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Georgian Cannetille Cross

Georgian Cannetille Gold Snake Necklace with Amethyst and Emerald Cross Pendant
Located in London, GB
A Georgian cannetille snake necklace, with an amethyst and emerald cross pendant; with the snake
Category

Antique 1830s Georgian Pendant Necklaces

Materials

Amethyst, Emerald, Ruby, 18k Gold

Recent Sales

Antique Georgian 22K Yellow Gold Emerald and Pearl Cannetille Cross Pendant
Located in Staines-Upon-Thames, GB
Georgian Yellow Gold Emerald and Pearl Cross Pendant is the cannetille adornments. What’s yours? Perhaps
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Antique Mid-19th Century British Georgian Pendant Necklaces

Materials

Emerald, Pearl, 22k Gold, 9k Gold, Yellow Gold

18 Karat Yellow Gold Cannetille Maltese Cross with Locket Back
Located in New York, NY
Georgian 18 Karet Yellow Gold Cannetille Maltese Cross with Locket Back
Category

Antique Early 19th Century Unknown Georgian Pendant Necklaces

Materials

18k Gold

Large Late Georgian Cannetille Butterfly Cross 18k 18ct Yellow Gold, circa 1830
Located in Lancashire, Oldham
A superb antique 18 karat yellow gold late Georgian cross, that is quite a statement due to its
Category

Antique 1830s British George IV Pendant Necklaces

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18th Century Georgian Topaz Cannetille Cross Pendant
Located in Sale, Cheshire
An exquisite Georgian filigree cross pendant set with pink topaz in foil backed settings. It's
Category

Antique 18th Century English George III Pendant Necklaces

Materials

Topaz, 15k Gold

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A Close Look at Georgian Jewelry

Georgian jewelry is named for the monarchies of the four King Georges, who in succession ruled England starting in 1714 (plus King William’s reign, which lasted until 1837). A slew of beautiful pieces were produced during the period, and today antique Georgian rings, necklaces and other accessories are coveted by fine jewelry collectors.

There are certain features that distinguish jewelry from this era, including the fact that pieces from the 18th and early 19th centuries were handmade (so don’t let the absence of a maker’s mark lead you to believe otherwise). Antique Georgian jewelry also has a certain “look.” It’s a bit gray because stones were often set in silver, and because stonecutting techniques were not as advanced as they are today, the gems do not possess the level of sparkle to which we have become accustomed.

Intricate metalworking techniques such as repoussé (the hammering of metal into ornate designs) and cannetille (a method of working the gold wire to make it look woven) allowed goldsmiths to really flex their muscles. These gold pieces, either on their own or combined with gemstones, made for highly original and dramatic jewelry. The era also saw pieces with ornately woven strands of human hair.

Pearls, along with colored gemstones like garnets, rubies and sapphires, were widely used in Georgian jewelry. These were often cut in the shape of a cabochon or teardrop. It was fashionable to combine garnets or rubies with seed pearls. In Georgian diamond rings, popular cuts for diamonds included rose, old mine and table. Around the 1780s, paste jewelry, or hand-cut glass on foil, was used to imitate diamonds.

Browse a collection of antique Georgian diamond rings, earrings, brooches and other authentic Georgian jewelry today on 1stDibs.

Why Gold Shines in Jewelry Craftsmanship

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in

Since Van Cleef Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

Finding the Right Pendant-necklaces for You

Whether you’re layering multiple jewelry pieces or opting for a single strand, vintage pendant necklaces are versatile accessories that can elevate your casual wear as easily as they can add a creative flourish to your formal attire.

The earliest jewelry was less about accessorizing than it was about wearers arming themselves with amulets. In Ancient Egypt, some amulets featured a loop so that they could be strung around one’s neck. While rubies have long been one of the few gemstones that can give diamonds a run for their money, members of some ancient civilizations valued the stones from the get-go, donning ruby pendants as well as other stones with the belief that these adornments would bring protection, healing powers or strength. Today, we still wear our charm bracelets and charm pendants around our necks for good luck.

Later, pendant necklaces, like most fine jewelry, were worn strictly by royalty or the upper class and conferred wealth and prestige. This changed over time, thankfully, as wearing jewelry became more widespread, a democratized means of personal expression.

During the 18th and 19th centuries, pendant necklaces evolved from their status as spiritual amulets, but the jewels still carried deep personal significance. Victorian pendants, in particular, were part of the “mourning jewelry” tradition. Wearers would embed their pendants with locks of hair from a deceased loved one as a way of grieving in the wake of a loss. In the case of cameo jewelry, some pendants were even decorated with miniature hand-carved portraits in a detailed raised relief. Today, portraiture is still a characteristic of many of the hand-carved pendant necklaces offered by Italian jewelry house Scala Gioielli.

Luxury fine jewelry brands such as Cartier, BVLGARI and David Yurman offer their own unique interpretations of the cherished accessory, embellishing platinum or gold pendant necklaces with diamonds, sapphires and other stones.

On 1stDibs, find an extraordinary range of vintage pendant necklaces and other necklaces today.