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Tom Dixon Bolide

Tom Dixon Bolide Iron Woven Seagrass Rocking Chaise
By Tom Dixon
Located in Vittoria, IT
Rara seduta disegnata da Tom Dixon modello Bolide, struttura in acciaio come scheletro e corda di
Category

1990s European Post-Modern Chaise Longues

Materials

Metal

Tom Dixon Bolide Iron Woven Seagrass Rocking Chaise
Tom Dixon Bolide Iron Woven Seagrass Rocking Chaise
$2,383
H 57.88 in W 20.48 in D 35.04 in
Tom Dixon Bolide Iron Woven Seagrass Rocking Chaise London 1991
By Tom Dixon
Located in Boven Leeuwen, NL
One of the most special chairs we have ever had is this one designed by Tom Dixon. A steel frame
Category

1990s English Post-Modern Chaise Longues

Materials

Iron

Recent Sales

Tom Dixon Bolide Woven Seagrass Chair, London, 1991
By Tom Dixon
Located in Ongar, GB
Tom Dixon 'Bolide' Woven Seagrass Chair, London, 1991 The metal sculptured Bolide is a true
Category

1990s British Post-Modern Lounge Chairs

Materials

Iron

Sculpture Tom Dixon Bolide Woven Seagrass Chair, London, 1991
By Tom Dixon
Located in Ongar, GB
Tom Dixon 'Bolide' Woven Seagrass chair, London, 1991 The metal sculptured Bolide is a true
Category

1990s British Post-Modern Lounge Chairs

Materials

Iron

Tom Dixon, Bolide Chair, Circa 1988
By Tom Dixon
Located in Saint ouen, FR
Tom Dixon. Bolide chair. lounge chair. Metal and braided rope. Circa 1988. 121 x D 55 x 122
Category

Vintage 1980s Lounge Chairs

Materials

Metal

Tom Dixon, Bolide Chair, Circa 1988
Tom Dixon, Bolide Chair, Circa 1988
H 48.04 in W 47.64 in D 21.66 in
Tom Dixon, Bolide Wicker Chaise, London, 1991
By Tom Dixon
Located in Austin, TX
Woven wicker over steel framed chaise attributed to Tom Dixon as the Bolide chaise. London, 1991.
Category

1990s English Chaise Longues

Materials

Wicker

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Tom Dixon for sale on 1stDibs

Artistic, innovative and entrepreneurial, the self-taught creator Tom Dixon has been a contemporary design-world maverick for more than three decades. From his revolutionary art-meets-design projects of the 1980s and throughout his dynamic and influential career as a designer of furniture, housewares and interiors, the only consistent note has been change. Dixon’s chief fascination is exploring new materials and new ways of constructing things.

Dixon was restless even as a young man. He enjoyed ceramics and drawing in high school but later dropped out of the Chelsea School of Art in London. While repairing his motorcycle in 1983, Dixon learned how to weld and took to the craft. He began making what he has called semi-functional objects from scrap metal (sometime as performance art in a nightclub), then formed a furniture studio–cum–think tank called Creative Salvage. Amid the ritzy excess of the ’80s, Dixon — along with designers such as Tejo Remy and Ron Arad — forged a new, attention-getting aesthetic with furniture made from found materials.

In 1987, Dixon began working for the Italian furniture manufacturer Cappellini, which put his best-known design, the slender, sinuous S chair, into production, followed by such pieces as the Pylon chair (1992), a wire lattice that resembles electrical transmission towers. Starting in the 1990s, Dixon expanded his interests rapidly. He started a company to manufacture the stackable plastic Jack light; joined the housewares retailer Habitat as creative director; and breathed new life into Artek, the venerable Finnish maker that Alvar Aalto and his wife Aino helped cofound. Since 2002, Dixon has run his namesake company fabricating furnishings from novel materials like brass foil-clad wood and “vacuum-metalized” glass.

The hallmark of Dixon’s design is his captivation with the process of creating pieces such as chairs, tables and lighting fixtures. “A kind friend once described me as a ‘vertebrate designer,’” Dixon has said. “That means that I design from the bones outwards and am not really interested in surface.”

Classic Dixon pieces are those that exhibit the manner of their making — from his early work in welded scrap metal to the woven rattan seats and backs of his Fat chair for Cappellini. There are two ways to approach Dixon designs: as a collector, or as a decorator. The former will seek Dixon’s one-off and limited edition works and prototypes. These historical artifacts carry high prices that range from around $8,000 to $50,000 and above. Those more interested in a dynamic look will find that manufactured Dixon designs — such as his Jack lights or his Melt pendant — can be found for prices that range from about $300 to $1,000. Either way, as you will see on 1stDibs, the designs of Tom Dixon have a singular allure that makes them a noteworthy element in any room.

Finding the Right Chaise-longues for You

Sit back, relax and get all of the ergonomic support you could ever need by introducing an alluring antique or vintage chaise longue in your living room or by your outdoor fire pit.

The chaise longue is an upholstered piece of furniture that was made popular in France in the early 16th century. This low reclining seat — a “long chair” in English — boasts an elongated form and low back that extends about half the length of the furnishing, affording the welcome opportunity for a sitter to put their feet up and relax. A comfortable common ground between sofas and daybeds, early iterations of chaise longues were discovered in Ancient Egypt and were later frequently used in both Greece and Rome.

In the late 1700s, the first chaise longues were imported to America, and English speakers have struggled with the name ever since. (In the United States, the term is frequently spelled “chaise lounge.”) So, how do you pronounce chaise longue? It sounds like “shayz lawng,” but limiting it to shayz is perfectly acceptable in the States.

Antique Victorian chaise longues and 19th-century chaise longues bring luxury and perhaps extravagance to your living space while mid-century modern chaise longues, designed by the likes of Adrian Pearsall, Vladimir Kagan or Milo Baughman, can alter an interior with dazzling geometric contours and richly varied textures.

On 1stDibs, find many kinds of chaise longues for your home — from sculptural works by Charlotte Perriand to plush and velvety Louis XVI pieces to minimalist contemporary versions to suit your understated decor.