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Miro Lithograph Signed In Plate

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Jules Pascin, Portrait of Pierre Mac Orlan, from Pascin, 1954 (after)
By Jules Pascin
Located in Southampton, NY
12.25 x 9.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the refined
Category

1950s Modern Figurative Prints

Materials

Lithograph

Alexander Calder, Card Players III, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Joueurs de cartes III (Card
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Alexander Calder, Card Players I and II, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
art in itself—featuring original lithographs printed directly from the artists’ stones or plates
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Alexander Calder, A Patriot and Mama Citron, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
art in itself—featuring original lithographs printed directly from the artists’ stones or plates
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Alexander Calder, The Madwomen of Sache, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Les folles de Sache (The Madwomen
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Alexander Calder, A Family from Over There II, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Une famille de là-bas II (A
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Alexander Calder, Card Players II, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
art in itself—featuring original lithographs printed directly from the artists’ stones or plates
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Alexander Calder, Card Players I, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
—featuring original lithographs printed directly from the artists’ stones or plates, alongside essays, poems
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Alexander Calder, Mama Citron, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Mama Citron, originates from the
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Alexander Calder, A Patriot, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Un Patriote (A Patriot
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Peter Paul Rubens, Portrait of a young girl, Faces of Children, 1968 (after)
By Peter Paul Rubens
Located in Southampton, NY
7.87 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et
Category

1960s Baroque Figurative Prints

Materials

Lithograph, Stencil

Marc Chagall, The Horsewoman, from Derriere le miroir, 1956
By Marc Chagall
Located in Southampton, NY
paper, this work measures 15 x 22 inches, with centerfold as issued. Signed in the plate and unnumbered
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Bernard Buffet, Bridge over the Sarthe, from Painters of Today, 1966 (after)
By Bernard Buffet
Located in Southampton, NY
on velin paper, this work measures 10.83 x 13.78 inches (27.5 x 35 cm). Signed in the plate and
Category

1960s Modern Abstract Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Clown Training a Horse, from The Circus, 1952 (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
, this work measures 12.125 x 9.25 inches (30.8 x 23.5 cm). Signed in the plate and unnumbered as issued
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Bernard Buffet, Bridge over the River, from Painters of Today, 1966 (after)
By Bernard Buffet
Located in Southampton, NY
heliogravure on velin paper, this work measures 10.83 x 13.78 inches (27.5 x 35 cm). Signed in the plate and
Category

1960s Modern Abstract Prints

Materials

Lithograph

Bernard Buffet, The Grand Canal of Venice, from Painters of Today, 1966 (after)
By Bernard Buffet
Located in Southampton, NY
as a heliogravure on velin paper, this work measures 10.83 x 13.78 inches (27.5 x 35 cm). Signed in
Category

1960s Modern Abstract Prints

Materials

Lithograph

Bernard Buffet, Woman with a Glass of Wine, from Painters of Today, 1966 (after)
By Bernard Buffet
Located in Southampton, NY
: Heliogravure on velin paper Dimensions: 13.78 x 10.83 inches (35 x 27.5 cm) Inscription: Signed in the plate
Category

1960s Modern Abstract Prints

Materials

Lithograph

Bernard Buffet, Still Life with Rabbit, from Painters of Today, 1966 (after)
By Bernard Buffet
Located in Southampton, NY
: Heliogravure on velin paper Dimensions: 10.83 x 13.78 inches (27.5 x 35 cm) Inscription: Signed in the plate
Category

1960s Modern Abstract Prints

Materials

Lithograph

Bernard Buffet, The Open Window, from Painters of Today, 1966 (after)
By Bernard Buffet
Located in Southampton, NY
: Heliogravure on velin paper Dimensions: 13.78 x 10.83 inches (35 x 27.5 cm) Inscription: Signed in the plate
Category

1960s Modern Abstract Prints

Materials

Lithograph

Bernard Buffet, The Seated Drinker, from Painters of Today, 1966 (after)
By Bernard Buffet
Located in Southampton, NY
heliogravure on velin paper, this work measures 13.78 x 10.83 inches (35 x 27.5 cm). Signed in the plate and
Category

1960s Modern Abstract Prints

Materials

Lithograph

Bernard Buffet, Woman with a Net, from Painters of Today, 1966 (after)
By Bernard Buffet
Located in Southampton, NY
heliogravure on velin paper, this work measures 10.83 x 13.78 inches (27.5 x 35 cm). Signed in the plate and
Category

