Bowl By Enzo Mari
Mid-20th Century Mid-Century Modern Centerpieces
Resin
Vintage 1960s Italian Mid-Century Modern Decorative Bowls
Aluminum
Mid-20th Century Italian Mid-Century Modern Decorative Bowls
Plastic
Mid-20th Century Italian Mid-Century Modern Decorative Bowls
Plastic
Mid-20th Century Italian Mid-Century Modern Decorative Bowls
Plastic
Early 2000s French Post-Modern Decorative Bowls
Glass
Vintage 1960s Italian Abstract Sculptures
Marble
Recent Sales
Vintage 1950s Italian Modern Decorative Bowls
Steel
Vintage 1970s Italian Space Age Serving Bowls
Plastic
Late 20th Century Italian Post-Modern Decorative Bowls
Plastic
2010s European Vases
Ceramic
Vintage 1970s Italian Decorative Bowls
Plastic
Vintage 1960s Italian Mid-Century Modern Decorative Bowls
Cement
Late 20th Century Italian Centerpieces
Carrara Marble
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Vintage 1950s German Mid-Century Modern Wall Clocks
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Sheet Metal
Vintage 1960s Dutch Mid-Century Modern Coffee and Cocktail Tables
Slate
Late 20th Century American Mid-Century Modern Night Stands
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2010s American Modern Stools
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Vintage 1960s Brazilian Mid-Century Modern Lounge Chairs
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2010s Italian Candlesticks
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Vintage 1950s American Mid-Century Modern Bookcases
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Vintage 1970s German Mid-Century Modern Chairs
Leather, Wood
20th Century Italian Modern Lounge Chairs
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Early 2000s Sofas
Upholstery
Vintage 1950s American Mid-Century Modern Slipper Chairs
Upholstery, Wood
Vintage 1960s European Mid-Century Modern Sideboards
Laminate, Walnut
Enzo Mari for sale on 1stDibs
Enzo Mari was an influential industrial designer and a beloved curmudgeon who revered Marxism. His vintage mid-century modern designs are simple, functional and poetic. Widely known Mari-designed objects include desk accessories, such as the Formosa perpetual wall calendar, vases, cocktail tables and chandeliers.
Enzo Mari's work is embedded within the city of Milan, the Italian capital of all things design. In fact, the traffic bollards he devised are part of the city itself: Shaped like "panettone" cakes, they simultaneously direct traffic and provide seating for pedestrians.
In 1974, Mari published Autoprogettazione? (roughly translated as self-design), a Marx-inspired, anti-industrial, do-it-yourself handbook for the everyday person to use to build furniture without the assistance of a glitzy designer or knowledge of complex joinery. Mari’s intent with the publication was to remove the alienation of the creator and manufacturer from the end product by teaching anyone to develop a critical eye for production.
Artek relaunched kits based on the blueprints in the manual in an exhibition at Spazio Rossana Orlandi in 2010. The subsequent collectability of his work was reportedly irksome for Mari because he abhorred the industrial production for which he was becoming known.
Mari’s meager upbringing heavily influenced his politics, and even in childhood, he would come up with ingenious ways to support the family financially. As a designer, the desire to envision and build significant pieces was more important to Mari than devising new marketing and retail sales tactics. He optimistically believed objects could change the world. This view went against the rising consumer mania for every next trend that surfaced in the late 20th century. Not surprisingly, his ecological and economical stance led him to produce fewer objects.
Mari's philosophy did not stop people from desiring his creations, nor prevent other designers from wanting to collaborate with him. Following World War II, he worked for companies like Danese, Olivetti, Artemide, Driade and Alessi, who brought his prodigious designs to the public, and Mari’s work was widely celebrated.
The Golden Compass, Italy's highest honor for industrial design, was awarded to Mari four times before he died from COVID in 2020, and New York’s Museum of Modern Art has a permanent collection of his objects on display.
On 1stDibs, find a collection of Enzo Mari decorative objects, folk art and serveware.