Jose Vives Atsara Paintings

Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919.. As a small boy he loved to sketch with pencil and paper. He developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramón and had his first one-person show at age 14. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He has admitted that his most inspirational teacher has been nature itself. Mr. Vives-Atsara went to San Antonio in 1956 where he established his art career.

The Spanish Civil War interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war, he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens. Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence.

As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson).

Jose Vives-Atsara’s use of a palette knife in painting allowed him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively Vives-Atsara. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos, King of Spain; the Vatican; the State Capitals of many southern states of the United States. His focus was on depicting the character of the people of Mexico, colorful and strong florals and his Texas landscapes, which he regards as breathtaking. Vives-Atsara considers himself fortunate in his ability to approach, even in a small way, the wonders that God has offered to man. For more than 40 years, hard work and discipline have been his way of life. According to him “discipline in our lives is something that we sometimes do not like today, but helps us achieve what we really want tomorrow. Jose Vives-Atsara died in San Antonio on January 13, 2004, and is buried there in Sunset Memorial Park Mausoleum.

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

Painting is an art form that has spanned innumerable cultures, with artists using the medium to tell stories, explore and communicate ideas and express themselves. To bring abstract paintings, landscape paintings, still-life paintings and other original paintings into your home is to celebrate and share in the long tradition of this discipline.

When we look at paintings, particularly those that originated in the past, we learn about history, other cultures and countries of the world. Like every other work of art, paintings — whether they are contemporary creations or works that were made during the 19th century — can often help us clearly see and understand the world around us in a meaningful and interesting way.

Cave walls were the canvases for what were arguably the world’s first landscape paintings, which depict natural scenery through art. Portrait paintings and drawings, which, along with sculpture, were how someone’s appearance was recorded prior to the advent of photography, are at least as old as Ancient Egypt. In the Netherlands, landscapes were a major theme for painters as early as the 1500s. Later, artists in Greece, Rome and elsewhere created vast wall paintings to decorate stately homes, churches and tombs.

Today, creating a wall of art is a wonderful way to enhance your space, showcase beautiful pieces and tie an interior design together.

No matter your preference, whether you favor Post-Impressionist paintings, animal paintings, Surrealism, Pop art or another movement or specific period, arranging art on a blank wall allows you to evoke emotions in a room while also showing off your tastes and interests. A symmetrical wall arrangement may comprise a grid of four to six pieces or, for an odd number of works, a horizontal row. Asymmetrical arrangements, which may be small clusters of art or large, salon-style gallery walls, have a more collected and eclectic feel.

Download the 1stDibs app, which includes a handy “View on Wall” feature that allows you to see how a particular artwork will look on a particular wall, and read about how to arrange wall art. And if you’re searching for the perfect palette for your interior design project, what better place to turn than to the art world’s masters of color? 

On 1stDibs, you’ll find an expansive collection of paintings and other fine art for your home or office. Browse abstract paintings, portrait paintings, paintings by emerging artists and more today.