1960s Modern Abstract Prints

Materials

Lithograph

Jean Bazaine, Landscape, from XXe Siecle, 1958
By Jean Bazaine
Located in Southampton, NY
9.75 x 12.5 inches. Signed in the plate and unnumbered as issued. Printed by Atelier Daniel Jacomet et
Category

1950s Modern Abstract Prints

Materials

Lithograph

Jean Bazaine, Landscape, from XXe Siecle, 1958
By Jean Bazaine
Located in Southampton, NY
12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. Printed by Atelier Daniel Jacomet et
Category

1950s Modern Abstract Prints

Materials

Lithograph

Maurice de Vlaminck, The Church of Saint Lubin, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
work measures 9.5 x 12.25 inches overall; 7.5 x 9.1 inches image. Signed in the plate and unnumbered as
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Road to Brezolles, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
measures 9.5 x 12.25 inches overall; 7.1 x 9.4 inches image. Signed in the plate and unnumbered as issued
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, Sunset, Forest of Senonches, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
l'editeur paper, this work measures 9.5 x 12.25 inches overall; 7.5 x 9.1 inches image. Signed in the plate
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, Sailboats on the Seine, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
12.25 inches overall; 6.7 x 7.9 inches image. Signed in the plate and unnumbered as issued. The edition
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Church of Bougival, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
, this work measures 9.5 x 12.25 inches overall; 7.5 x 9.4 inches image. Signed in the plate and
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, Near Beaumont on Sarthe, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
measures 9.5 x 12.25 inches overall; 7.1 x 9.4 inches image. Signed in the plate and unnumbered as issued
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Road to Mortagne, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
measures 9.5 x 12.25 inches overall; 7.1 x 9.1 inches image. Signed in the plate and unnumbered as issued
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Seine at Chatou, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
, this work measures 9.5 x 12.25 inches overall; 7.9 x 10.2 inches image. Signed in the plate and
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Seine at Poissy, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
measures 9.5 x 12.25 inches overall; 7.1 x 9.1 inches image. Signed in the plate and unnumbered as issued
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Road to Longny, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
12.25 inches overall; 7.1 x 9.4 inches image. Signed in the plate and unnumbered as issued. The edition
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, Chatou with the Red Tree, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
, this work measures 9.5 x 12.25 inches overall; 6.7 x 8.3 inches image. Signed in the plate and
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Bridge at Chatou, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
12.25 inches overall; 6.7 x 7.9 inches image. Signed in the plate and unnumbered as issued. The edition
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Hills of Chatou, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
work measures 9.5 x 12.25 inches overall; 6.7 x 7.9 inches image. Signed in the plate and unnumbered as
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, Still Life with Bacon, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
12.25 inches overall; 7.1 x 9.4 inches image. Signed in the plate and unnumbered as issued. The edition
Category

1950s Fauvist Still-life Prints

Materials

Lithograph

Maurice de Vlaminck, Still Life with Whisky, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
work measures 9.5 x 12.25 inches overall; 7.1 x 9.4 inches image. Signed in the plate and unnumbered as
Category

1950s Fauvist Still-life Prints

Materials

Lithograph

Maurice de Vlaminck, The Road, from Vlaminck, 1958
By Maurice de Vlaminck
Located in Southampton, NY
inches, with centerfold as issued. Signed in the plate and unnumbered as issued. The edition exemplifies
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Bay of the Dead, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
inches overall; 9.5 x 12.25 inches image. Signed in the plate and unnumbered as issued. The edition
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Robert Delaunay, The Window, No. 2, from XXe Siecle, 1957 (after)
By Robert Delaunay
Located in Southampton, NY
lithograph and pochoir on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and
Category

1950s Orphist Abstract Prints

Materials

Lithograph

Alfred Manessier, Untitled, from Prints from the Mourlot Press, 1964
By Alfred Manessier
Located in Southampton, NY
velin d'Arches paper, this work measures 10 x 7.5 inches. Signed in the plate and unnumbered as issued
Category

1960s Modern Abstract Prints

Materials

Lithograph

Max Ernst, Homage to San Lazzaro, from San Lazzaro et ses Amis, 1975
By Max Ernst
Located in Southampton, NY
10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition exemplifies
Category

