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"Rhubarb", botanical soft-ground etching leaf study print, metallic gold ink.
By Nancy Azara
Located in Long Island City, NY
"Rhubarb" is a stunningly beautiful botanical leaf study print made with soft ground etching using
Category

2010s Contemporary Landscape Prints

Materials

Color, Etching, Intaglio

"Skull Flower State 1", abstract soft ground etching print, sap green, gray.
By Kumi Korf
Located in Long Island City, NY
“Skull Flower, State 1” is a beautiful abstract soft ground etching with bold lines reminiscent of
Category

1990s Contemporary Abstract Prints

Materials

Color, Etching, Aquatint, Intaglio

"Me Be Blue", abstract soft ground etching, aquatint print, blue, violet.
By Kumi Korf
Located in Long Island City, NY
"Me Be Blue" is a beautiful abstract soft ground etching and aquatint with bold lines reminiscent
Category

1990s Contemporary Abstract Prints

Materials

Color, Etching, Aquatint, Intaglio

"Mute Seven", abstract soft ground etching monoprint, black, pale gray .
By Creighton Michael
Located in Long Island City, NY
"Mute Seven" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-li...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute Five", abstract soft ground etching monoprint, black, pale gray .
By Creighton Michael
Located in Long Island City, NY
"Mute Five" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-lik...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute Three", abstract soft ground etching monoprint, black, pale gray .
By Creighton Michael
Located in Long Island City, NY
"Mute Three" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-li...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute Six", abstract soft ground etching monoprint, black, pale gray .
By Creighton Michael
Located in Long Island City, NY
"Mute Six" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-like...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Fabrique Three", abstract soft ground etching print, yellow, silver, bluegray .
By Creighton Michael
Located in Long Island City, NY
"Fabrique Three" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabri...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Cape Buffalo, Kenya", soft ground etching, aquatint print, African, blue, black.
By David Marell
Located in Long Island City, NY
"Cape Buffalo, Kenya", is a soft ground and aquatint etching based on drawings done by the artist
Category

2010s Contemporary Animal Prints

Materials

Color, Etching, Aquatint, Intaglio

"DitDot Eight", abstract soft ground etching print, yellow, cadmium red medium.
By Creighton Michael
Located in Long Island City, NY
"DitDot Eight" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole. Printed in brillian...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Fabrique Eight", abstract soft ground etching print, pale yellow, silver, blue.
By Creighton Michael
Located in Long Island City, NY
"Fabrique Eight" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabri...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"DitDot 11", abstract soft ground etching print, layered yellow, pale gray.
By Creighton Michael
Located in Long Island City, NY
"DitDot 11" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole. Printed in yellow and ...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Fabrique Seven", abstract soft ground etching print, pale yellow, silver, red.
By Creighton Michael
Located in Long Island City, NY
"Fabrique Seven" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabri...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute Eight", abstract soft ground etching monoprint, white, cool gray, silver .
By Creighton Michael
Located in Long Island City, NY
"Mute Eight" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-li...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute 14", abstract soft ground etching monoprint, white, cool gray, silver .
By Creighton Michael
Located in Long Island City, NY
"Mute 14" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-like ...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"DitDot Two", abstract soft ground etching print, pale pink, deep blue.
By Creighton Michael
Located in Long Island City, NY
"Ditdot Two" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole. Printed in pale pink ...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Ditdot One", abstract soft ground etching print, yellow, pale blue, black.
By Creighton Michael
Located in Long Island City, NY
"Ditdot One" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole. Printed in diaphanous...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"DitDot 10", abstract soft ground etching print, layered red, blue, yellow.
By Creighton Michael
Located in Long Island City, NY
"DitDot 10" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole. Printed in pale red, y...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute 919", abstract soft ground etching monoprint, white, cool gray, silver .
By Creighton Michael
Located in Long Island City, NY
"Mute Nine" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-lik...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Fabrique Five", abstract soft ground etching print, pale blue, silver, red .
By Creighton Michael
Located in Long Island City, NY
"Fabrique Five" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute 11", abstract soft ground etching monoprint, white, cool gray, silver .
By Creighton Michael
Located in Long Island City, NY
"Mute 11" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-like ...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute 10", abstract soft ground etching monoprint, white, cool gray, silver .
By Creighton Michael
Located in Long Island City, NY
"Mute 10" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-like ...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute 13", abstract soft ground etching monoprint, white, cool gray, silver .
By Creighton Michael
Located in Long Island City, NY
"Mute 13" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-like ...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute 12", abstract soft ground etching monoprint, white, cool gray, silver .
By Creighton Michael
Located in Long Island City, NY
"Mute 12" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-like ...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Mute One", abstract soft ground etching print, Paynes gray and pale gray .
By Creighton Michael
Located in Long Island City, NY
"Mute One" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-like...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"DitDot Nine", abstract soft ground etching print, pale pink, blue, deep red.
By Creighton Michael
Located in Long Island City, NY
"DitDot Nine" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole. Printed in pale pink...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Fabrique Two", abstract soft ground etching print, pale pink and ultra blue .
By Creighton Michael
Located in Long Island City, NY
"Fabrique Two" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

