11 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, Tilted, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_7 -- Audrey Hepburn at home. This image is an out take from photos shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, Tilted, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_7 -- Audrey Hepburn at home. This image is an out take from photos shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn strolls in front of her Beverly Hills apartment, Closer View
By Mark Shaw
Located in New York, NY
Audrey Steps Up, c21_19, 1953 -- "On a day off Audrey Hepburn strolls in front of her Beverly Hills
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn strolls in front of her Beverly Hills apartment, Closer View
By Mark Shaw
Located in New York, NY
Audrey Steps Up, c21_19, 1953 -- "On a day off Audrey Hepburn strolls in front of her Beverly Hills
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn strolls in front of her Beverly Hills apartment, Closer View
By Mark Shaw
Located in New York, NY
Audrey Steps Up, c21_19, 1953 -- "On a day off Audrey Hepburn strolls in front of her Beverly Hills
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Smiling
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_3 -- Audrey Hepburn on the phone at home. This image is an out take from photos
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Fingers on Temples, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_8 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Smiling
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_3 -- Audrey Hepburn on the phone at home. This image is an out take from photos
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Fingers on Temples, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_8 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Fingers on Temples, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_8 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Smiling
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_3 -- Audrey Hepburn on the phone at home. This image is an out take from photos
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Her Dressing Room, Knee Up and Looking Forward, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in Dressing Room, c16_22, 1953 -- Out take from the photo essay shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_3 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Her Dressing Room, Knee Up and Looking Forward, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in Dressing Room, c16_22, 1953 -- Out take from the photo essay shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Her Dressing Room, Knee Up and Looking Forward, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in Dressing Room, c16_22, 1953 -- Out take from the photo essay shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_3 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_3 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn as Ariane Farrell, Original art, still-life, Pop art, Abstract
By Agent X
Located in Deddington, GB
composition. Raw, dynamic, and utterly captivating, ‘Audrey Hepburn as Ariane Farrell’ is a fabulous gem.
Category

21st Century and Contemporary Abstract Portrait Paintings

Materials

Canvas, Digital

Audrey Hepburn takes a break during the filming of Two for the Road
By Terry O Neill
Located in London, GB
Audrey Hepburn takes a break during the filming of 'Two for the Road' Signed and numbered C-type
Category

Late 20th Century Black and White Photography

Materials

C Print

Audrey Hepburn Applies Makeup in Two Mirrors with Eyes Closed, Backstage at Ondi
By Mark Shaw
Located in New York, NY
Audrey Hepburn Backstage at Ondine, 54_0330c_6, 1954 -- Backstage at Ondine, Audrey Hepburn was
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Two Mirrors with Eyes Closed, Backstage at Ondi
By Mark Shaw
Located in New York, NY
Audrey Hepburn Backstage at Ondine, 54_0330c_6, 1954 -- Backstage at Ondine, Audrey Hepburn was
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on Set of Sabrina, Hand on Arm, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c13_23 -- Audrey Hepburn and William Holden on the set of Sabrina. Photographed in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on Set of Sabrina, Hand on Arm, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c13_23 -- Audrey Hepburn and William Holden on the set of Sabrina. Photographed in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden on Set of Sabrina, Hand on Arm, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c13_23 -- Audrey Hepburn and William Holden on the set of Sabrina. Photographed in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and Director Billy Wilder on the set of Sabrina, Hug, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Stands in Ballgown, c27_19 -- Audrey Hepburn during the filming of Sabrina. Image
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and Director Billy Wilder on the set of Sabrina, Hug, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c24_26 -- Audrey Hepburn during the filming of Sabrina. Image size is 13.75" x 20
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and Director Billy Wilder on the set of Sabrina, Hug, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c24_26 -- Audrey Hepburn during the filming of Sabrina. Image size is 10" x 15
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and Director Billy Wilder on the set of Sabrina, Walking, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c24_25 -- Audrey Hepburn during the filming of Sabrina. Image size is 13.75" x 20
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and Director Billy Wilder on the set of Sabrina, Walking, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c24_25 -- Audrey Hepburn during the filming of Sabrina. Image size is 10" x 15
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Chin Down
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_2 -- Audrey Hepburn at home on the phone with her agent. This image is an out
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Two Mirrors with Eyes Closed, Backstage at Ondi
By Mark Shaw
Located in New York, NY
Audrey Hepburn Backstage at Ondine, 54_0330c_6, 1954 -- Backstage at Ondine, Audrey Hepburn was
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Chin Down
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_2 -- Audrey Hepburn at home on the phone with her agent. This image is an out
Category

1950s Modern Black and White Photography

Materials

Giclée

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Audrey Hepburn Print For Sale on 1stDibs

Surely you’ll find the exact audrey hepburn print you’re seeking on 1stDibs — we’ve got a vast assortment for sale. There are many Modern, Contemporary and Street Art versions of these works for sale. Finding the perfect audrey hepburn print may mean sifting through those created during different time periods — you can find an early version that dates to the 20th Century and a newer variation that were made as recently as the 21st Century. On 1stDibs, the right audrey hepburn print is waiting for you and the choices span a range of colors that includes gray, black, beige and silver. A audrey hepburn print from Mark Shaw, Terry O'Neill, Douglas Kirkland, Norman Parkinson and Bob Willoughby — each of whom created distinctive versions of this kind of work — is worth considering. Artworks like these — often created in digital print, giclée print and inkjet print — can elevate any room of your home. A large audrey hepburn print can prove too dominant for some spaces — a smaller audrey hepburn print, measuring 10 high and 8 wide, may better suit your needs.

How Much is a Audrey Hepburn Print?

A audrey hepburn print can differ in price owing to various characteristics — the average selling price for items in our inventory is $1,500, while the lowest priced sells for $150 and the highest can go for as much as $35,000.

Finding the Right Black-white-photography for You

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.