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Dynamite
By Jim Dine
Located in Santa Monica, CA
Dynamite, 1998 Woodcut, aquatint, soft-ground etching and power-tool drypoint 29 7/8 x 23 3/4
Category

1990s Contemporary Prints and Multiples

Materials

Aquatint, Etching, Woodcut

Columbus, Sunset, from Los Francisco San Angeles
By Ed Ruscha
Located in Santa Monica, CA
Columbus, Sunset, from Los Francisco San Angeles, 2001 Soft ground etching Image: 4 x 5 1/2 inches
Category

Early 2000s Contemporary Figurative Prints

Materials

Etching

Wilshire, Grant, from Los Francisco San Angeles
By Ed Ruscha
Located in Santa Monica, CA
Wilshire, Grant, from Los Francisco San Angeles, 2001 Soft ground etching Image: 4 x 5 1/2 inches
Category

Early 2000s Contemporary Figurative Prints

Materials

Etching

Red Open with White Line
By Robert Motherwell
Located in New York, NY
: soft-ground etching from one copper plate printed in black 18 x 36 in. (45.7 x 91.4 cm) Edition of 56
Category

21st Century and Contemporary Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint

Tete de Faune
By Pablo Picasso
Located in Zeist, UT
Pablo Picasso – Tete de Faune Color soft ground Etching & Aquatint on wove paper, 1958 Hand signed
Category

1950s Modern Portrait Prints

Materials

Etching, Aquatint

Femme-Oiseau II
By Joan Miró
Located in San Francisco, CA
Original soft-ground etching and aquatint printed in colors on wove paper bearing the “BFK RIVES
Category

1960s Modern Abstract Prints

Materials

Etching

Jumps Out at You, No?
By Jim Dine
Located in San Francisco, CA
Original etching and soft-ground etching printed in black ink on Arches Cover Buff wove paper, with
Category

20th Century Pop Art Still-life Prints

Materials

Etching

Night Farm (TPA/35)
By Wayne Thiebaud
Located in Austin, TX
process that included aquatint, soft-ground etching, drypoint, and spit bite aquatint. These various
Category

20th Century Contemporary Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Woman in a Pose
By Norman Rubington
Located in Palm Beach, FL
remarkable proficiency, using aquatint to eloquent effect and mastered the technique of soft ground etching
Category

1950s Abstract Nude Paintings

Materials

Foil

Mary Cassatt at the Louvre: The Paintings Gallery
By Edgar Degas
Located in San Francisco, CA
Original etching, soft-ground, aquatint, and drypoint printed in black ink on wove paper. A superb
Category

1870s Impressionist Figurative Prints

Materials

ABS, Etching

Valasquez Hands
By Christopher Brown
Located in Albuquerque, NM
Color aquatint with soft ground and hard ground etching and burnishing 38 x 37.75 inches 96.5 x
Category

1990s Contemporary Figurative Prints

Materials

Aquatint

"Ms. Spring Child in Vermillion", abstract soft ground etching, vermillion red.
By Kumi Korf
Located in Long Island City, NY
"Ms. Spring Child in Vermillion" is a beautiful abstract soft ground etching with bold lines
Category

2010s Contemporary Abstract Prints

Materials

Color, Etching, Intaglio

Stradine
Located in San Francisco, CA
shadowy grey completes the background. Hard ground and soft ground etching with aquatint. Image size: 9 x
Category

21st Century and Contemporary American Realist Still-life Prints

Materials

Etching, Aquatint

Lick My Hand
By Jockum Nordström
Located in San Francisco, CA
with aquatint and soft ground etching. Image size: 19¼ x 27½"; paper size: 19¼ x 27½". Edition 50
Category

21st Century and Contemporary Figurative Prints

Materials

Etching, Aquatint

Claes Oldenburg Original Color Etching Aquatint Signed Ice Cream Desserts Art
By Claes Oldenburg
Located in Bloomington, MN
Claes Oldenburg Authentic Color Soft-Ground Etching and Aquatint "Ice Cream Desserts
Category

1970s Pop Art Figurative Prints

Materials

Aquatint

Flatiron Building
By Red Grooms
Located in New York, NY
Red Grooms Flatiron Building, 1995 etching, soft-ground aquatint in 5 colors on Somerset textured
Category

1990s Prints and Multiples

Materials

Etching, Aquatint

Cyclone
By William Steiger
Located in New York, NY
Pace Editions since 2004. This soft ground and aquatint etching depicts the iconic roller coaster in
Category

Early 2000s Contemporary Landscape Prints

Materials

Etching

La Danse a la Campagne
By Pierre-Auguste Renoir
Located in Saint Augustine, FL
" Price: $25,000 Provenance: Private Impressionist Collection Original soft-ground etching, on wove paper
Category

1890s Impressionist Portrait Prints

Materials

Etching

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Soft Ground Etching For Sale on 1stDibs

On 1stDibs, you can find the most appropriate soft ground etching for your needs in our varied inventory. You can easily find an example made in the Abstract style, while we also have 1 Abstract versions to choose from as well. If you’re looking for a soft ground etching from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 18th Century while another version may have been produced as recently as the 21st Century. When looking for the right soft ground etching for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, brown and black. Finding an appealing soft ground etching — no matter the origin — is easy, but Creighton Michael, Nancy Cohen, Bruce Nauman, Kumi Korf and John McDevitt King each produced popular versions that are worth a look. Frequently made by artists working in monoprint, monotype and intaglio, these artworks are unique and have attracted attention over the years. A large soft ground etching can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 8.27 high and 7.88 wide — and may be better suited to a more modest living area.

How Much is a Soft Ground Etching?

The average selling price for a soft ground etching we offer is $2,442, while they’re typically $120 on the low end and $25,000 for the highest priced.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.