Fabrique One", abstract soft ground etching print, pale pink and yellow, umber .
By Creighton Michael
Located in Long Island City, NY
"Fabrique One" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"Fabrique Six", abstract soft ground etching print, pale yellow, red, blue gray.
By Creighton Michael
Located in Long Island City, NY
"Fabrique Six" is a subtly beautiful and mysterious multiple plate etched monoprint, using random printing techniques to achieve an intricate yet delicate whole with a strong fabric-...
Category

2010s Contemporary Abstract Prints

Materials

Color, Intaglio, Monoprint, Monotype

"LUNCH POEMS" - Soft-ground etching, rolled colour print. Edition of 30 plus 5 A
Located in Tuscany, Pisa
Matheus Chiaratti was an artist in residence at Villa Lena in October 2020. The limited edition print he worked on with Il Bisonte will be available in early 2021 Chiaratti’s produc...
Category

2010s Contemporary Abstract Prints

Materials

Etching

Continental from Five Studies From an Endless Film
By Christopher Brown
Located in Fort Worth, TX
color soft ground etching and spit bite aquatint with scraping and burnishing
Category

1990s Figurative Prints

Materials

Aquatint, Etching

Domino I
By Richard Diebenkorn
Located in NY, NY
Soft ground etching, hard ground etching with drypoint
Category

1990s Prints and Multiples

Red Open with White Line
By Robert Motherwell
Located in Santa Monica, CA
Aquatint and soft-ground etching 18 1/2 x 35 5/8 inches Edition of 56 Signed and numbered
Category

1970s Contemporary Prints and Multiples

Materials

Aquatint, Etching

L.A.S.F. #2
By Ed Ruscha
Located in Santa Monica, CA
L.A.S.F. #2, 2003 Soft ground etching 37 1/2 x 30 3/8 inches Edition of 35 Signed and numbered
Category

Early 2000s Contemporary Abstract Prints

Materials

Etching

House and Bugs
By Jockum Nordström
Located in San Francisco, CA
Color spit bite and sugar lift aquatints with soft ground etching. Image size: 22½ x 31½"; paper
Category

Early 2000s Figurative Prints

Materials

Etching, Aquatint

Nick
By Howard Hodgkin
Located in New York, NY
Edition 100. Soft-ground etching, sugar lift and aquatint with hand coloring
"Dry", landscape etching print, Anzo Borrega Desert, soft black on buff.
By Mel Pekarsky
Located in Long Island City, NY
"Dry" is a captivating desert landscape print created using soft ground etching, inspired by the
Category

Early 2000s Contemporary Landscape Prints

Materials

Black and White, Etching, Intaglio

Juss
By Gay Outlaw
Located in San Francisco, CA
Color soft ground etching with spit bite and water bite aquatints. Image size: 31 x 24"; paper size
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Etching

Untitled (Blue, Yellow, Red) 1995
By Robert Mangold
Located in New York, NY
-ground etching 22 1/2 x 30 in. (57.2 x 76.2 cm) each Edition of 30
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Etching, Aquatint

Schatzi
By Charline Von Heyl
Located in San Francisco, CA
Color spit bite aquatint and soft ground etching on gampi paper chine collé. Image size: 24 x 19
Category

20th Century Abstract Abstract Prints

Materials

Etching, Aquatint

Beige Open
By Robert Motherwell
Located in New York, NY
Robert Motherwell Beige Open, 1981 soft-ground etching on beige Auvergne a la Main Richard de Bas
Materials

Etching

"In The Wake", soft ground still-life print, violet black, red, green, blue.
By John McDevitt King
Located in Long Island City, NY
"in The Wake" is a deeply mysterious soft ground etching print derived from the artist's impression
Category

2010s Contemporary Prints and Multiples

Materials

Etching, Intaglio

Untitled I
By Roy Lichtenstein
Located in West Hollywood, CA
Roy Lichtenstein Untitled I, 1980 Soft-ground etching on mold-made Lana paper 23 x 20 5/8 inches
Category

1980s Prints and Multiples

Materials

Etching

Melrose, Market, from Los Francisco San Angeles
By Ed Ruscha
Located in Santa Monica, CA
Melrose, Market, from Los Francisco San Angeles, 2001 Soft ground etching Image: 4 x 5 1/2 inches
Category

Early 2000s Contemporary Abstract Prints

Materials

Etching

Geary, Wilshire, from Los Francisco San Angeles
By Ed Ruscha
Located in Santa Monica, CA
Geary, Wilshire, from Los Francisco San Angeles, 2001 Soft ground etching Image: 4 x 5 1/2 inches
Category

