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Francois Fiedler, Untitled, from Derriere le Miroir, 1982
By François Fiedler
Located in Southampton, NY
from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute
Category

1980s Contemporary Vintage Folio

Materials

Lithograph

Jacques Monory, Farewell My Madness, from Derriere le Miroir, 1982
By Jacques Monory
Located in Southampton, NY
), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght
Category

1980s Pop Art Vintage Folio

Materials

Screen

Takis, Magnetic Field, from Derriere le Miroir, 1982
Located in Southampton, NY
(Magnetic Field), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et
Category

1980s Modern Vintage Folio

Materials

Lithograph

Gerard Titus-Carmel, The Painted Thing, from Derriere le Miroir, 1982
By Gerard Titus-Carmel
Located in Southampton, NY
Thing), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et
Category

1980s Contemporary Vintage Folio

Materials

Lithograph

Antoni Tapies, To My, Derriere le Miroir, 1982
By Antoni Tàpies
Located in Southampton, NY
historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and
Category

1980s Modern Vintage Folio

Materials

Lithograph

Claude Garache, Two Nudes, from Derriere le Miroir, 1982
By Claude Garache
Located in Southampton, NY
from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute
Category

1980s Modern Vintage Folio

Materials

Lithograph

Shusaku Arakawa, Outside blank, from Derriere le Miroir, 1982
By Shusaku Arakawa
Located in Southampton, NY
historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and
Category

1980s Modern Vintage Folio

Materials

Lithograph

Pierre Alechinsky, Maps of the Body, from Derriere le Miroir, 1982
By Pierre Alechinsky
Located in Southampton, NY
Body), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et
Category

1980s Modern Vintage Folio

Materials

Lithograph

Bram van Velde, Composition, from Derriere le Miroir, 1982 (after)
By Bram Van Velde
Located in Southampton, NY
historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and
Category

1980s Modern Vintage Folio

Materials

Lithograph

Pol Bury, Tribute to Mondrian, from Derriere le Miroir, 1982
By Pol Bury
Located in Southampton, NY
), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght
Category

1980s Pop Art Vintage Folio

Materials

Lithograph

Saul Steinberg, Untitled, from Derriere le Miroir, 1982
By Saul Steinberg
Located in Southampton, NY
from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute
Category

1980s Modern Vintage Folio

Materials

Lithograph

Pablo Palazuelo, Untitled, from Derriere le Miroir, 1982
By Pablo Palazuelo
Located in Southampton, NY
from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute
Category

1980s Modern Vintage Folio

Materials

Screen

Raoul Ubac, Untitled, from Derriere le Miroir, 1982
By Raoul Ubac
Located in Southampton, NY
the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to
Category

1980s Modern Vintage Folio

Materials

Lithograph

Eduardo Chillida, Untitled, from Derriere le Miroir, 1982
By Eduardo Chillida
Located in Southampton, NY
from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute
Category

1980s Modern Vintage Folio

Materials

Lithograph

Joan Gardy Artigas, Untitled, from Derriere le Miroir, 1982
By Joan Gardy Artigas
Located in Southampton, NY
), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght
Category

1980s Pop Art Vintage Folio

Materials

Lithograph

Valerio Adami, Untitled, from Derriere le Miroir, 1982
By Valerio Adami
Located in Southampton, NY
from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute
Category

1980s Pop Art Vintage Folio

Materials

Lithograph

Jean-Paul Riopelle, Untitled, from Derriere le Miroir, 1982
By Jean-Paul Riopelle
Located in Southampton, NY
), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght
Category

1980s Modern Vintage Folio

Materials

Lithograph

Konrad Klapheck, Untitled, from Derriere le Miroir, 1982
By Konrad Klapheck
Located in Southampton, NY
from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute
Category

1980s Modern Vintage Folio

Materials

Lithograph

Claude Garache, Nude, from Derriere le Miroir, 1982
By Claude Garache
Located in Southampton, NY
historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and
Category

1980s Modern Vintage Folio

Materials

Lithograph

Jean Bazaine, Untitled, from Derriere le Miroir, 1982
By Jean Bazaine
Located in Southampton, NY
from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute
Category

1980s Modern Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Joan Miro, Untitled, Marvels with Acrostic Variations in Miro’s Garden, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio
Category

1970s Surrealist Vintage Folio

Materials

Lithograph

Henri Matisse, Series L, Var. 6, Drawings, Themes and Variations, 1943 (after)
By Henri Matisse
Located in Southampton, NY
from the folio (translated from French), Finished printing in Paris, on February 27, 1943, at the
Category

