Achille and Pier Giacomo Castiglioni Furniture

Design Achille & Pierre Giacomo Castiglioni, 1962 Aluminum, Marble, Stainless steel Made in Italy by Flos The Flos Arco Floor Lamp, designed by Achille and Pier Giacomo Castiglioni...

Wir bieten eine wunderschöne Arco Bogenleuchte aus dem Jahr 2001 von FLOS zum Verkauf an. Das Design stammt von italienischen Brüdern und Industriedesignern Achille & Pier Giacomo Ca...

Famous Arco floor lamp designed by Castiglioni in 62' for Flos. Carrara marble base with chamfered corners, satin-finished steel telescopic stem, and swiveling reflector made of pres...

Arco lamp by Achille & Pier Giacomo Castiglioni, one of the first pieces produced at the beginning of the 60s. Base in white marble. Adjustable stem in stainless steel. Adjustable re...

The Carrera marble base has very slight, barely noticeable yellowing. Telescoping arm shows signs of light oxidation, but operates well. The polished and coated/sealed aluminum shade shows light scuffs and scratches. Wiring is original. Lamp works as it should. In very good shape for being ~70 years old. This lamp is not signed. I'm guessing the manufacturer's sticker label dried out and fell off. Typically, the labels were adhered to the ceramic bulb socket, which would heat up and dry out the glue. Also notice the small hole perforated diffuser, on which the polished aluminum shade rests and pivots, is unusual. Many lamps have the larger holes found on the more recently made examples. The small holes diffuser is found on the vintage Flos Arco...

FLOS Arco LED Floor Lamp by Achille & Pier Giacomo Castiglioni This lamp is ready for its close-up: Featured in Hollywood classics including diamonds are Fo...

Italian mid-century modern iconic floor lamp Arco by Achille and Piergiacomo Castiglioni for Flos, 1960s Floor lamp mod. Arco wit direct light, with adjustable and height-adjustable ...

This is an 'Arco' Floor Lamp, designed by Achille and Pier Giacomo Castiglioni for Flos in Italy in 1962. This piece dates to the 1960s, as evidenced by its perforated diffuser with ...

Arco lamp designed by Achille and Pier Giacomo Castiglioni in 1962 and manufactured by the Italian brand FLOS in 1967. Excellent vintage condition. From the outside, it looks like ...

Arco Floor lamp designed by Achille Pier Giacomo Castiglioni for Flos in 1962 manufactured by Flos, Italy ca. 1970, purchased by its prior owners in 1972. With early makers be...

Circa 1968 manufacturer’s catalog for the Italian lighting company Flos, showcasing the innovative and influential designs by Tobia Scarpa and by Achille and Pier Giacomo Castiglion...

Pair of small cocoon Table Lamps, model Gatto Piccolo. Design by Achille & Pier Castiglioni for Flos, Italy in 1960. Made in the 1960s or 1970s. Both are signed. A great example of m...