Early 2000s Contemporary Figurative Prints

Materials

Etching

La Brea, Powell, from Los Francisco San Angeles
By Ed Ruscha
Located in Santa Monica, CA
La Brea, Powell, from Los Francisco San Angeles, 2001 Soft ground etching Image: 4 x 5 1/2 inches
Category

Early 2000s Contemporary Abstract Prints

Materials

Etching

"Liquid Sound 20", soft ground waterscape monoprint, silver, magenta, turquoise.
By Nancy Cohen
Located in Long Island City, NY
"Liquid Sound 20" is a lyrical, sensual, abstract waterscape monotype, made with soft ground
Category

2010s Contemporary Abstract Prints

Materials

Color, Etching, Monoprint, Monotype

Equinox
By April Gornik
Located in New York, NY
April Gornik's soft-ground etching "Equinox" is a landscape depicting the unsettling calm of a row
Category

1990s Contemporary Landscape Prints

Materials

Etching

Nightpack (Red, Yellow, Blue)
By Charline Von Heyl
Located in San Francisco, CA
Color sugar lift and spit bite aquatints with soft ground etching and drypoint on gampi paper chine
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Drypoint, Etching, Aquatint

Dust on a White Shirt (Stripes)
By Charline Von Heyl
Located in San Francisco, CA
aquatint with soft ground etching and drypoint on gampi paper chine collé. Image size: 24 x 19"; paper size
Category

20th Century Abstract Prints

Materials

Etching, Aquatint

The Fallen Fables
By Marcel Dzama
Located in San Francisco, CA
Marcel Dzama, The Fallen Fables, 2015 A portfolio of twelve soft ground etchings with spit bite
Category

21st Century and Contemporary Figurative Prints

Materials

Etching, Aquatint

"Liquid Sounds 10", soft ground waterscape monoprint, gold, ochre, blue, pink.
By Nancy Cohen
Located in Long Island City, NY
"Liquid Sounds 10" is a lyrical, sensual, abstract waterscape monoprint, made with soft ground
Category

2010s Contemporary Abstract Prints

Materials

Color, Etching, Monoprint, Monotype

"Liquid Sound, Five" abstract soft ground waterscape monoprint, gold, deep red.
By Nancy Cohen
Located in Long Island City, NY
"Liquid Sound, Five" is a lyrical, sensual, abstract waterscape monotype, made with soft ground
Category

2010s Contemporary Abstract Prints

Materials

Color, Etching, Monoprint, Monotype

"Liquid Sound 28" soft ground waterscape monoprint, gold, green, pink magenta.
By Nancy Cohen
Located in Long Island City, NY
"Liquid Sound 28" is a lyrical, sensual, abstract waterscape monoprint, made with soft ground
Category

2010s Contemporary Abstract Prints

Materials

Color, Etching, Monoprint, Monotype

"Liquid Sound, Five" abstract soft ground waterscape monoprint, gold, deep red.
By Nancy Cohen
Located in Long Island City, NY
"Liquid Sound, Five" is a lyrical, sensual, abstract waterscape monotype, made with soft ground
Category

2010s Contemporary Abstract Prints

Materials

Color, Etching, Monoprint, Monotype

"Liquid Sound, One", soft ground waterscape monoprint, gold, pink, blue black.
By Nancy Cohen
Located in Long Island City, NY
"Liquid Sound, One" is a lyrical, sensual, abstract waterscape monotype, made with soft ground
Category

2010s Contemporary Abstract Prints

Materials

Color, Etching, Monoprint, Monotype

"Liquid Sound, Three", soft ground waterscape print, gold, blue, magenta, pink.
By Nancy Cohen
Located in Long Island City, NY
"Liquid Sound,Three" is a lyrical, sensual, abstract waterscape monotype, made with soft ground
Category

2010s Contemporary Abstract Prints

Materials

Color, Etching, Monoprint, Monotype

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Soft Ground Etching For Sale on 1stDibs

On 1stDibs, you can find the most appropriate soft ground etching for your needs in our varied inventory. You can easily find an example made in the Abstract style, while we also have 1 Abstract versions to choose from as well. If you’re looking for a soft ground etching from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 18th Century while another version may have been produced as recently as the 21st Century. When looking for the right soft ground etching for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, brown and black. Finding an appealing soft ground etching — no matter the origin — is easy, but Creighton Michael, Nancy Cohen, Bruce Nauman, Kumi Korf and John McDevitt King each produced popular versions that are worth a look. Frequently made by artists working in monoprint, monotype and intaglio, these artworks are unique and have attracted attention over the years. A large soft ground etching can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 8.27 high and 7.88 wide — and may be better suited to a more modest living area.

How Much is a Soft Ground Etching?

The average selling price for a soft ground etching we offer is $2,442, while they’re typically $120 on the low end and $25,000 for the highest priced.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.