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Johns Target With Plaster Cast

Light by Shinsuke Notomi book and print with poem and Japanese brushwork
Located in New York, NY
. Reminiscent of Jasper Johns' Target with Plaster Casts, the Shinsuke Notomi lithograph depicts concentric
Category

1980s Abstract Prints and Multiples

Materials

Lithograph

Art Card: Target with Four Faces (Hand signed and inscribed by Jasper Johns)
By Jasper Johns
Located in New York, NY
with encaustic—pigment mixed with beeswax—on collage. Mounted above the target, four plaster casts
Category

1970s Pop Art Abstract Prints

Materials

Postcard

Recent Sales

Target With Plaster Casts
By Jasper Johns
Located in Miami, FL
TECHNICAL INFORMATION Jasper Johns Target With Plaster Casts 1979 - 80 Etching and aquatint in
Category

1980s American Modern Prints and Multiples

Materials

Etching, Aquatint

Target with Plaster Casts
By Jasper Johns
Located in New York, NY
Etching and aquatint in colors, on Rives BFK paper Sheet: 29 1/2 x 22 in. (74.9 x 55.9 cm) Edition of 88 Signed, dated and numbered in pencil
Category

1970s Abstract Expressionist Abstract Prints

Materials

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Target with Plaster Casts
By Jasper Johns
Located in Los Angeles, CA
Edition of 88 Signed, dated and numbered in pencil
Target with Plaster Casts
By Jasper Johns
Located in Santa Monica, CA
Edition of 88 Signed, dated and numbered in pencil

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Jasper Johns for sale on 1stDibs

Jasper Johns is an American painter, sculptor and printmaker born on May 15, 1930. He eventually became one of America's best known post–Abstract Expressionists and Minimalists.

Johns's name is most often associated with pictorial images of flags and numbers and Pop art subjects that he depicted in Minimalist style with an emphasis on linearity, repetition and symmetry. He completed his first flag painting in 1955, alphabet subjects in 1956, sculpture in 1958 and lithographs in 1960.

Find original Jasper Johns art on 1stDibs.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.