Lalaounis Greece

It’s fitting that Ilias Lalaounis (1920–2013) is the only jeweler ever inducted into the prestigious Académie des Beaux-Arts — the Greek jeweler’s creations, such as his decorative gold necklaces and rings, are less fashion adornment and more works of art.

Lalaounis was born in Athens in 1920 to a family of goldsmiths and watchmakers with origins in Delphi. Before turning to the family business, Lalaounis studied law, economics, business and music and trained with the painter Alexandros Alexandrakis. Such a well-rounded education laid the foundation for his unique approach to jewelry.

Lalaounis took the helm of his uncle’s jewelry company in 1940. The impact of the Second World War on Greece inspired the jeweler to celebrate his country’s history by reinterpreting its artifacts into new works of art. In 1957, Lalaounis founded the Greek Jewelers’ Association and exhibited at the Thessaloniki International Fair, showcasing the first of his “collections,” as he would come to define his phases of work. This, the Archaeological Collection, was informed by classical and Hellenistic history.

Lalaounis would go on to find new ways to render historic motifs in gold and gemstones after founding his namesake house in 1969. For his 1970s-era collection, Blow Up, he displayed gold pieces inspired by Minoan art on his models’ entire bodies; after opening a store in Tokyo, he presented a collection informed by Japanese art. Later, Lalaounis introduced a collection inspired by Native Americans at his Madison Avenue store in Manhattan. One of the jeweler’s most important commissions came in 1976, when he designed a collection that drew on Persian art for Empress Farah of Iran.

In 1984, Lalaounis explored his unique creative vision with a book, Metamorphoses. By the 1990s, he had stores across Europe as well as in Tokyo, Hong Kong and New York City, and his work had been exhibited at the National Museum of American History and the Penn Museum in Philadelphia, to name a few. In 1994, he founded his own eponymous museum in Athens, with a permanent collection of pieces from 45 of his collections. Lalaounis died in 2013.

Lalaounis’s research-driven approach to jewelry design gives his pieces a depth on par with any art form.

Find an ornate assortment of Ilias Lalaounis’s yellow-gold necklaces, rings and more on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.