Limited Edition Signed And Numbered
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
1990s Abstract Mixed Media
Ceramic, Porcelain, Screen, Mixed Media
2010s Pop Art Figurative Prints
Lithograph
Early 2000s Italian Modern Animal Sculptures
Ceramic
Early 2000s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Modern Figurative Prints
Archival Pigment
Early 2000s Contemporary Black and White Photography
Silver Gelatin
2010s Modern Figurative Prints
Archival Pigment
Early 2000s Italian Modern Vases
Ceramic
2010s Modern Figurative Prints
Archival Pigment
2010s Modern Figurative Prints
Archival Pigment
2010s Modern Figurative Prints
Archival Pigment
2010s Modern Figurative Prints
Archival Pigment
2010s Pop Art Figurative Prints
Offset
2010s Modern Figurative Prints
Archival Pigment
2010s Modern Figurative Prints
Archival Pigment
Early 2000s Contemporary Prints and Multiples
Screen
1970s Portrait Prints
Lithograph
1970s Animal Prints
Lithograph
1970s Portrait Prints
Lithograph
2010s Abstract Photography
Archival Ink
2010s Abstract Photography
Archival Ink
2010s Abstract Photography
Archival Ink
Early 2000s Contemporary Black and White Photography
Archival Pigment, Silver Gelatin
2010s Modern Figurative Prints
Archival Pigment
2010s Modern Figurative Prints
Archival Pigment
2010s Modern Figurative Prints
Archival Pigment
Early 2000s Contemporary Prints and Multiples
Watercolor
2010s Modern Figurative Prints
Archival Pigment
21st Century and Contemporary Contemporary Black and White Photography
Silver Gelatin
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
2010s Contemporary Black and White Photography
Archival Pigment
21st Century and Contemporary Contemporary Black and White Photography
Archival Pigment
21st Century and Contemporary Other Art Style Black and White Photography
Archival Pigment
21st Century and Contemporary Contemporary Black and White Photography
Archival Pigment
Early 2000s Contemporary Black and White Photography
Silver Gelatin
Keith Carter b.1948Pram, Silver Gelatin Print, Signed and numbered, limited edition photograph, 2008
Early 2000s Contemporary Black and White Photography
Silver Gelatin
21st Century and Contemporary Contemporary Black and White Photography
Archival Pigment
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Limited Edition Signed And Numbered For Sale on 1stDibs
How Much is a Limited Edition Signed And Numbered?
- 1stDibs ExpertFebruary 27, 2024What is a good number for limited edition prints depends on what you mean by good. If you're wondering how many prints in a series are best from a collector's standpoint, the smaller the number of prints, the more valuable the individual pieces are likely to be. In other words, the prints in a run of 30 will be rarer than a run of 100, so it is possible that the smaller run will be more valuable. If by "good" you mean which number in a particular series is best to buy, the answer is that there really isn't a better number. The print marked 1/30 and the one marked 30/30 will be identical and of equal value, assuming they are kept in similar condition. However, when a gallery sells prints in numerical order, the price may go up as the prints sell. In that case, you may pay more for print 30/30 than the buyer for 1/30 did. As the price increases, the extra amount paid could mean a lower return on investment. Shop a large collection of art prints on 1stDibs.








