Mogensen 5362

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials.

While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making chairs, sofas and other pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest.

His 1945 Spokeback sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogensen’s Shell chair, designed in 1949, can be seen as a novel take on early 19th-century Empire side chairs.

Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s Hunting chair (1950) and Spanish chair (1958) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues.

Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.

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As a practical focal point in your living area, antique and vintage coffee tables and cocktail tables are an invaluable addition to any interior.

Low tables that were initially used as tea tables or coffee tables have been around since at least the mid- to late-1800s. Early coffee tables surfaced in Victorian-era England, likely influenced by the use of tea tables in Japanese tea gardens. In the United States, furniture makers worked to introduce low, long tables into their offerings as the popularity of coffee and “coffee breaks” took hold during the late 19th century and early 20th century.

It didn’t take long for coffee tables and cocktail tables to become a design staple and for consumers to recognize their role in entertaining no matter what beverages were being served. Originally, these tables were as simple as they are practical — as high as your sofa and made primarily of wood. In recent years, however, metal, glass and plastics have become popular in coffee tables and cocktail tables, and design hasn’t been restricted to the conventional low profile, either.

Visionary craftspeople such as Paul Evans introduced bold, geometric designs that challenge the traditional idea of what a coffee table can be. The elongated rectangles and wide boxy forms of Evans’s desirable Cityscape coffee table, for example, will meet your needs but undoubtedly prove imposing in your living space.

If you’re shopping for an older coffee table to bring into your home — be it an antique Georgian-style coffee table made of mahogany or walnut with decorative inlays or a classic square mid-century modern piece comprised of rosewood designed by the likes of Ettore Sottsass — there are a few things you should keep in mind.

Both the table itself and what you put on it should align with the overall design of the room, not just by what you think looks fashionable in isolation. According to interior designer Tamara Eaton, the material of your vintage coffee table is something you need to consider. “With a glass coffee table, you also have to think about the surface underneath, like the rug or floor,” she says. “With wood and stone tables, you think about what’s on top.”

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