Edwardian Pin Brooch

Surely you’ll find the exact edwardian pin brooch you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Every item for sale was constructed with extraordinary care, often using Gold, Platinum and 14k Gold. Making the right choice when shopping for a edwardian pin brooch may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 19th Century and a newer version made as recently as the 20th Century, both of which have proven very popular over the years. Finding an appealing edwardian pin brooch — no matter the origin — is easy, but Tiffany Co., Cartier and J.E. Caldwell Co. each produced a popular version that is worth a look. A edwardian pin brooch can be a stylish choice for most occasions, but Diamond rings, from our inventory of 91, can add a particularly distinctive touch to your look, day or night. A round cut version of this piece has appeal, but there are also old european cut and old mine cut versions for sale. When shopping for a edwardian pin brooch, you’ll find that there are less available pieces for unisex or men today than there are for women.

On average, a edwardian pin brooch at 1stDibs sells for $2,450, while they’re typically $50 on the low end and $42,300 for the highest priced versions of this item.

Antique Edwardian jewelry is named for King Edward VII of Great Britain, who ruled from 1901 until 1910. Classic Edwardian necklaces, engagement rings, earrings and other jewelry are often overshadowed by the more popular style of the era, Art Nouveau, which is a shame. At its best, Edwardian jewelry was all about the exquisite diamond, platinum and pearl creations made by such famous names as Cartier and Boucheron.

Edward introduced incredibly formal Buckingham Palace court presentations, balls and soirées, resulting in a huge demand for diamond jewels starting with his coronation in 1902. Dozens of tiaras and formal jewels in an updated 18th-century style were purchased from French jewelers Boucheron and Chaumet and from Russia’s Fabergé. The court jewelers Asprey, Garrard, Carrington and the newly opened London branch of Cartier were all overwhelmed with orders for sumptuous diamond jewelry to be worn at the king’s elaborate coronation.

During the Edwardian era, pearls were more valuable than diamonds. The pear-shaped pearl La Peregrina, for example, belonged to some of the most fabulous and strongest women in history and bounced among royal courts in Spain, France and Russia for several centuries. So while today the scale and clarity of a diamond ring matters, back then the size and quantity of your pearls was more important a declaration of wealth. And just as Victorian notions of propriety and femininity began to change after Queen Victoria died in 1901, jewelry design also evolved but there was some overlap with late Victorian styles.

Women of the Edwardian period sported bejeweled headpieces like tiaras and bandeaus with feathered aigrettes. Another popular piece of jewelry that is said to have been directly inspired by Queen Alexandra were colliers de chien, or dog collars — today's choker necklaces — which consisted of either a ribbon decorated with a brooch, a gemstone or several strands of pearls strung closely together.

Two major jewelry houses, Cartier and Boucheron, were founded in the mid-1850s, and by the beginning of the 20th century, the wealthy considered them household names. The Cartier brand became even more desirable once the house became the official jewelry supplier to King Edward VII. Cartier took this title seriously and designed some of the most innovative jewelry of its day, since it was willing to experiment with new materials like platinum and because it was mindful of fashion trends. Filigree settings also became popular. This saw-piercing technique was decorative and at the same time created a sense of lightness.

Perhaps even more important than Cartier’s use of platinum was the founding of De Beers Consolidated Mines Limited in 1888. The discovery of new diamond mines made the stone more affordable and prompted the introduction of new gemstone cuts. It is not uncommon to see Edwardian jewels with baguette or briolette diamonds.

Find antique Edwardian rings, bracelets, watches and other jewelry on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

Vintage brooches, which refer to decorative jewelry traditionally pinned to garments and used to fasten pieces of clothing together where needed, have seen increasing popularity in recent years.

While jewelry trends come and go, brooches are indeed back on the radar thanks to fashion houses like Gucci, Versace, Dior and Saint Laurent, all of which feature fun pinnable designs in their current collections. Whether a dazzlingly naturalistic Art Nouveau dragonfly, a whimsical David Webb animal, a gem-studded bloom or a streamlined abstract design, these jewels add color and sparkle to your look and a spring to your step. 

Given their long history, brooches have expectedly taken on a variety of different shapes and forms over time, with jewelers turning to assorted methods of ornamentation for these accessories, including enameling and the integration of pearls and gemstones. Cameo brooches that originated during the Victorian age are characterized by a shell carved in raised relief that feature portraits of a woman’s profile, while 19th-century micromosaic brooches, comprising innumerable individually placed glass fragments, sometimes feature miniature depictions of a pastoral scene in daily Roman life.

At one time, brooches were symbols of wealth, made primarily from the finest metals and showcasing exquisite precious gemstones. Today, these jewels are inclusive and universal, and you don’t have to travel very far to find an admirer of brooches. They can be richly geometric in form, such as the ornate diamond pins dating from the Art Deco era, or designer-specific, such as the celebrated naturalistic works created by Tiffany Co., the milk glass and gold confections crafted by Trifari or handmade vintage Chanel brooches of silk or laminated sheer fabric. Chanel, of course, has never abandoned this style, producing gorgeously baroque CC examples since the 1980s.

Brooches are versatile and adaptable. These decorative accessories can be worn in your hair, on hats, scarves and on the lower point of V-neck clothing. Pin a dazzling brooch to the lapel of your blazer-and-tee combo or add a cluster of smaller pins to your overcoat. And while brooches have their place in “mourning jewelry,” in that a mourning brooch is representative of your connection to a lost loved one, they’re widely seen as romantic and symbolic of love, so much so that a hardcore brooch enthusiast might advocate for brooches to be worn over the heart.

Today, find a wide variety of antique and vintage brooches for sale on 1stDibs, including gold brooches, sapphire brooches and more.