Vintage Gooseneck Chair

Although named for the last Stuart monarch of England, antique Queen Anne furniture, with its curvy cabriole legs and pad feet, has its origins in the earlier reign of King William III, which began in 1689 and ended with his death in 1702. Later evolving during Anne’s rule from 1702–14, the style would continue to influence design in the decades after her death.

Sometimes called late Baroque or early Georgian, Queen Anne chairs, bedroom furniture and tables are subdued yet ornate and characterized by a graceful blend of influences ranging from Asian design to classical motifs. Furnishings of this era — with their curvilinear supports and novel emphasis on comfort and versatility — are marked by a shift away from the more opulent and angular William and Mary style.

Chairs designed in the Queen Anne style are more functional and lightweight than their predecessors. They often feature a vase or fiddle-shaped splat, which refers to the central vertical back element, in order to support the spine and plush cushions. Craftsmen of the era predominantly worked in walnut, maple and pine. Any embellishments they introduced in their furnishings were frequently minimal and refined and expressed by way of modest flourishes such as shells or scrolls. Some pieces were more lavish with “japanned” finishes, or varnished interpretations of East Asian lacquer art. Almost every piece of furniture, whether a tea table or desk, included S-shaped, animalistic cabriole legs that end in a paw or claw-and-ball form.

These qualities made Queen Anne furniture popular throughout Europe and North America. Boston and Philadelphia became hubs for the production of this style of furniture, spurred by the arrival of British artisans who fostered a market for well-heeled colonists. While the showier Chippendale style later surpassed it in popularity, Queen Anne’s simple elegance still draws an enduring appreciation.

Find a collection of antique Queen Anne dining tables, seating, cabinets and other authentic period furniture on 1stDibs.

Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.

Long before industrial mass production democratized seating, armchairs conveyed status and power.

In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.

Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.

When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.

If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.

If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.

Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.