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Jean Cocteau, Reflection, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Manoletina, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, In the Cradle of Horns, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
on Parade (1917) for Diaghilev’s Ballets Russes signaled a new era of interdisciplinary art, merging
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Call of the Muleta, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Noble Offering, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Harmony, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Superstition, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, The Wounded Bullfighter, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Cretan Evocation, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
Diaghilev’s Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and theater
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Two Monosabios, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Hermetic Measure, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Confrontation, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, The Carnation of Provocation, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
on Parade (1917) for Diaghilev’s Ballets Russes signaled a new era of interdisciplinary art, merging
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Flamenco, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Questioning, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Mutual Evaluation, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
Diaghilev’s Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and theater
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Tile Comb, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets Russes signaled a new era of
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, The Mourning Tie, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
Diaghilev’s Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and theater
Category

1960s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Seated Bacchante, Wines, from Flowers, and Flames, 1956 (after)
By Jean Cocteau
Located in Southampton, NY
collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets Russes signaled a new era of
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Jean Cocteau, Frontispiece, from The Horsemen of Shadow, 1956 (after)
By Jean Cocteau
Located in Southampton, NY
collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets Russes signaled a new era of
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Frontispiece, from The Horsemen of Shadow, 1956 (after)
By Jean Cocteau
Located in Southampton, NY
collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets Russes signaled a new era of
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, The Angel, from The Horsemen of Shadow, 1956 (after)
By Jean Cocteau
Located in Southampton, NY
collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev’s Ballets Russes signaled a new era of
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Seated Bacchante, from Wines, Flowers, and Flames, 1956 (after)
By Jean Cocteau
Located in Southampton, NY
on Parade (1917) for Diaghilev’s Ballets Russes signaled a new era of interdisciplinary art, merging
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Ceremonial Dancers oil and tempera painting by Julio De Diego
By Julio de Diego
Located in Hudson, NY
, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He
Category

1940s Modern Abstract Paintings

Materials

Masonite, Oil, Tempera

The Magician oil and tempera painting by Julio de Diego
By Julio de Diego
Located in Hudson, NY
performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish
Category

1940s American Modern Abstract Paintings

Materials

Masonite, Oil, Tempera

St. Atomic oil and tempera painting by Julio de Diego
By Julio de Diego
Located in Hudson, NY
Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six
Category

1940s American Modern Abstract Paintings

Materials

Masonite, Oil, Tempera

Inevitable Day – Birth of the Atom oil and tempera painting by Julio De Diego
By Julio de Diego
Located in Hudson, NY
performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish
Category

1940s American Modern Abstract Paintings

Materials

Masonite, Oil, Tempera

Jean Cocteau, Scene XXII, The Sacred Monsters, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XXI, The Knights of the Round Table, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XX, The Knights of the Round Table, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and theater
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XVIII, The Knights of the Round Table, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XIX, The Knights of the Round Table, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XVII, The Knights of the Round Table, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XVI, The Knights of the Round Table, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XV, Oedipus Rex, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XIII, The Infernal Machine, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XIV, The Infernal Machine, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XII, The Infernal Machine, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene XI, The Human Voice, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets Russes signaled a new era of
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene VIII, Romeo and Juliet, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets Russes signaled a new era of
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene VII, Romeo and Juliet, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets Russes signaled a new era of
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene IV, The Bridal Couple of the Eiffel Tower, Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene III, The Bridal Couple of the Eiffel Tower, Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene II, The Bridal Couple of the Eiffel Tower, Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Scene I, The Bridal Couple of the Eiffel Tower, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and theater
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
) for Diaghilevs Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
) for Diaghilevs Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Stencil, Lithograph

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
By Jean Cocteau
Located in Southampton, NY
with Picasso and Erik Satie on Parade (1917) for Diaghilevs Ballets Russes signaled a new era of
Category

1930s Modern Figurative Prints

Materials

Lithograph, Stencil

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Ballet Russe For Sale on 1stDibs

On 1stDibs, you can find the most appropriate ballet russe for your needs in our varied inventory. You can easily find an example made in the Surrealist style, while we also have 59 Surrealist versions to choose from as well. Finding the perfect ballet russe may mean sifting through those created during different time periods — you can find an early version that dates to the 19th Century and a newer variation that were made as recently as the 21st Century. If you’re looking to add a ballet russe to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of gray, beige, black, white and more. There have been many interesting ballet russe examples over the years, but those made by Jean Cocteau, Marc Chagall, André Derain, (after) Sonia Delaunay and Sonia Delaunay are often thought to be among the most thought-provoking. Artworks like these — often created in lithograph, paper and paint — can elevate any room of your home.

How Much is a Ballet Russe?

The price for a ballet russe in our collection starts at $59 and tops out at $180,000 with the average selling for $1,423.