1970s Constructivist Figurative Prints

Materials

Lithograph

Alexander Calder, Red and Blue on Yellow, from Derriere le Miroir, 1973
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Rouge et bleu sur jaune (Red and
Category

1970s Modern Abstract Prints

Materials

Lithograph

Alberto Magnelli, Pasted Paper, from XXe Siecle, 1957
By Alberto Magnelli
Located in Southampton, NY
pochoir on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as
Category

1950s Cubist Still-life Prints

Materials

Lithograph

Alberto Magnelli, Pasted Paper, from XXe Siecle, 1956
By Alberto Magnelli
Located in Southampton, NY
. Executed as a lithograph and pochoir on velin paper, this work measures 12.5 x 9.75 inches. Signed in the
Category

1950s Cubist Still-life Prints

Materials

Lithograph

Pierre-Auguste Renoir, Standing Bather, 1951 (after)
By Pierre-Auguste Renoir
Located in Southampton, NY
. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of
Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Marc Chagall, Homage to Georges Braque, from Derriere le Miroir, 1964
By Marc Chagall
Located in Southampton, NY
lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and
Category

1960s Expressionist Abstract Prints

Materials

Lithograph

Georges Braque, The Blue Boats, from Varengeville, 1968 (after)
By Georges Braque
Located in Southampton, NY
, image size Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Maeght
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Plow, from Varengeville, 1968 (after)
By Georges Braque
Located in Southampton, NY
inches, image size Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Maeght
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, Seascape with Seagull, from Varengeville, 1968 (after)
By Georges Braque
Located in Southampton, NY
: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Maeght Editeur, Paris Printer
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Boat D-27, from Varengeville, 1968 (after)
By Georges Braque
Located in Southampton, NY
: 13 x 16 inches, paper size; 10.25 x 13.75 inches, image size Inscription: Signed in the plate and
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Pierre-Auguste Renoir, Louis Valtat, 1951 (after)
By Pierre-Auguste Renoir
Located in Southampton, NY
paper, this work measures 12.5 x 9.5 inches overall; 11.02 x 8.66 inches image. Signed in the plate and
Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Maternity, 1951 (after)
By Pierre-Auguste Renoir
Located in Southampton, NY
. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of
Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Odalisque, 1951 (after)
By Pierre-Auguste Renoir
Located in Southampton, NY
work measures 12.5 x 9.5 inches overall; 3.94 x 5.51 inches image. Signed in the plate and unnumbered
Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Paul Cézanne, 1951 (after)
By Pierre-Auguste Renoir
Located in Southampton, NY
; 11.02 x 8.27 inches image. Signed in the plate and unnumbered as issued. The edition exemplifies the
Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Georges Braque, Seaside, from Varengeville, 1968 (after)
By Georges Braque
Located in Southampton, NY
: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Maeght Editeur, Paris Printer
Category

1960s Cubist Abstract Prints

Materials

Lithograph

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Miro Lithograph Signed In Plate For Sale on 1stDibs

Find the exact miro lithograph signed in plate you’re shopping for in the variety available on 1stDibs. There are many abstract, modern and contemporary versions of these works for sale. Making the right choice when shopping for a miro lithograph signed in plate may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 21st Century. On 1stDibs, the right miro lithograph signed in plate is waiting for you and the choices span a range of colors that includes gray, beige, black and silver. There have been many interesting miro lithograph signed in plate examples over the years, but those made by Joan Miró, André Masson, (after) Joan Miró, Marc Vaux and (after) Henri Matisse are often thought to be among the most thought-provoking. Frequently made by artists working in lithograph, offset print and paper, these artworks are unique and have attracted attention over the years.

How Much is a Miro Lithograph Signed In Plate?

The price for a miro lithograph signed in plate in our collection starts at $75 and tops out at $21,600 with the average selling for $1,000.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

Questions About Miro Lithograph Signed In Plate
  • 1stDibs ExpertOctober 30, 2024
    Yes, some plate-signed lithographs are worth something. With a plate-signed print, the artist paints or draws their signature onto a stone along with the image so they are printed together. Generally, plate-signed prints are worth more than unsigned prints, but not as much as ones that bear handwritten signatures. When valuing a print, experts consider the artist, age, historical significance, image quality and overall condition, in addition to the type of signature. A certified appraiser or knowledgeable art dealer can evaluate your lithograph and give you an estimated fair market value. Find a wide variety of lithographs on 1stDibs.