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German Lava Ceramics

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Mid-century Scheurich Keramik West German Lava Pottery Ceramic coloured Vase
By Scheurich Keramik
Located in London, GB
A fine example of Scheurich Keramik West German Lava pottery ceramic black and orange Vase.
Category

Vintage 1970s German Mid-Century Modern Pottery

Materials

Ceramic, Pottery

Ceramic Bottle or Vase with a Cork, Germany 1950s, Lava Glaze
Located in Ettlingen, Baden-Wurttemberg
1950s Art Pottery ceramic vase or bottle by Germany. Stamped underneath Germany 147, 25. Has a Mid
Category

20th Century German Mid-Century Modern Barware

Materials

Tin

60s Pop Art Dümler Breiden Scarce Doughnut Hole Fat Lava Bottle
By Dümler Breiden
Located in Miami, FL
1960s 1970s Dümler & Breiden fat lava. - Doughnut Bottle, Crusty lava with a glossy hot orange
Category

Vintage 1960s German Mid-Century Modern Pottery

Materials

Lava

Large Lava Glazed Floor Vase
Located in Bridgehampton, NY
Large German tobacco and white lava glazed floor vase circa 1960
Category

Vintage 1960s German Pottery

1970s Roth Keramik Vase, "Fat Lava, " Germany
By Roth Keramik
Located in Winnetka, IL
A tall, postwar German ceramic vase in the bold, distinctive style, "Fat Lava." The name is derived
Category

Vintage 1970s German Modern Ceramics

Materials

Ceramic

Large Vase with "Fat Lava" Glaze by Scheurich, West Germany, circa 1960s
Located in New York, NY
Large handled vase with "Fat Lava" glaze by Scheurich, West Germany, circa 1960s.
Category

Vintage 1960s German Ceramics

Materials

Ceramic

Oversized, Rare Fat Lava Bottle Vase by Scheurich, West Germany, circa 1970s
By Scheurich Keramik
Located in Noorderwijk, BE
Germany, for its Cubist series "Linie 72". Marked with serial number 281-53 and in perfect condition
Category

Vintage 1970s German Ceramics

Materials

Ceramic

Mid-Century West German Scheurich Keramik Fat Lava Pitcher
By Scheurich Keramik
Located in West Palm Beach, FL
Mid-Century Ceramic fat lava glaze volcanic pottery handled pitcher by, Scheurich Keramik of West
Category

Mid-20th Century German Mid-Century Modern Pottery

Materials

Ceramic

Mid Century German Pottery Fat Lava Vase by Scheurich Keramik, 1960s
By Scheurich Keramik
Located in Zagreb, HR
This vase 242-22 was produced in the 1960s in West Germany by Scheurich. It's made of ceramics
Category

Mid-20th Century German Mid-Century Modern Pottery

Materials

Pottery

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German Lava Ceramics For Sale on 1stDibs

There is a range of German lava ceramics for sale on 1stDibs. Frequently made of ceramic, pottery and lava, all German lava ceramics available were constructed with great care. German lava ceramics have long been popular, with older editions for sale from the 20th Century and newer versions made as recently as the 20th Century. Mid-Century Modern and Modern German lava ceramics are consistently popular styles. Many German lava ceramics are appealing in their simplicity, but Scheurich Keramik, Bay Keramik and Roth Keramik produced popular German lava ceramics that are worth a look.

How Much are German Lava Ceramics?

Prices for German lava ceramics can differ depending upon size, time period and other attributes — at 1stDibs, German lava ceramics begin at $74 and can go as high as $2,750, while the average can fetch as much as $619.

A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.