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Maurice de Vlaminck, The Hills of Chatou, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and the exceptional
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, Still Life with Bacon, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
exemplifies the refined craftsmanship of Mourlot Freres and the exceptional production standards of Editions
Category

1950s Fauvist Still-life Prints

Materials

Lithograph

Maurice de Vlaminck, Still Life with Whisky, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and the exceptional
Category

1950s Fauvist Still-life Prints

Materials

Lithograph

Maurice de Vlaminck, Flowers in a Stoneware Vase, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
exemplifies the refined craftsmanship of Mourlot Freres and the exceptional production standards of Editions
Category

1950s Fauvist Still-life Prints

Materials

Lithograph

Alexander Calder, The Triangles, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Pablo Palazuelo, Wave, from Derriere le Miroir, 1960
By Pablo Palazuelo
Located in Southampton, NY
), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris
Category

1960s Modern Abstract Prints

Materials

Lithograph

"Tondo" lithograph
By (after) Fritz Glarner
Located in Henderson, NV
Medium: lithograph (after the painting). Printed in Paris in 1964 at the atelier Fernand Mourlot in
Category

1960s Prints and Multiples

Materials

Lithograph

Joan Miro, Blue Bird, from Derriere le Miroir, 1964
By Joan Miró
Located in Southampton, NY
Maeght Editeur Paris, Miro Mourlot Freres, Miro 1963 edition, Miro lithograph, Miro abstraction, Miro
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

"Negre jouant du banjo" lithograph
By (After) Henri Toulouse Lautrec
Located in Henderson, NV
Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an
Category

1950s Prints and Multiples

Materials

Lithograph

"Les chiens ont soif" lithograph
By (after) Max Ernst
Located in Henderson, NV
Medium: lithograph (after the drawing). Printed by Mourlot for the deluxe limited edition portfolio
Category

1960s Surrealist Prints and Multiples

Materials

Lithograph

Alexander Calder, The Phrygian Cap, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Alexander Calder, Clog, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
Derriere le Miroir, Calder Maeght Editeur Paris, Calder Mourlot Freres, Calder 1963 edition, Calder
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Alexander Calder, Prickly Pig, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
Paris, Calder Mourlot Freres, Calder 1963 edition, Calder modernist print, Calder kinetic abstraction
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Alexander Calder, The Moon, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
, Calder Mourlot Freres, Calder 1963 edition, Calder modernist print, Calder kinetic abstraction, Calder
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Alexander Calder, Anteater, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
), Calder Derriere le Miroir, Calder Maeght Editeur Paris, Calder Mourlot Freres, Calder 1963 edition
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Alexander Calder, Snow Plow, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
), Calder Derriere le Miroir, Calder Maeght Editeur Paris, Calder Mourlot Freres, Calder 1963 edition
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Alexander Calder, Clog and Phrygian Cap, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
, Calder Maeght Editeur Paris, Calder Mourlot Freres, Calder 1963 edition, Calder modernist print, Calder
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Alexander Calder, The Moon and the Prickly Pig, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
Mourlot Freres, Calder 1963 edition, Calder modernist print, Calder kinetic abstraction, Calder
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Yellow, Blue, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Red, Yellow, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Red, Green, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Red, Blue, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Oval and Rectangle, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
Mourlot Freres, Kelly 1964 edition, Kelly minimalism, Kelly geometric abstraction, Kelly collectible
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Green, Yellow, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Diamond, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
), Kelly Derriere le Miroir, Kelly Maeght Editeur Paris, Kelly Mourlot Freres, Kelly 1964 edition, Kelly
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Black and White, from Derriere le Miroir, 1958
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Orange Shape, from Derriere le Miroir, 1958
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Yellow Shape, from Derriere le Miroir, 1958
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Blue and Black, from Derriere le Miroir, 1958
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Red Form, from Derriere le Miroir, 1958
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Green and Black, from Derriere le Miroir, 1958
By Ellsworth Kelly
Located in Southampton, NY
, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Skyline (San Francisco)
By Bernard Buffet
Located in New York, NY
Signed and numbered 19/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by
Category

1990s Modern Landscape Prints

Materials

Lithograph, Color

Georges Braque, Cafe-Bar, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
Derriere le Miroir, Braque Maeght Editeur Paris, Braque Mourlot Freres, Braque 1964 edition, Braque color
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, Ajax, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
Derriere le Miroir, Braque Maeght Editeur Paris, Braque Mourlot Freres, Braque 1964 edition, Braque color
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Portuguese, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
, Braque Derriere le Miroir, Braque Maeght Editeur Paris, Braque Mourlot Freres, Braque 1964 edition
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Pierre Pallut, Homage to Georges Braque, from Derriere le Miroir, 1964
Located in Southampton, NY
Derriere le Miroir, Pallut Maeght Editeur Paris, Pallut Mourlot Freres, Pallut 1964 edition, Pallut color
Category

