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Mind Over Matter, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
, etching, collagraph, chine collé and viscosity techniques to achieve thoroughly embedded and complexly
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

Turning Over A New Leaf, autumn leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
, etching, collagraph, chine collé and viscosity techniques to achieve thoroughly embedded and complexly
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

Between Vertical and Horizon – Paper Between a Stone and Brook
By Shoichi Ida
Located in San Francisco, CA
, screen print, printed both sides with Chine-collé Paper: Fabriano and Mino Usu Kozo Image size: 35.55 x
Category

1980s Modern Abstract Prints

Materials

Paper, Handmade Paper, Lithograph, Screen

Le banc de jardin (The Garden Bench)
By James Jacques Joseph Tissot
Located in Fairlawn, OH
Le banc de jardin (The Garden Bench) Mezzotint and engraving on cream chine collé laid down on
Category

1880s Impressionist Figurative Prints

Materials

Mezzotint

Botanical Healers, still life, flowers, floral
By Vicky Oldfield
Located in Deddington, GB
with which to observe and grow. Carborundum, Chine Collé, Collagraph, Watercolour on Paper Edition of
Category

2010s Impressionist Still-life Prints

Materials

Watercolor

"Extraordinary Machine VE 5/6" Intaglio, hand colored, Industrial, egg motif
By Katie VanVliet
Located in Philadelphia, PA
is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is an edition of 6
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio

"Extraordinary Machine VE 4/6" Intaglio, hand colored, Industrial, egg motif
By Katie VanVliet
Located in Philadelphia, PA
is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is an edition of 6
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio

"Extraordinary Machine VE 3/6" Intaglio, hand colored, Industrial, egg motif
By Katie VanVliet
Located in Philadelphia, PA
is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is an edition of 6
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio

"Extraordinary Machine VE 2/6" Intaglio, hand colored, Industrial, egg motif
By Katie VanVliet
Located in Philadelphia, PA
is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is an edition of 6
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio

"Extraordinary Machine VE 1/6" Intaglio, hand colored, Industrial, egg motif
By Katie VanVliet
Located in Philadelphia, PA
is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is an edition of 6
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio

Magician, by Yuji Hiratsuka
By Yuji Hiratsuka
Located in Palm Springs, CA
Signed and numbered from the edition of 15. Printed on Chine colle. Image of a young woman with her
Category

2010s Contemporary Landscape Prints

Materials

Intaglio

Lithograph from Le tir à l arc (The Archery)
By Georges Braque
Located in Palo Alto, CA
pencil in the lower left margin; published by Louis Broder, Paris and printed on chine colle. Catalogue
Category

1960s Modern Figurative Prints

Materials

Lithograph

Le tir à l arc (Archery)
By Georges Braque
Located in Palo Alto, CA
pencil in the lower left margin; published by Louis Broder, Paris and printed on chine colle. Catalogue
Category

1960s Modern Figurative Prints

Materials

Lithograph

Portrait of Lady in Red and Black by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
. Collotype on chine colle paper laid down on heavy deckled-edge cream-wove paper. Between 1908 and 1914
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Death and Life by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
. Collotype on chine colle paper laid down on heavy deckled-edge cream-wove paper. Between 1908 and 1914, H.O
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Umbrella, Monotype with Hand Painting, Glitter, Asian American Art, Woman Artist
By Helen Oji
Located in Surfside, FL
Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From
Category

1980s American Modern Mixed Media

Materials

Paint, Glitter, Mixed Media, Monotype

Umbrella, Monotype with Hand Painting, Glitter, Asian American Art, Woman Artist
By Helen Oji
Located in Surfside, FL
Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From
Category

1980s American Modern Mixed Media

Materials

Paint, Glitter, Mixed Media, Monotype

Children: black and white drawing of Christmas holiday winter scene
By Michele Zalopany
Located in New York, NY
. Chine-collé was used to produce this print, a technique in which an image is printed onto one sheet of
Category

