Buccellati Macri Earrings

In 1919, Mario Buccellati (1891–1965) launched his eponymous jewelry house with the opening of his first shop in Milan and quickly built a reputation for his richly embellished traforato, or finely pierced goldwork. The Ancona, Italy–born jeweler’s workmanship was in a class of its own. His pieces were exquisite, yet the gemstones themselves were never too flashy, elevated instead by the designs’ intricate metalsmithing.

A love of tradition set Mario and his fine jewelry house apart in the competitive Italian market and remains a point of pride for the family, which is still closely tied to the business even as it is now owned by Richemont, a luxury conglomerate that also counts Cartier and Van Cleef Arpels among its subsidiaries.

A young Mario Buccellati apprenticed with famed goldsmith Beltrami e Besnati in the early 1900s, although many of the goldsmithing techniques synonymous with Buccellati go as far back as the Italian Renaissance. The family lineage is also said to include 18th-century jeweler Contardo Buccellati.

Owing to the founder’s advanced metalworking skills, the brand is known for designs that feature metal with the delicacy of lace and draw on the wonders of the natural world. The house’s work is typified by intricate gemstone settings that emphasize their natural color and dense engraving techniques that transform the texture of gold.

One of the time-honored engraving techniques that has come to characterize Buccellati’s work — techniques that require apprenticeships and training in the fine jeweler’s workshops — is called rigato. It involves the engraving of a precious metal with a series of parallel lines to achieve a fabric-like effect.

Rigato is on luminous display in the house’s Macri collection of earrings, cuff bracelets and other accessories. A painstaking attention to detail is pronounced in the celebrated Macri, Bartolomeo and Unica collections — witness the striking honeycomb motif, a house signature, that characterizes the Unica collection’s Caterina bracelet, for example.

The Macri collection was the work of Mario’s son, Gianmaria Buccellati, an award-winning jeweler and internationally renowned silversmith who worked to bring the brand to the global stage by overseeing the opening of boutiques in Tokyo, Paris, California and elsewhere.

In 1951, Mario opened his first store in New York City; today the company operates boutiques worldwide. In 2019, the company celebrated its centennial with a new flagship in Paris and the Vintage collection, which features some of its most enduring designs.

On 1stDibs, find a collection of authentic Buccellati jewelry, including earrings, necklaces, rings and other accessories.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

In the United States, ear piercing didn’t really become popular until the 1950s and ‘60s, but our desire for a dazzling pair of vintage earrings has deeper roots than that. In fact, wearing earrings actually goes back thousands of years, and you can find many tangible connections between now and then in how we continue to talk about these treasured accessories.

Women wore ornamental earrings — studs and hoops at the very least — in Ancient Egypt, which is home to mines that are among the earliest sources of emeralds in the world. Emerald earrings are highly prized today, and their quality lies in their rich, saturated color. The highest-quality emeralds are green or bluish-green. Earrings worn by the affluent in early Roman civilizations were set with precious stones such as diamonds and pearls, and a clean-looking pop of pearl on the front of the lobe is as timeless as ever. Hoop earrings are imbued with symbolism and cultural significance for many, and on view in the Metropolitan Museum of Art’s Ancient Near Eastern Art Gallery is a pair of simple gold hoops from Mesopotamia dating to between 2600 and 2500 B.C.

Today, ear piercing is very popular all over the world, and, as a result, it is difficult to overstate how much everyone pines for a good pair of earrings — modernist drop earrings, glamorous Victorian hoops, geometrically complex chandelier earrings, you name it. Sure, jewelry trends and the fashion darlings of social media come and go, but earrings have a staying power that seems impenetrable: The still-strong love affair between British royals and Cartier earrings is more than a century old, glossy 1970s hoops from legacy houses such as Bulgari and Van Cleef Arpels remain the statement makers they’ve always been and although people have been stacking earrings for many moons, the allure of an expertly mismatched stack of charms and studs still feels fresh and new.

While there is no shortage of modern earring designs to choose from, the classics, like coral earrings, Art Deco–style earrings and diamond drop earrings are still heavy hitters. On 1stDibs, find a wide range of antique, new and vintage earrings today.