1960s Modern Abstract Prints

Materials

Lithograph

Rene Magritte, The Indiscreet Jewels, from San Lazzaro et ses Amis, 1975 (after)
By René Magritte
Located in Southampton, NY
edition published by XXe siecle, Paris, and printed by Mourlot Freres, Paris, October 1975. Les Bijoux
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Marc Chagall, The Flute Player, from Chagall, 1957
By Marc Chagall
Located in Southampton, NY
unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

"La petite fille au volant" lithograph
Located in Henderson, NV
in 1948 by the atelier Mourlot and published in an edition of 2500. Size: 12 3/8 x 9 1/2 inches (315
Category

1940s Prints and Multiples

Materials

Lithograph

Ellsworth Kelly, Three Panels (Black), from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Red, Blue, Green, Yellow, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
, Kelly Mourlot Freres, Kelly 1964 edition, Kelly minimalism, Kelly geometric abstraction, Kelly
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Red, Yellow, Blue, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Green, Blue, Black, from Derriere le Miroir, 1958
By Ellsworth Kelly
Located in Southampton, NY
Editeur Paris, Kelly Mourlot Freres, Kelly 1958 edition, Kelly minimalism, Kelly geometric abstraction
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Joan Miro - Original Abstract Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
: Souvenirs et portraits d'artistes Year: 1972 Edition: 800 Reference: Mourlot, 850 Unsigned and unumbered as
Category

1970s Abstract Abstract Prints

Materials

Lithograph

"Cheval pointant" lithograph
By (After) Henri Toulouse Lautrec
Located in Henderson, NV
Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an
Category

1950s Prints and Multiples

Materials

Lithograph

Georges Braque, The Chariot, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
Derriere le Miroir, Braque Maeght Editeur Paris, Braque Mourlot Freres, Braque 1964 edition, Braque color
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Bird and Its Nest, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Braque’s late mastery
Category

1960s Cubist Animal Prints

Materials

Lithograph

Georges Braque, Landscape at L’Estaque, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Braque’s late mastery
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Black Bird and the White Bird, Derriere le Miroir (after)
By Georges Braque
Located in Southampton, NY
Mourlot Freres, Braque 1964 edition, Braque color lithograph, Braque abstraction, Braque collectible
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Studio, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
Derriere le Miroir, Braque Maeght Editeur Paris, Braque Mourlot Freres, Braque 1964 edition, Braque color
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Eduardo Chillida, Homage to Georges Braque, from Derriere le Miroir, 1964
By Eduardo Chillida
Located in Southampton, NY
Derriere le Miroir, Chillida Maeght Editeur Paris, Chillida Mourlot Freres, Chillida 1964 edition, Chillida
Category

1960s Modern Abstract Prints

Materials

Lithograph

Alberto Giacometti, Georges Braque, August 31, 1963, from Derriere le Miroir
By Alberto Giacometti
Located in Southampton, NY
direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition stands as an intimate
Category

1960s Modern Abstract Prints

Materials

Lithograph

Raoul Ubac, Plow, from Derriere le Miroir, 1964
By Raoul Ubac
Located in Southampton, NY
, Ubac Maeght Editeur Paris, Ubac Mourlot Freres, Ubac 1964 edition, Ubac color lithograph, Ubac
Category

1960s Modern Abstract Prints

Materials

Lithograph

Roger Bissiere, Last Flower, from Derriere le Miroir, 1964
By Roger Bissière
Located in Southampton, NY
, Bissiere Maeght Editeur Paris, Bissiere Mourlot Freres, Bissiere 1964 edition, Bissiere color lithograph
Category

1960s Modern Abstract Prints

Materials

Lithograph

Pierre Tal-Coat, Bird and Its Shadow, from Derriere le Miroir, 1964
By Pierre Tal-Coat
Located in Southampton, NY
printed by Mourlot Freres, Paris, this composition exemplifies Tal-Coat’s lyrical abstraction and
Category

1960s Modern Abstract Prints

Materials

Lithograph

Alberto Magnelli, Homage to San Lazzaro, San Lazzaro et ses Amis, 1975 (after)
By Alberto Magnelli
Located in Southampton, NY
1975 edition published by XXe siecle, Paris, and printed by Mourlot Freres, Paris, October 1975
Category

1970s Modern Abstract Prints

Materials

Lithograph

La flûte enchantée (The Magic Flute)
By (after) Marc Chagall
Located in Palo Alto, CA
Mourlot, Paris for the Editions of the Metropolitan Opera, New York. Catalogue Raisonné: Marc Chagall The
Category

1960s Modern Figurative Prints

Materials

Lithograph

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Mourlot Editions For Sale on 1stDibs

Find a variety of mourlot editions available on 1stDibs. Browse a selection of Surrealist versions of these works for sale today — there are 11 Surrealist examples available. Mourlot editions available on 1stDibs span a range of colors that includes beige and more. These artworks have been a part of the life’s work for many artists, but the versions made by André Masson are consistently popular. Each of these unique pieces was handmade with extraordinary care, with artists most often working in lithograph.

How Much are Mourlot Editions?

The average selling price for mourlot editions we offer is $650, while they’re typically $325 on the low end and $1,300 for the highest priced.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.