1980s Contemporary Portrait Prints

Materials

Lithograph, Watercolor

TumbleWeed 04, abstract mixed media on paper, multicolored
By Karin Bruckner
Located in New York, NY
graphic into a more painterly direction, incorporating paper lithography, etching, collagraph, chine collé
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

TumbleWeed 01, abstract mixed media on paper, blue
By Karin Bruckner
Located in New York, NY
graphic into a more painterly direction, incorporating paper lithography, etching, collagraph, chine collé
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

TumbleWeed 05, abstract mixed media on paper, multicolored
By Karin Bruckner
Located in New York, NY
graphic into a more painterly direction, incorporating paper lithography, etching, collagraph, chine collé
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

The Rustling III, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
graphic into a more painterly direction, incorporating paper lithography, etching, collagraph, chine collé
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

The Rustling II, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
graphic into a more painterly direction, incorporating paper lithography, etching, collagraph, chine collé
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

Behind Bars No. 1, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
, collagraph, chine collé and viscosity techniques to achieve thoroughly embedded and complexly layered visual
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

Behind Bars No. 2, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
, collagraph, chine collé and viscosity techniques to achieve thoroughly embedded and complexly layered visual
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

Behind Bars No. 3, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
, collagraph, chine collé and viscosity techniques to achieve thoroughly embedded and complexly layered visual
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

The Rustling I, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
graphic into a more painterly direction, incorporating paper lithography, etching, collagraph, chine collé
Category

2010s Contemporary Mixed Media

Materials

Paper, Mixed Media, Etching, Monotype

Benton, Antoinette B Blackwell and the Blue Circle, monoprint, Oberlin College
By Suzanne Benton
Located in Darien, CT
monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from
Category

1990s Feminist Portrait Prints

Materials

Gold Leaf

"La Correspondance" Signed Etching, Edition of 25, Young Woman Writing
By Henri Matisse
Located in Yardley, PA
chine colle and is signed by Matisse in pencil in the lower right. It is further inscribed “9/25” in the
Category

1920s Modern Portrait Prints

Materials

Etching

The Mead of Poetry #1 (huge framed hand signed woodcut)
By Jim Dine
Located in Aventura, FL
Chine colle woodcut in black on cold pressed Saunders Waterford paper. Hand signed and dated lower
Category

1980s Pop Art Portrait Prints

Materials

Paper, Woodcut

Rowland’s Dodo (Version II), Art Print, Photopolymer, fine art, realist
By Tammy Mackay
Located in Deddington, GB
photopolymer plates and drypoint. These techniques are often combined with hand drawn or hand coloured chine
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Polymer

"Because the Night VE 1/5" Intaglio, hand colored, floral, orange flames
By Katie VanVliet
Located in Philadelphia, PA
made from two-plate etching with aquatint, soft ground and relief chine colle on Rives BFK. This piece
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio, Aquatint

Rhinoceros (State II), Wild Animal Art, Realist Art, Black white and gold art
By Tammy Mackay
Located in Deddington, GB
photopolymer plates and drypoint. These techniques are often combined with hand drawn or hand coloured chine
Category

21st Century and Contemporary Realist Animal Prints

Materials

Metal

An Artist Who Bends Stone
Located in Kansas City, MO
Darrell Wilks An Artist Who Bends Stone Color Lithograph w/chine colle Year: 2018 Size: 15 x 24 in
Category

2010s Contemporary Figurative Prints

Materials

Lithograph

Rowland’s Dodo (Version II) BY TAMMY MACKAY, Animal Art, Contemporary Prints
By Tammy Mackay
Located in Deddington, GB
photopolymer plates and drypoint. These techniques are often combined with hand drawn or hand coloured chine
Category

21st Century and Contemporary Animal Prints

Materials

Paper, Polymer, Giclée

Benton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women
By Suzanne Benton
Located in Darien, CT
monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from
Category

2010s Feminist Portrait Prints

Materials

Laid Paper, Monoprint

Benton, Charlotte Perkins Gilman and Her Daughter, monoprint, PioneerActivist
By Suzanne Benton
Located in Darien, CT
monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from
Category

