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Salvador Dali Signed And Numbered Color Lithograph

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Henri Matisse, The Horse, the Rider, and the Clown, from Jazz, 1983 (after)
By Henri Matisse
Located in Southampton, NY
-commerce copies numbered from I to XX. All examples were signed by the artist. It was also released in C
Category

1980s Fauvist Abstract Prints

Materials

Lithograph

Georges Braque, The Bull and His Rider, from Derriere le miroir, 1954 (after)
By Georges Braque
Located in Southampton, NY
drawn on papier d'Auvergne a la main, CL examples, numbered, all signed by Georges Braque. The original
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Jacques Villon, Cover, from Wines, from Flowers, and Flames, 1956 (after)
By Jacques Villon
Located in Southampton, NY
Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Man Ray, Villon sought to
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Georges Braque, The Palette and the Vase of Flowers, 1955 (after)
By Georges Braque
Located in Southampton, NY
lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the
Category

1950s Modern Landscape Prints

Materials

Lithograph

Maurice Brianchon, Journey of Wine, Wines, Flowers, and Flames, 1956 (after)
By Maurice Brianchon
Located in Southampton, NY
, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he pursued a
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Joan Miro, Figure and Bird in the Night, from Derriere le miroir, 1970
By Joan Miró
Located in Southampton, NY
de Lana was drawn in CL examples, numbered and signed by the artist. About the Publication
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Jean Cocteau, Seated Bacchante, from Wines, Flowers, and Flames, 1956 (after)
By Jean Cocteau
Located in Southampton, NY
, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Cocteau, were
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Joan Miro, Figure and Bird in the Night, from Derriere le miroir, 1970
By Joan Miró
Located in Southampton, NY
, numbered and signed by the artist. About the Publication: Derriere le miroir (Behind the Mirror) was
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Andre Derain, Abduction of Dionysus, Wines, Flowers, and Flames, 1956 (after)
By André Derain
Located in Southampton, NY
creative minds of modernism, including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Joan Miro, The Star and the Woman in the Night, from Derriere le Miroir, 1966
By Joan Miró
Located in Southampton, NY
examples, numbered or signed by the artist. About the Publication: Derriere le Miroir (translated as
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Pierre-Yves Tremois, Initiation, from Wines, Flowers, and Flames, 1956 (after)
By Pierre-Yves Trémois
Located in Southampton, NY
surrealist giants of his era, including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Raoul Dufy, Hills in September, from Wines, Flowers, and Flames, 1956 (after)
By Raoul Dufy
Located in Southampton, NY
, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Dufy forged
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Raoul Dufy, The Grape Harvest, from Wines, Flowers, and Flames, 1956 (after)
By Raoul Dufy
Located in Southampton, NY
revolutionary ideas of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Moise Kisling, Wine of Departure, from Wines, Flowers, and Flames, 1956 (after)
Located in Southampton, NY
Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His portraits of women
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Gen Paul, The Soldier’s Ration, from Wines, Flowers, and Flames, 1956 (after)
By Gen Paul
Located in Southampton, NY
inspiration from Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Henri Matisse, Series M, Var. 7, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series M, Var. 6, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series M, Var. 3, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series M, Var. 4, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series M, Var. 1, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series M, Var. 2, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series M, Var. 5, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series J, Var. 1, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series J, Var. 3, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series J, Var. 2, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 8, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 11, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 7, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 10, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 7, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 1, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 5, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 9, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 4, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 3, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series G, Var. 5, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series H, Var. 2, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series G, Var. 2, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series G, Var. 6, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series G, Var. 3, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series G, Var. 1, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series G, Var. 4, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Series A, Var. 5, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Fauvist Still-life Prints

Materials

Lithograph

Henri Matisse, Series A, Var. 6, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Fauvist Still-life Prints

Materials

Lithograph

Henri Matisse, Series A, Var. 4, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Fauvist Still-life Prints

Materials

Lithograph

Henri Matisse, Series A, Var. 3, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Fauvist Still-life Prints

Materials

Lithograph

Henri Matisse, Series A, Var. 1, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
Imperial Japan, numbered from I to X. Signed by the artist: XX examples on Velin d'Arches, numbered from II
Category

1940s Fauvist Still-life Prints

Materials

Lithograph

Maurice Utrillo, Wine of Honor, from Wines, Flowers, and Flames, 1956 (after)
By Maurice Utrillo
Located in Southampton, NY
, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—Utrillo’s approach was profoundly
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Henri de Toulouse-Lautrec, Anna Held and All Those Ladies at the Theatre (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Max Jacob, The Wine of the Last Supper, Wines, Flowers, and Flames, 1956 (after)
Located in Southampton, NY
revolution led by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

La Mélodie Acide - 5 (Surrealism, Colorful, Modern, ~26% OFF LIMITED TIME ONLY)
By Joan Miró
Located in Kansas City, MO
Joan Miró La Mélodie Acide - 5 Color lithograph Year: 1980 Edition: 1500 Signed in the stone
Category

1980s Modern Prints and Multiples

Materials

Lithograph

Jean Cocteau, Untitled, from Under the Coat of Fire, 1955
By Jean Cocteau
Located in Southampton, NY
Genevieve Laporte, illustrated with twelve original lithographs Hors Texte including nine in color, by Jean
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Untitled, from Under the Coat of Fire, 1955
By Jean Cocteau
Located in Southampton, NY
Genevieve Laporte, illustrated with twelve original lithographs Hors Texte including nine in color, by Jean
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Untitled, from Under the Coat of Fire, 1955
By Jean Cocteau
Located in Southampton, NY
Genevieve Laporte, illustrated with twelve original lithographs Hors Texte including nine in color, by Jean
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Untitled, from Under the Coat of Fire, 1955
By Jean Cocteau
Located in Southampton, NY
Genevieve Laporte, illustrated with twelve original lithographs Hors Texte including nine in color, by Jean
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Untitled, from Under the Coat of Fire, 1955
By Jean Cocteau
Located in Southampton, NY
Genevieve Laporte, illustrated with twelve original lithographs Hors Texte including nine in color, by Jean
Category

1950s Modern Figurative Prints

Materials

Lithograph

Jean Cocteau, Untitled, from Under the Coat of Fire, 1955
By Jean Cocteau
Located in Southampton, NY
Genevieve Laporte, illustrated with twelve original lithographs Hors Texte including nine in color, by Jean
Category

1950s Modern Figurative Prints

Materials

Lithograph

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Salvador Dali Signed And Numbered Color Lithograph For Sale on 1stDibs

On 1stDibs, you can find the most appropriate salvador dali signed and numbered color lithograph for your needs in our varied inventory. You can easily find an example made in the modern style, while we also have 12 modern versions to choose from as well. Finding the perfect salvador dali signed and numbered color lithograph may mean sifting through those created during different time periods — you can find an early version that dates to the 18th Century and a newer variation that were made as recently as the 21st Century. If you’re looking to add a salvador dali signed and numbered color lithograph to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige, gray, brown, black and more. A salvador dali signed and numbered color lithograph from Salvador Dalí, Jean Carzou, Rafael Alberti, (after) Salvador Dali and Currier Ives — each of whom created distinctive versions of this kind of work — is worth considering. Frequently made by artists working in lithograph, etching and paper, these artworks are unique and have attracted attention over the years.

How Much is a Salvador Dali Signed And Numbered Color Lithograph?

The price for a salvador dali signed and numbered color lithograph in our collection starts at $160 and tops out at $40,000 with the average selling for $2,895.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.