Christian Dior Monsieur

When Christian Dior launched his couture house, in 1946, he wanted nothing less than to make “an elegant woman more beautiful and a beautiful woman more elegant.” He succeeded, and in doing so the visionary designer altered the landscape of 20th century fashion. Vintage Dior bags, shoes, evening dresses, shirts and other garments and accessories are known today for their feminine and sophisticated sensibility.

Dior was born in Granville, on the Normandy coast, in 1905. His prosperous haute bourgeois parents wanted him to become a diplomat despite his interest in art and architecture. However, they agreed to bankroll an art gallery, which Dior opened in 1928 in Paris with a friend.

This was the start of Dior’s rise in the city’s creative milieu, where he befriended Pablo Picasso and Jean Cocteau. After seven years as an art dealer, Dior retrained as a fashion illustrator, eventually landing a job as a fashion designer for Robert Piguet, and in 1941, following a year of military service, he joined the house of Lucien Lelong. Just five years later, with the backing of industrialist Marcel Boussac, the ascendant Dior established his own fashion house, at 30 avenue Montaigne in Paris.

Just two years after the end of World War II, the fashion crowd and the moribund haute couture industry were yearning, comme tout Paris, for security and prosperity, desperate to discard the drab, sexless, utilitarian garb imposed by wartime deprivation. They needed to dream anew.

And Dior delivered: He designed a collection for a bright, optimistic future. “It’s quite a revolution, dear Christian!” exclaimed Carmel Snow, the prescient American editor-in-chief of Harper’s Bazaar, famously proclaiming, “Your dresses have such a new look.” The press ran with the description, christening Dior’s debut Spring/Summer haute couture collection the New Look. “God help those who bought before they saw Dior,” said Snow. “This changes everything.”

Dior’s collection definitively declared that opulence, luxury and femininity were in. His skirts could have 40-meter-circumference hems, and outfits could weigh up to 60 pounds. They were cut and shaped like architecture, on strong foundations that molded women and “freed them from nature,” Dior said. Rather than rationing, his ladies wanted reams of fabric and 19-inch waists enforced by wire corsets, and the fashion world concurred. The debut got a standing ovation.

In the subsequent decade, Paris ruled as the undisputed fashion capital of the world, and Christian Dior reigned as its king. With the luxuriously full skirts of his New Look, suits and his drop-dead gorgeous couture dresses and ball gowns worthy of any princess, Dior gave women the gift of glamour they’d lost in the miserable years of war.

On 1stDibs, find an exquisite range of vintage Christian Dior clothing, jewelry, handbags and other items.

A pair of vintage designer sunglasses can be a game-changing finishing touch to your ensemble.

No matter your age or general fashion sensibility, wearing sunglasses may already be part of your regular outdoor routine owing to their practicality. Most sunglasses protect the eyes from harmful UV (ultraviolet) rays — and not merely on sunny days. Glasses that utilize color-enhancing lenses, which feature specific coatings or filter tints, can limit the amount of light coming through, while polarized lenses substantially reduce glare.

So while their usefulness is well known, let’s face it, a good pair of sunglasses can be stylish too.

People have been making a statement with iconic eyewear for a while — sunglasses garnered popularity with the Hollywood set in the early 1900s, when it wasn’t uncommon for a hip actress to be photographed in a pair of her sharpest shades.

Today, we’re still talking about the sunglasses that Audrey Hepburn — the original trendsetter — donned in the opening scene of 1961’s Breakfast at Tiffany’s. She emerges from the flagship store of the legendary luxury house referenced in the film’s title in a pair of glamorous dark tortoiseshell frames designed by London eyewear firm Oliver Goldsmith Sunglasses. The brand was a keeper for Hepburn — in 1967, she famously wore a pair of Goldsmith’s Yuhu wraparound frames in the poster for Stanley Donen’s film Two for the Road.

Indeed, celebrities have long held sway in the sunglasses realm — perhaps you’ve opted for vintage Ray-Ban sunglasses because you’re enamored with Marilyn Monroe’s celebrated Wayfarers or you’ve taken to classic Aviators because actor Jon Hamm wore them in the nostalgic TV smash hit Mad Men. Good frames are a surefire way to take your style to the next level.

When shopping for the right pair of sunglasses, consider the color and shape of the frames (as well as the shape of your face), how dark or light the lenses are — or tint, if you’re leaning toward a chic gradient lens. Take your time, spring for more than one pair because different moods call for different shades and, while you’re at it, make sure you know how to spot a pair of fake Ray-Ban sunglasses before you make that purchase.

On 1stDibs, our collection of vintage designer sunglasses features classics from Gucci, Cartier, Chanel and other brands as well as a wide range that can be sorted by color — find sleek black sunglasses, brown pairs and a whole lot of other eye-catching options, whether it’s sunny outside or not.