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Salvador Dali Nu A La

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Henri Matisse, Blue Nude V, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Flowers and Fruit, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Vigne, stands as a testament to
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, The Parakeet and the Mermaid, Verve, Revue, 1958 (after)
By Henri Matisse
Located in Southampton, NY
Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, The Sheaf, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, The Negress, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, The Swimming Pool II, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Vigne, stands as a testament to
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, The Large Decoration with Masks, from Verve, Revue, 1958 (after)
By Henri Matisse
Located in Southampton, NY
featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Vigne, stands as a testament to
Category

1950s Modern Landscape Prints

Materials

Lithograph

Leonard Tsuguharu Foujita, Garden Party, 1956 (after)
By Léonard Tsugouharu Foujita
Located in Southampton, NY
, Foujita was a restless innovator; like Joan Miro and Salvador Dali, he infused dreamlike imagination into
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Henri Matisse, Bather in the Reeds, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Rosette, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Bateau, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, The Snail, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Women and Monkeys, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Coquelicots, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Acrobates, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Creole Dancer, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Vine, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Vigne, stands as a testament to
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Christmas Night, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
featured La Tristesse du Roi, the Nu Bleu series, and Nuit de Noel, stands as a testament to Matisse’s
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Chinese Fish, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Memory of Oceania, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Apollo, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Snow Flowers, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series
Category

1950s Modern Landscape Prints

Materials

Lithograph

Henri Matisse, Plants, from Verve, Revue Artistique, 1958 (after)
By Henri Matisse
Located in Southampton, NY
, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his
Category

1950s Modern Landscape Prints

Materials

Lithograph

Salvador Dalí - Nu À La Jarretiére ( Nude With Garter ), 1971
By Salvador Dalí­
Located in Varese, IT
Salvador Dalí ( 1904 - 1989 ) - Nu à la jarretiére ( Nude with Garter ) - Hand watercolored
Category

20th Century Nude Prints

Materials

Watercolor, Drypoint, Etching

Pablo Picasso, The Blue Rider, from Verve, Revue Artistique, 1951
By Pablo Picasso
Located in Southampton, NY
featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Pablo Picasso, The Blue Rider, from Verve, Revue Artistique, 1951
By Pablo Picasso
Located in Southampton, NY
featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Pablo Picasso, The Blue Rider, from Verve, Revue Artistique, 1951
By Pablo Picasso
Located in Southampton, NY
featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Pablo Picasso, Flute Player and Nude, from The Double Flute, 1967 (after)
By Pablo Picasso
Located in Southampton, NY
nu (Flute Player and Nude), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis
Category

1960s Cubist Figurative Prints

Materials

Lithograph, Stencil

Henri Matisse, Nude Woman, from Verve, Revue Artistique, 1953 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Henri Matisse, Nude Woman, from Verve, Revue Artistique, 1953 (after)
By Henri Matisse
Located in Southampton, NY
paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Henri Matisse, The Romanian Blouse, from Verve, Revue Artistique, 1939
By Henri Matisse
Located in Southampton, NY
featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and
Category

1930s Fauvist Figurative Prints

Materials

Lithograph

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Salvador Dali Nu A La For Sale on 1stDibs

Surely you’ll find the exact salvador dali nu a la you’re seeking on 1stDibs — we’ve got a vast assortment for sale. You can easily find an example made in the Post-Impressionist style, while we also have 8 Post-Impressionist versions to choose from as well. On 1stDibs, the right salvador dali nu a la is waiting for you and the choices span a range of colors that includes blue, beige, gray and brown. Finding an appealing salvador dali nu a la — no matter the origin — is easy, but Salvador Dalí, Joan Miró and Pablo Picasso each produced popular versions that are worth a look. Frequently made by artists working in lithograph, etching and archival paper, these artworks are unique and have attracted attention over the years. A large salvador dali nu a la can prove too dominant for some spaces — a smaller salvador dali nu a la, measuring 13.25 high and 10.25 wide, may better suit your needs.

How Much is a Salvador Dali Nu A La?

A salvador dali nu a la can differ in price owing to various characteristics — the average selling price for items in our inventory is $956, while the lowest priced sells for $716 and the highest can go for as much as $25,000.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.