1990s Feminist Portrait Prints

Materials

Gold Leaf

Modernist 1998 Flowering Tree Color Lithograph Dan Rizzie Mod Collage Artist
By Dan Rizzie
Located in Surfside, FL
painter, printmaker, lithograph, monotype woodblock, chine colle, and collage artist. He attended Hendrix
Category

1990s Abstract Figurative Prints

Materials

Paper, Lithograph

Quagga, animal print, limited edition print, affordable art for sale, Animal Art
By Tammy Mackay
Located in Deddington, GB
drypoint. These techniques are often combined with hand drawn or hand coloured chine collé. Exploring and
Category

2010s Contemporary Animal Prints

Materials

Paper, Monoprint

Beethoven Frieze (detail) by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
collotype prints on Chine-collé, a thin, tissue-like paper which was bonded to a heavier, deckled-edge cream
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

A Yorkshire Dell or The Heron’s Pool.
By Sir Frank Short
Located in Plano, TX
and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-collé mounted on
Category

Early 20th Century Romantic Landscape Prints

Materials

Mezzotint, Etching

Suzanne Benton, Before We Knew, 2024, oil on gessoed birch panel, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Gesso, Birch, Oil, Board

Suzanne Benton, Blue Mauve, 2022, oil on linen, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil, Linen

Suzanne Benton, Passage, 2022, oil on linen, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Gesso, Birch, Oil, Board

Suzanne Benton, Hope, 2023, oil on linen, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Gesso, Birch, Oil, Board

Suzanne Benton, Caught in the Dark Waters of Life, 2024, oil, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil, Board, Gesso, Birch

Suzanne Benton, Rescue, 2020, oil on board, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil, Board

Suzanne Benton, Soft Thunder, 2021, oil on canvas, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil

Suzanne Benton, Forecast, 2024, oil on canvas, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil, Canvas

Suzanne Benton, Flyaway, 2021, oil on canvas, Spiritualism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil

Suzanne Benton, Compendium, 2024, oil on canvas, Neo-Transcendentalism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil

Suzanne Benton, Shine On, 2021, oil on canvas, Neo-Transcendentalism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil

Suzanne Benton, Approach, 2022, oil on gesso board, Neo-Transcendentalism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil

Suzanne Benton, Heavenly Kingdom, 2022, oil on Belle Art primed panel, Transcend
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Symbolist Landscape Paintings

Materials

Oil

Suzanne Benton, Centering, 2022, oil on panel, Neo-Transcendentalism
By Suzanne Benton
Located in Darien, CT
ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world
Category

2010s Orphist Landscape Paintings

Materials

Oil

Abstract Drypoint Etching Cheryl Warrick African American Woman Artist
Located in Surfside, FL
, drypoint, and chine colle, on Hahnemuhle Copperplate paper Hand signed in pencil. Depicting a collage scene
Category

Early 2000s Abstract Abstract Prints

Materials

Drypoint, Etching

Slack Rope Artist
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
gradations printing clearly, on cream chine collé, the full sheet with margins (1 1/8 to 2 1/2 inches
Category

1930s American Modern Figurative Prints

Materials

Lithograph

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Chine Colle For Sale on 1stDibs

You are likely to find exactly the chine colle you’re looking for on 1stDibs, as there is a broad range for sale. In our selection of items, you can find Abstract examples as well as a Contemporary version. If you’re looking for a chine colle from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 21st Century. On 1stDibs, the right chine colle is waiting for you and the choices span a range of colors that includes gray, brown, beige and black. Finding an appealing chine colle — no matter the origin — is easy, but Suzanne Benton, Ann Aspinwall, Elise Hughes-Yaworsky, Robert Kelly and Molly McKee each produced popular versions that are worth a look. Frequently made by artists working in etching, paper and paint, these artworks are unique and have attracted attention over the years. If space is limited, you can find a small chine colle measuring 6.89 high and 4 wide, while our inventory also includes works up to 42 across to better suit those in the market for a large chine colle.

How Much is a Chine Colle?

The average selling price for a chine colle we offer is $1,100, while they’re typically $118 on the low end and $4,500 for the highest priced.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.