Rare and extraordinary Viscontea armchair, designed by Achille and Pier Giacomo Castiglioni for Simon Gavina-a refined industrial reinterpretation of the Sanluca armchair from twenty years earlier and a true icon of 1980s Italian design. This piece is often mistakenly attributed to the Gavina Technical Studio; however, the reissue was entrusted to the Castiglioni brothers, as clearly stated in Simon's original advertising materials. Published in leading design magazines of the time, the Viscontea is a perfect synthesis of formal experimentation and enveloping comfort. Its bold and sculptural silhouette, marked by the iconic "double curve" of the backrest-evoking the profile of a noble collar or the shape of a stylized pelican-makes the Viscontea instantly recognizable and visually striking. The fully padded structure, upholstered in original bright green Alcantara, emphasizes the theatrical nature of the seat and the craftsmanship behind its creation, while the enveloping volume invites the sitter into a protective, immersive comfort zone that balances art and function. Produced by Simon International under the direction of Dino Gavina, this armchair stands as one of the pinnacles of the Castiglioni brothers' collaboration-brilliant interpreters of the radical and innovative thinking that brought Italian design to global fame. The original upholstery, bearing the Simon label beneath the shell, guarantees the authenticity of the piece. A collector's item that is increasingly rare on the market, this armchair doesn't just furnish a space-it defines it. Ideal for both contemporary interiors and curated collections, the Viscontea is a visionary tribute to 20th-century design. In near-perfect condition, with only minimal signs of use on the base-otherwise, it appears as new. Product Name: Viscontea Armchair by Achille and Pier Giacomo Castiglioni for Simon International Designer: Achille and Pier Giacomo Castiglioni Design Year: 1980s (reissue of the 1960s Sanluca) Style: Postmodern Italian design, experimental and sculptural Main Materials: Padded structure, original upholstery in bright green Alcantara Distinctive Design: Sculptural double-curve backrest, enveloping and theatrical form, iconic and instantly recognizable volume Dimensions: Height 100cm Width 90cm Depth 90cm Comfort: Enveloping and protective seat, designed for immersive and refined comfort Typical Use: Ideal as a central piece in contemporary living rooms, design studios, or collector's interiors Design Icon: Renowned reinterpretation by the Castiglioni brothers for Simon Gavina; published in period magazines, original Simon mark beneath the frame Versatility: Perfect in both modern and collectible interiors, it adds strong personality and historical value Current Condition: Near-perfect condition; original upholstery, minimal signs of wear only on the base Additional Notes: Please note that this item is in excellent vintage condition. Minor signs of age may be present but do not affect functionality. Kindly consider these characteristics prior to purchase. Simon International was founded in 1968 by Dino Gavina with the aim of moving beyond traditional industrial logic and restoring a cultural and poetic dimension to design, where furniture becomes a conceptual and intellectual expression. The name "Simon" was chosen to represent a new, abstract, and international identity. The brand stood out for its production of sophisticated, minimal, and architectural furnishings-often straddling the line between art and design-crafted with premium materials and artisanal care. Simon collaborated with masters such as Carlo Scarpa, Kazuhide Takahama, Achille and Pier Giacomo Castiglioni, Marcel Breuer, Man Ray, Tobia Scarpa, and Mario Ceroli, creating pieces that have become true cult classics of Italian design-frequently published and now highly sought after by collectors. In 2013, Cassina acquired the Simon collection, preserving its original vision and reintroducing its iconic pieces through the "SimonCollection." Simon remains one of the most radical and visionary experiences in 20th-century Italian design. Achille and Pier Giacomo Castiglioni were among the most influential and innovative Italian designers of the 20th century, key figures in the golden age of Italian design, celebrated for their ability to blend functionality, irony, and formal research into everyday objects elevated to icon status. Sons of the sculptor Giannino Castiglioni, both earned architecture degrees from the Politecnico di Milano and began working together in the 1950s, founding a studio known for its experimental and deeply interdisciplinary approach that combined architecture, art, engineering, and popular culture. They collaborated with the most important Italian design companies, including Flos, Zanotta, Cassina, Kartell, and Simon Gavina, creating historically significant products such as the Arco lamp, Toio lamp, Mezzadro seat, Sella...

Achille Castiglioni (1918-2002) & Pier Giacomo Castiglioni (1913-1968) Light Ball A set of four wall lights, each with a circular polished brass reflecting disc centered with a whi...

Stunning Mid-Century "Light Ball' sconces or ceiling lamps in white enameled metal and opaline glass designed by Achille Castiglioni for Flos in Italy during the 1960s. The lamps are...

Stunning set of 3 Mid-Century "Light Ball' sconces or ceiling lamps in white enameled metal and opaline glass designed by Achille Castiglioni for Flos in Italy during the 1960s. Th...

Fantastic Mid-Century "Light Ball' sconce or ceiling lamp in chrome designed by Achille Castiglioni for Flos in Italy during the 1960s. This is the largest versions of the light ba...

Incredible mid-century "Light Ball large size" applique in smatised ivory metal and opal glass for Flos. This fantastic lamp was designed by Achille Castiglioni and produced in Italy for Flos in the 1960s. This fantastic light is unique because of the materials, made of ivory white enameled metal and opal glass. Requires an E27 bulb. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 31 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph...