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Large Teak Wall Shelf by Walter Wirz for Wilhelm Renz, 1960s
By Walter Wirz
Located in Berlin, DE
Minimalist shelf designed by Walter Wirz for Wilhelm Renz, 1960s. The shelf is 150 cm in length. Minimal signs of use. Original label "W R".
Category

Vintage 1960s German Mid-Century Modern Shelves

Materials

Teak

1960s Teak Wall Mounted Shelf by Walter Wirtz for Wilhelm Renz Floating Unit
By Walter Wirtz, Wilhelm Renz
Located in Hamminkeln, DE
Beautiful wall unit by Walter Wirtz for Wilhelm Renz, Germany, 1960s. Very good condition, signed
Category

Vintage 1960s German Mid-Century Modern Shelves

Materials

Teak

Teak Dresser or Small Sideboard by Dieter Waeckerlin for Behr, 1950s
By Dieter Waeckerlin, Behr
Located in Frankfurt / Dreieich, DE
Rare teak dresser or small sideboard by Dieter Waeckerlin for Behr, 1950s. Good condition
Category

Vintage 1950s German Mid-Century Modern Commodes and Chests of Drawers

Materials

Metal

1960s Minimalist Sideboard Teak Maple on Metal Base Mid-Century Modern Design
By Wilhelm Renz, Dieter Waeckerlin
Located in Hamminkeln, DE
or a small edition. Beautiful teak outside and maple wood inside. Super rare model.
Category

Vintage 1960s German Mid-Century Modern Sideboards

Materials

Metal

Ernst Dieter Hilker, Fine Mid Century Modern Omnia Wall Unit For Hilker Möbel.
By Ernst Dieter Hilker
Located in Tonbridge, Kent
A Fabulous German design classic ‘Omnia’ Modular Wall Unit by Ernst Dieter Hilker. Highly
Category

Vintage 1960s German Bauhaus Shelves and Wall Cabinets

Materials

Metal, Brass

Teakwood Sideboard "B40" by Dieter Waeckerlin for Behr
By Behr, Dieter Waeckerlin
Located in Munster, NRW
A Classic piece of furniture from the late 1950s designed by Dieter Waeckerlin. The sideboard is veneered with teakwood on the outside and maple wood on the inside.
Category

Mid-20th Century German Mid-Century Modern Sideboards

Materials

Steel

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German Teak Cabinet For Sale on 1stDibs

With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the German teak cabinet you’re looking for. Frequently made of wood, hardwood and teak, every German teak cabinet was constructed with great care. If you’re shopping for a German teak cabinet, we have 185 options in-stock, while there are 7 modern editions to choose from as well. Whether you’re looking for an older or newer German teak cabinet, there are earlier versions available from the 18th Century and newer variations made as recently as the 21st Century. A German teak cabinet, designed in the Mid-Century Modern, Scandinavian Modern or Modern style, is generally a popular piece of furniture. Dieter Waeckerlin, Behr and Wilhelm Renz each produced at least one beautiful German teak cabinet that is worth considering.

How Much is a German Teak Cabinet?

A German teak cabinet can differ in price owing to various characteristics — the average selling price 1stDibs is $3,149, while the lowest priced sells for $394 and the highest can go for as much as $20,183.

A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right Storage-case-pieces for You

Of all the vintage storage cabinets and antique case pieces that have become popular in modern interiors over the years, dressers, credenzas and cabinets have long been home staples, perfect for routine storage or protection of personal items. 

In the mid-19th century, cabinetmakers would mimic styles originating in the Louis XIV, Louis XV and Louis XVI eras for their dressers, bookshelves and other structures, and, later, simpler, streamlined wood designs allowed these “case pieces” or “case goods” — any furnishing that is unupholstered and has some semblance of a storage component — to blend into the background of any interior. 

Mid-century modern furniture enthusiasts will cite the tall modular wall units crafted in teak and other sought-after woods of the era by the likes of George Nelson, Poul Cadovius and Finn Juhl. For these highly customizable furnishings, designers of the day delivered an alternative to big, heavy bookcases by considering the use of space — and, in particular, walls — in new and innovative ways. Mid-century modern credenzas, which, long and low, evolved from tables that were built as early as the 14th century in Italy, typically have no legs or very short legs and have grown in popularity as an alluring storage option over time. 

Although the name immediately invokes images of clothing, dressers were initially created in Europe for a much different purpose. This furnishing was initially a flat-surfaced, low-profile side table equipped with a few drawers — a common fixture used to dress and prepare meats in English kitchens throughout the Tudor period. The drawers served as perfect utensil storage. It wasn’t until the design made its way to North America that it became enlarged and equipped with enough space to hold clothing and cosmetics. The very history of case pieces is a testament to their versatility and well-earned place in any room. 

In the spirit of positioning your case goods center stage, decluttering can now be design-minded.

A contemporary case piece with open shelving and painted wood details can prove functional as a storage unit as easily as it can a room divider. Alternatively, apothecary cabinets are charming case goods similar in size to early dressers or commodes but with uniquely sized shelving and (often numerous) drawers.

Whether you’re seeking a playful sideboard that features colored glass and metal details, an antique Italian hand-carved storage cabinet or a glass-door vitrine to store and show off your collectibles, there are options for you on 1stDibs.