John Stoddart Elizabeth Hurley

Artistic, innovative and entrepreneurial, the self-taught creator Tom Dixon has been a contemporary design-world maverick for more than three decades. From his revolutionary art-meets-design projects of the 1980s and throughout his dynamic and influential career as a designer of furniture, housewares and interiors, the only consistent note has been change. Dixon’s chief fascination is exploring new materials and new ways of constructing things.

Dixon was restless even as a young man. He enjoyed ceramics and drawing in high school but later dropped out of the Chelsea School of Art in London. While repairing his motorcycle in 1983, Dixon learned how to weld and took to the craft. He began making what he has called semi-functional objects from scrap metal (sometime as performance art in a nightclub), then formed a furniture studio–cum–think tank called Creative Salvage. Amid the ritzy excess of the ’80s, Dixon — along with designers such as Tejo Remy and Ron Arad — forged a new, attention-getting aesthetic with furniture made from found materials.

In 1987, Dixon began working for the Italian furniture manufacturer Cappellini, which put his best-known design, the slender, sinuous S chair, into production, followed by such pieces as the Pylon chair (1992), a wire lattice that resembles electrical transmission towers. Starting in the 1990s, Dixon expanded his interests rapidly. He started a company to manufacture the stackable plastic Jack light; joined the housewares retailer Habitat as creative director; and breathed new life into Artek, the venerable Finnish maker that Alvar Aalto and his wife Aino helped cofound. Since 2002, Dixon has run his namesake company fabricating furnishings from novel materials like brass foil-clad wood and “vacuum-metalized” glass.

The hallmark of Dixon’s design is his captivation with the process of creating pieces such as chairs, tables and lighting fixtures. “A kind friend once described me as a ‘vertebrate designer,’” Dixon has said. “That means that I design from the bones outwards and am not really interested in surface.”

Classic Dixon pieces are those that exhibit the manner of their making — from his early work in welded scrap metal to the woven rattan seats and backs of his Fat chair for Cappellini. There are two ways to approach Dixon designs: as a collector, or as a decorator. The former will seek Dixon’s one-off and limited edition works and prototypes. These historical artifacts carry high prices that range from around $8,000 to $50,000 and above. Those more interested in a dynamic look will find that manufactured Dixon designs — such as his Jack lights or his Melt pendant — can be found for prices that range from about $300 to $1,000. Either way, as you will see on 1stDibs, the designs of Tom Dixon have a singular allure that makes them a noteworthy element in any room.

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames. 

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.