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Mario Bellini Modular Camaleonda in Pierre Frey Woolen Upholstery
By Mario Bellini
Located in Waalwijk, NL
. Literature: - Ambasz, Emilio. Italy: The New Domestic Landscape. Achievements and Problems of Italian
Category

Vintage 1970s Italian Post-Modern Sofas

Materials

Wool

Mario Bellini Customizable Camaleonda Modular Leather Sofa
By Mario Bellini
Located in Waalwijk, NL
original. Measurements are per large element. Literature: - Ambasz, Emilio. Italy: The New
Category

Vintage 1970s Italian Mid-Century Modern Sofas

Materials

Leather

Mario Bellini Reupholstered Camaleonda Modular Sofa in Cognac Leather
By Mario Bellini
Located in Waalwijk, NL
, Enrico. Mario Bellini. Furniture, Machines Objects. London: Phaidon, 2008, p. 94. Ambasz, Emilio
Category

Late 20th Century Italian Mid-Century Modern Sofas

Materials

Leather

Imposing Black Laquer and Chrome Desk by Tecno
Located in London, London
the design field including architects Gae Aulenti, Emilio Ambasz, Ricardo Bofil, Piero Lissoni, Rafael
Category

Vintage 1970s Italian Desks and Writing Tables

Materials

Chrome

Carrara Marble Dining Table by Angelo Mangiarotti
By Angelo Mangiarotti
Located in New York, NY
. - Catalogue of the exhibition, Italy the new domestic landscape Emilio Ambasz 1972 p. 46 Giuliana Gramigna
Category

Vintage 1960s Italian Mid-Century Modern Dining Room Tables

Utopia Table Lamp by Nanda Vigo
By Nanda Vigo
Located in Sag Harbor, NY
-1973: New Italian Design, Allemandi, Turin, 2003, fig 47; Emilio Ambasz, Italy: The New Domestic
Category

Vintage 1970s Italian Modern Table Lamps

Materials

Stainless Steel

Plona Folding Chair by Giancarlo Piretti for Castelli
By Giancarlo Piretti, Anonima Castelli
Located in BREDA, NL
with Emilio Ambasz - and for the Piretti collection, launched in 1988.
Category

Vintage 1970s Italian Mid-Century Modern Chairs

Materials

Aluminum, Stainless Steel

Gae Aulenti Set of 4 Italian Wicker Wingback Chairs
By Gae Aulenti, Abaco
Located in Mornico al Serio ( BG), Lombardia
Domestic Landscape" organized by Emilio Ambasz at the MoMA in New York. She was an important exponent of
Category

Vintage 1980s Italian Post-Modern Chairs

Materials

Wicker

Mid-Century Modern Folding Table by Giancarlo Piretti for Castelli, Italy 70s
By Castelli, Giancarlo Piretti
Located in Vienna, AT
Emilio Ambasz on designing ergonomic office furniture, including the appropriately named "Vertebra" (1977
Category

Vintage 1970s Italian Mid-Century Modern Tables

Materials

Aluminum

Chica demountable child s chairs by BBB Bonacina 1971
By Gionathan de Pas Donato D’Urbino Paolo Lomazzi, BBB Bonacchina
Located in Wien, AT
, demonstrated curator Emilio Ambasz's concept of "contestatory" design: objects with the potential to create
Category

Antique 1670s Italian Mid-Century Modern Children s Furniture

Materials

Plastic

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Emilio Ambasz For Sale on 1stDibs

Choose from an assortment of styles, material and more with respect to the emilio ambasz you’re looking for at 1stDibs. A emilio ambasz — often made from metal, plastic and aluminum — can elevate any home. There are many kinds of the emilio ambasz you’re looking for, from those produced as long ago as the 20th Century to those made as recently as the 20th Century. A emilio ambasz is a generally popular piece of furniture, but those created in mid-century modern and modern styles are sought with frequency. Giancarlo Piretti, Anonima Castelli and Danilo Corrado Aroldi each produced at least one beautiful emilio ambasz that is worth considering.

How Much is a Emilio Ambasz?

Prices for a emilio ambasz start at $442 and top out at $22,113 with the average selling for $2,322.

A Close Look at Mid-century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.