1940s Modern Vintage Folio

Materials

Lithograph

Phil, Rubber Stamp Portfolio, Chuck Close
By Chuck Close
Located in Southampton, NY
. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol
Category

1970s Minimalist Vintage Folio

Materials

Printer s Ink

Wassily Kandinsky, Twelve Forms, from Derriere le miroir, 1957 (after)
By Wassily Kandinsky
Located in Southampton, NY
), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by Maeght
Category

1950s Modern Vintage Folio

Materials

Lithograph

Wassily Kandinsky, Green, from Derriere le miroir, 1957 (after)
By Wassily Kandinsky
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Grun (Green), from the folio
Category

1950s Modern Vintage Folio

Materials

Lithograph

Composition (Vallier 143), La Liberté des Mers, Georges Braque
By Georges Braque
Located in Southampton, NY
condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Éditeur, Paris; printed by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Composition (Vallier 143), La Liberté des Mers, Georges Braque
By Georges Braque
Located in Southampton, NY
condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Éditeur, Paris; printed by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Composition (Vallier 143), La Liberté des Mers, Georges Braque
By Georges Braque
Located in Southampton, NY
condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Éditeur, Paris; printed by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Composition (Vallier 143), La Liberté des Mers, Georges Braque
By Georges Braque
Located in Southampton, NY
condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Éditeur, Paris; printed by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Composition (Vallier 143), La Liberté des Mers, Georges Braque
By Georges Braque
Located in Southampton, NY
condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Éditeur, Paris; printed by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Composition (Vallier 143), La Liberté des Mers, Georges Braque
By Georges Braque
Located in Southampton, NY
condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Éditeur, Paris; printed by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Composition (Vallier 143), La Liberté des Mers, Georges Braque
By Georges Braque
Located in Southampton, NY
condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Éditeur, Paris; printed by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Wassily Kandinsky, Yellow-Red-Blue, from Derriere le miroir, 1957 (after)
By Wassily Kandinsky
Located in Southampton, NY
-Blue), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Wassily Kandinsky, Round Line, from Derriere le miroir, 1957 (after)
By Wassily Kandinsky
Located in Southampton, NY
), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by Maeght
Category

1950s Modern Vintage Folio

Materials

Lithograph

Wassily Kandinsky, Composition White on Black, Derriere le miroir, 1957 (after)
By Wassily Kandinsky
Located in Southampton, NY
(Composition White on Black), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition
Category

1950s Modern Vintage Folio

Materials

Lithograph

Wassily Kandinsky, Composition V, from Derriere le miroir, 1955 (after)
By Wassily Kandinsky
Located in Southampton, NY
), from the folio Derriere le miroir, No. 77–78, originates from the 1955 edition published by Maeght
Category

1950s Modern Vintage Folio

Materials

Lithograph

Wassily Kandinsky, Black and White, from Derriere le miroir, 1955 (after)
By Wassily Kandinsky
Located in Southampton, NY
White), from the folio Derriere le miroir, No. 77–78, originates from the 1955 edition published by
Category

1950s Modern Vintage Folio

Materials

Lithograph

Wassily Kandinsky, Composition IV, from Derriere le miroir, 1955 (after)
By Wassily Kandinsky
Located in Southampton, NY
IV), from the folio Derriere le miroir, No. 77–78, originates from the 1955 edition published by
Category

1950s Modern Vintage Folio

Materials

Lithograph

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Vintage Folio For Sale on 1stDibs

You are likely to find exactly the vintage folio you’re looking for on 1stDibs, as there is a broad range for sale. In our selection of items, you can find Expressionist examples as well as a modern version. If you’re looking for a vintage folio from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 20th Century. On 1stDibs, the right vintage folio is waiting for you and the choices span a range of colors that includes gray, beige, brown and black. Finding an appealing vintage folio — no matter the origin — is easy, but Josef Albers, Marc Chagall, (after) Gustav Klimt, Salvador Dalí and Apelles Fenosa each produced popular versions that are worth a look. Frequently made by artists working in lithograph, paper and screen print, these artworks are unique and have attracted attention over the years.

How Much is a Vintage Folio?

A vintage folio can differ in price owing to various characteristics — the average selling price for items in our inventory is $1,533, while the lowest priced sells for $10 and the highest can go for as much as $125,000.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.