Vineyard Furniture International

Choose from an assortment of styles, material and more with respect to the vineyard furniture international you’re looking for at 1stDibs. Frequently made of fabric, wool and paper, every vineyard furniture international was constructed with great care. If you’re shopping for a vineyard furniture international, we have 46 options in-stock, while there are 332 modern editions to choose from as well. Whether you’re looking for an older or newer vineyard furniture international, there are earlier versions available from the 19th Century and newer variations made as recently as the 21st Century. A vineyard furniture international, designed in the Scandinavian Modern, modern or mid-century modern style, is generally a popular piece of furniture. Rizzoli International Publications, Berber Tribes of Morocco and Assouline Publishing each produced at least one beautiful vineyard furniture international that is worth considering.

Prices for a vineyard furniture international can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $40 and can go as high as $37,500, while the average can fetch as much as $5,897.

The International Style, a modernist movement within architecture and furniture design that was given its name by American architect Philip Johnson and historian Henry-Russell Hitchcock, was born during the 1920s and ’30s. It gained steam initially in Europe and then in the United States as a response to the first World War. Building projects associated with the movement, as well as vintage International Style chairs, tables and other furnishings, are minimal and pared back. 

Pioneers of the International Style — architect Walter Gropius and his Bauhaus colleagues Ludwig Mies van der Rohe and Marcel Breuer, De Stijl advocate and Dutch architect J.J.P. Oud and visionary designer Le Corbusier — stripped away decorative elements and placed considerable value on functionality and clean lines, integrating the use of industrial materials like steel, concrete and large sheets of glass in their work. Quite aptly, this mode of design and architectural style coincided with an era now known as the Machine Age and became a global symbol of modernism. The primary motive of its practitioners was to address the changing needs of a rapidly industrializing society, especially the demand for office complexes and apartments in large cities, through economical, technologically advanced, yet aesthetically pleasing designs for furniture and buildings. 

“Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep,” said Le Corbusier of the philosophy behind his practical modernist architecture. 

The International Style’s designers and architects were inspired by the advantages afforded them by the era’s new technology and industrial machinery as well as state-of-the-art materials. Le Corbusier was fond of framing his buildings in steel but reinforced concrete made far more economic sense. He is probably most admired for the iconic private homes and commercial buildings that he designed or codesigned with his cousin Pierre Jeanneret, which are spread across the world, from New York City to Paris to Chandigarh, India. Today, Breuer’s Wassily Lounge chair; the elegant LC series created by Le Corbusier, Jeanneret and Charlotte Perriand; and Mies van der Rohe’s Barcelona chair, crafted with his romantic partner, designer Lilly Reich, are emblems of progressive modernist design and all make prominent use of tubular steel. Vintage originals are the prized cornerstone of collections.

“The International Style is probably the first fundamentally original and widely distributed style since the Gothic,” posited Johnson in the book that accompanied “Modern Architecture: International Exhibition,” an architectural show he cocurated with Hitchcock that featured the work of Frank Lloyd Wright, Le Corbusier, Richard Neutra and others. While the term “International Style” had previously been circulating in Europe, when the show opened at the Museum of Modern Art in 1932, it yielded a much broader application of this important style of design. 

Find International Style furniture on 1stDibs.

Choosing the perfect writing desk or writing table is a profoundly personal journey, one that people have been embarking upon for centuries.

Queen Atossa of Persia, from her writing table circa 500 B.C., is said to have been the originator of the art of handwritten letters. Hers was reportedly the first in a long and colorful history of penned correspondence that grew in popularity alongside literacy. The demand for suitable writing desks, which would serve the composer of the letters as well as ensure the comfort of the recipient naturally followed, and the design of these necessary furnishings has evolved throughout history.

Once people began to seek freedom from the outwardly ornate styles of the walnut and rosewood writing desks and drafting tables introduced in the name of Queen Victoria and King Louis XV, radical shifts occurred, such as those that materialized during the Art Nouveau period, when designers longed to produce furniture inspired by the natural world’s beauty. A prime example is the work of the famous late-19th-century Spanish architect Antoni Gaudí — his rolltop desk featured deep side drawers and was adorned with carved motifs that paid tribute to nature. Gaudí regularly combined structural precision with decorative elements, creating beautiful pieces of furniture in wood and metal.

Soon afterward, preferences for sleek, geometric, stylized forms in furniture that saw an emphasis on natural wood grains and traditional craftsmanship took hold. Today, Art Deco desks are still favored by designers who seek to infuse interiors with an air of luxury. One of the most prominent figures of the Art Deco movement was French decorator and furniture designer Émile-Jacques Ruhlmann. With his use of neoclassical motifs as well as expensive and exotic materials such as imported dark woods and inlays of precious metals for his writing desks, Ruhlmann came to symbolize good taste and modernity.

The rise in appreciation for Scandinavian modernism continues to influence the design of contemporary writing desks. It employs the “no fuss” or “less is more” approach to creating a tasteful, sophisticated space. Sweden’s master cabinetmaker Bruno Mathsson created gallery-worthy designs that are as functional as they are beautiful. Finnish architect Alvar Aalto never viewed himself as an artist, but, like Mathsson, his furniture designs reflected a fondness for organic materials and a humanistic approach. Danish designers such as Hans Wegner introduced elegant shapes and lines to mid-century desks and writing tables, often working in oak and solid teak.

From vintage desks to contemporary styles, 1stDibs offers a broad spectrum of choices for conducting all personal and business writing and reading activities.