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Marc Chagall, Moses II, from Drawings for the Bible, 1956
By Marc Chagall
Located in Southampton, NY
issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, The Angel with the Sword, from Drawings for the Bible, 1956
By Marc Chagall
Located in Southampton, NY
numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, The Prophet Daniel with the Lions, Drawings for the Bible, 1956
By Marc Chagall
Located in Southampton, NY
lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, Carmen, from The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

French Vintage Exhibition Poster for Yves Brayer (1971)
By Yves Brayer
Located in London, GB
by the vast expanse of the Camargue region with its ubiquitous white horses and black bulls. From
Category

1970s Modern Landscape Prints

Materials

Lithograph

Marc Chagall, Swan Lake, from The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, The Angel of Mozart, The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
the workshops of l’imprimerie nationale. The VI color lithographies and all the black and white
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, The Magic Flute, from The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, Boris Godunov, from The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
l’imprimerie nationale. The VI color lithographies and all the black and white drawings were set on stone by
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, Swan Lake, from The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, The Firebird, from The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, Homage to Garnier, The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Sans titre (Cramer 61; Mourlot 434), Le plafond de l Opéra
By Marc Chagall
Located in Southampton, NY
the workshops of l'imprimerie nationale. The VI color lithographies and all the black and white
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

For Lisa
By Willem de Kooning
Located in Fairlawn, OH
inspired him to do his first black-and-white abstract works in 1946; he returned to them in 1959. From
Category

1980s Expressionist Figurative Prints

Materials

Lithograph

Léger (tariff free*), Paysage en Argonne, Dessins de Guerre 1915-16 (after)
By Fernand Léger
Located in Southampton, NY
laconically rendered in rough patches of primary colors plus green, black and white, as seen in the series of
Category

1950s Cubist Figurative Prints

Materials

Lithograph

Roy Lichtenstein - I Know How You Made Me Feel, Brad! - MoMA VIP Invite, SIGNED
By Roy Lichtenstein
Located in New York, NY
Lichtenstein" Offset lithograph on Coronado Opaque SST Cover paper Boldly signed in black marker on the front
Category

1980s Pop Art Figurative Prints

Materials

Lithograph, Offset

Léger, Composition, Cahiers d Art (after)
By Fernand Léger
Located in Southampton, NY
green, black and white, as seen in the series of paintings with the title Contrasting Forms. Léger made
Category

1940s Modern Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Le Peintre et Son Modele
By Hans Erni
Located in Fairlawn, OH
artist Edition 200 (77/200) printed in colors There is also a black and white edition of 150 examples
Category

1960s French School Nude Prints

Materials

Lithograph

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
black and white. The eight original lithographs and the cover specially designed by the artist have been
Category

1960s Modern Figurative Prints

Materials

Lithograph

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
black and white. The eight original lithographs and the cover specially designed by the artist have been
Category

1960s Modern Figurative Prints

Materials

Lithograph

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
black and white. The eight original lithographs and the cover specially designed by the artist have been
Category

1960s Modern Figurative Prints

Materials

Lithograph

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
black and white. The eight original lithographs and the cover specially designed by the artist have been
Category

1960s Modern Figurative Prints

Materials

Lithograph

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
black and white. The eight original lithographs and the cover specially designed by the artist have been
Category

1960s Modern Figurative Prints

Materials

Lithograph

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
black and white. The eight original lithographs and the cover specially designed by the artist have been
Category

1960s Modern Figurative Prints

Materials

Lithograph

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
black and white. The eight original lithographs and the cover specially designed by the artist have been
Category

1960s Modern Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

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Picasso Black And White Lithograph For Sale on 1stDibs

You are likely to find exactly the picasso black and white lithograph you’re looking for on 1stDibs, as there is a broad range for sale. Making the right choice when shopping for a picasso black and white lithograph may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 20th Century. On 1stDibs, the right picasso black and white lithograph is waiting for you and the choices span a range of colors that includes gray, white and black. A picasso black and white lithograph from (after) Pablo Picasso and Pablo Picasso — each of whom created distinctive versions of this kind of work — is worth considering. These artworks were handmade with extraordinary care, with artists most often working in lithograph.

How Much is a Picasso Black And White Lithograph?

The average selling price for a picasso black and white lithograph we offer is $413, while they’re typically $90 on the low end and $1,500 for the highest priced.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.