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Sonia Delaunay, Untitled, from XXe Siecle, 1956
By Sonia Delaunay
Located in Southampton, NY
life, echoing the visual motion of Alexander Calder’s mobiles and the emotional resonance of Miro and
Category

1950s Orphist Abstract Prints

Materials

Lithograph

Max Ernst, Coelacanthe, from XXe Siecle, 1974
By Max Ernst
Located in Southampton, NY
fantasy, echoing the equilibrium of Calders mobiles and the conceptual wit of Duchamp; fleeing Nazi
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Max Ernst, The Hundred Headless Woman, from XXe Siecle, 1958
By Max Ernst
Located in Southampton, NY
equilibrium of Calders mobiles and the conceptual wit of Duchamp; fleeing Nazi-occupied France during World
Category

1950s Surrealist Abstract Prints

Materials

Lithograph

Sonia Delaunay, Color Rhythms, from XXe Siecle, 1969
By Sonia Delaunay
Located in Southampton, NY
Calder’s mobiles and the emotional resonance of Miro’s and Klee’s abstraction. Her legacy shaped
Category

1960s Orphist Abstract Prints

Materials

Lithograph

Sonia Delaunay, Plate No. 38, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 34, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 37, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 35, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 36, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 40, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 39, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 28, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 29, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 33, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 24, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 23, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 30, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 31, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 27, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 25, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 32, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 26, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 19, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 20, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 18, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 17, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 16, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 21, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 22, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 11, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 15, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 12, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 13, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 14, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 1, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
hues—captured the rhythm of modern life, echoing the visual motion of Alexander Calder's mobiles and
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 10, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 8, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 4, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 5, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 3, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 2, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 7, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 6, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 9, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
Calder's mobiles and the emotional resonance of Miro's and Klee's abstraction. Her legacy shaped
Category

1930s Modern Abstract Prints

Materials

Stencil

Max Ernst, Portrait of an Insect, from Cahiers d Art, 1949 (after)
By Max Ernst
Located in Southampton, NY
Calders mobiles and the conceptual wit of Duchamp. Fleeing Nazi-occupied France during World War II, Ernst
Category

1940s Surrealist Figurative Prints

Materials

Lithograph

Max Ernst, A Song of Love, from XXe Siecle, 1958
By Max Ernst
Located in Southampton, NY
surreal fantasy, echoing the fluid equilibrium of Calders mobiles and the conceptual wit of Duchamp
Category

1950s Surrealist Figurative Prints

Materials

Lithograph

Max Ernst, Bird, from XXe Siecle, 1958 (after)
By Max Ernst
Located in Southampton, NY
abstraction and surreal fantasy, echoing the fluid equilibrium of Calders mobiles and the conceptual wit of
Category

1950s Surrealist Figurative Prints

Materials

Lithograph

Max Ernst, Shaving the Walls, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
Calder’s mobiles and the conceptual wit of Duchamp. Fleeing Nazi-occupied France during World War II, Ernst
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, Electra, from XXe siecle, 1939
By Max Ernst
Located in Southampton, NY
abstraction and surreal fantasy, echoing the fluid equilibrium of Calder’s mobiles and the conceptual wit of
Category

1930s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, After Me, from XXe siecle, 1971
By Max Ernst
Located in Southampton, NY
abstraction and surreal fantasy, echoing the fluid equilibrium of Calder’s mobiles and the conceptual wit of
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Max Ernst, System of Solar Currency, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
and surreal fantasy, echoing the fluid equilibrium of Calder’s mobiles and the conceptual wit of
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Wheel of Light, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
Calder’s mobiles and the conceptual wit of Duchamp. Fleeing Nazi-occupied France during World War II, Ernst
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Idol, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
and surreal fantasy, echoing the fluid equilibrium of Calder’s mobiles and the conceptual wit of
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, She Keeps Her Secret, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
of Calder’s mobiles and the conceptual wit of Duchamp. Fleeing Nazi-occupied France during World War
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, Teenage Lightning, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
and surreal fantasy, echoing the fluid equilibrium of Calder’s mobiles and the conceptual wit of
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, Come into the Continents, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
and surreal fantasy, echoing the fluid equilibrium of Calder’s mobiles and the conceptual wit of
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Max Ernst, The Palette of Caesar, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
Calder’s mobiles and the conceptual wit of Duchamp. Fleeing Nazi-occupied France during World War II, Ernst
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

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Calder Mobile For Sale on 1stDibs

On 1stDibs, you can find the most appropriate calder mobile for your needs in our varied inventory. In our selection of items, you can find modern examples as well as an abstract version. If you’re looking for a calder mobile from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 21st Century. Adding a calder mobile to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of beige, gray, white, black and more. Creating a calder mobile has been a part of the legacy of many artists, but those crafted by Alexander Calder, Yaacov Agam, Pol Bury, Andre Elbaz and David Hayes are consistently popular. These artworks were handmade with extraordinary care, with artists most often working in lithograph, paint and paper.

How Much is a Calder Mobile?

The average selling price for a calder mobile we offer is $1,200, while they’re typically $1 on the low end and $3,250,000 for the highest priced.
Questions About Calder Mobile
  • 1stDibs ExpertNovember 2, 2021
    A “Calder mobile” refers to a moving artwork created by American sculptor Alexander Calder composed of delicately balanced sculptural forms suspended from the ceiling. Calder worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) and his revered prints to his free-standing abstract sculptures, called stabiles. Find a collection of original Alexander Calder art on 1stDibs.
  • 1stDibs ExpertOctober 12, 2021
    The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling. On 1stDibs, find a variety of vintage Alexander Calder drawings and other sculptures.
  • 1stDibs ExpertApril 5, 2022
    Alexander Calder's mobiles were revolutionary because he largely pioneered the art form of creating hanging sculptures that were able to move freely in response to airflow. Calder was a prolific artist believed to have produced more than 22,000 works during his life. Shop a variety of Alexander Calder art on 1stDibs.
  • 1stDibs ExpertApril 5, 2022
    Artist Alexander Calder used primarily industrial materials to create his mobile, such as steel, aluminum and wire. With a background in mechanical engineering, Alexander Calader uses his education to build mobiles with seemingly impossible silhouettes that make for eye-catching decor pieces. Shop a selection of Alexander Calder work on 1stDibs.
  • 1stDibs ExpertOctober 24, 2024
    How much an Alexander Calder mobile is worth depends on its historical significance, size, condition and other factors. In 2012, his 1945 piece Lily of Force sold for $18.5 million at auction in New York City. The American sculptor is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling. Always interested in putting forms in motion, Calder also pioneered a new art form called “wire sculptures,” which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles. If you're in possession of a Calder mobile, a certified appraiser or knowledgeable art dealer can help you determine how much it may be worth. On 1stDibs, explore a range of Alexander Calder art.
  • 1stDibs ExpertApril 5, 2022
    The term ‘mobile’, which was coined by Marcel Duchamp, was used to describe Alexander Calder’s work, as Calder’s sculptures often moved with the help of motors or wind. ‘Mobiles’ was a French pun which meant ‘motion’. On 1stDibs, find a variety of original artwork from Alexander Calder.