Adolf Arthur Dehn Figurative Prints
American, 1895-1968
Adolf Dehn, printmaker, watercolorist, and illustrator, was born in Waterville, Minnesota, in 1895. In 1914 he began studying at the Minneapolis School of Art, and in 1917, the year his first published drawing appeared in the progressive magazine, The Masses, he received a scholarship to study at the Art Students League in New York. There he worked with Kenneth Hayes Miller and was introduced to lithography by Boardman Robinson.
While in New York, Dehn threw himself into liberal politics. Declaring himself a conscientious objector in 1918, he was forced to spend four months in a Spartanburg, South Carolina, boot camp for refusing to serve in the armed forces and eight months as a volunteer instructor teaching painting and drawing at a hospital for war victims in Asheville, North Carolina.
Dehn spent the years 1920 to 1929 in art-related travel in Europe, primarily in Vienna and in Paris, where he made lithographs at the Atelier Desjobert. Throughout this time, Dehn exhibited his work at the Weyhe Gallery in New York and contributed drawings both to magazines abroad and to the radical journal The Masses.
Upon his return to New York in 1929, he became a leading figure in printmaking circles, exhibiting his prints to considerable critical acclaim. In 1937, Dehn had worked exclusively in black and white until 1937—halfway through his career—when he began to work in watercolor. During his summer visits to Minnesota, he created a large body of regional watercolors depicting the lakes and farms of his home state. Lithography and watercolor remained his two primary media, and his subjects ranged from social satire to naturalistic landscapes.
He authored the treatise, Water Color Painting, in 1945 and two other instructional books on lithography and watercolor in 1950 and 1955. From 1938 to 1939 he taught at Stephens College in Columbia, Missouri, and during the summers of 1940-1942 he taught at the Colorado Springs Fine Arts Center.
In 1939 and 1951 Dehn received Guggenheim Fellowships, and 1961 he was elected Full Academician to the National Academy of Design.
Dehn exhibited throughout his career, and his works are in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Art Institute of Chicago, the Museum of Fine Arts in Boston, and the British Museum, among others.
Adolf Dehn died in New York in 1968.to
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Artist: Adolf Arthur Dehn
Maroon Lake, Colorado
By Adolf Arthur Dehn
Located in San Francisco, CA
This artwork titled "Maroon Lake, Colorado" 1945 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed, dated, titled, numbered ...
Category
Mid-20th Century American Realist Adolf Arthur Dehn Figurative Prints
Materials
Lithograph
“5 O’Clock”
By Adolf Arthur Dehn
Located in Southampton, NY
.
Here for your consideration is an original signed lithograph by Adolf Arthur Dehn done in 1922 titled 5 O’Clock. The condition of the lithograph is excellent.
Signed in the p...
Category
1920s Post-War Adolf Arthur Dehn Figurative Prints
Materials
Archival Paper, Lithograph
$1,280 Sale Price
20% Off
Key West Beach
By Adolf Arthur Dehn
Located in San Francisco, CA
This artwork titled "Key West Beach" 1947 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed in penci...
Category
Mid-20th Century American Realist Adolf Arthur Dehn Figurative Prints
Materials
Lithograph
That Pig of A Morin Adolf Dehn 1945 lithograph from Tales of Guy de Maupassant
By Adolf Arthur Dehn
Located in Paonia, CO
Adolf Dehn
That Pig of A Morin
original lithograph
published Lawrence Barrett 1945
handmade paper
15.50 x 12
signed and titled in pencil by artist
That Pig of a Morin is from a portfolio of 20 lithographs “Selected Tales of Guy de Maupassant...
Category
1940s Adolf Arthur Dehn Figurative Prints
Materials
Lithograph
Story of a Farm Girl Adolf Dehn original lithograph 1945 signed by artist pencil
By Adolf Arthur Dehn
Located in Paonia, CO
Adolf Dehn (1895 -1968 )
Story of a Farm Girl
original lithograph
published Lawrence Barrett 1945
handmade paper
paper 15.50 x 12
image 13.75 x 11
signed and titled by the artist in...
Category
1940s Adolf Arthur Dehn Figurative Prints
Materials
Lithograph
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Artist: After Andrew Wyeth (1917–2009)
Title: May Day, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962
Medium: Lithograph on velin paper
Dimensions: 17 x 13 inches (43.2 x 33 cm)
Inscription: Unsigned and unnumbered, as issued
Date: 1962
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Condition: Well preserved, consistent with age and medium
Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York
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Excerpted from the 1962 folio:
"In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry."
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Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980.
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Title: Burning Off, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962
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Condition: Well preserved, consistent with age and medium
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Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal collection to illustrate the intimate relationship between nature, time, and memory. Each composition distills Wyeth’s gift for transforming the familiar into visual poetry through mastery of texture, light, and mood.
Artwork Details:
Artist: After Andrew Wyeth (1917–2009)
Title: Spring Sun, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962
Medium: Lithograph on velin paper
Dimensions: 17 x 13 inches (43.2 x 33 cm)
Inscription: Unsigned and unnumbered, as issued
Date: 1962
Publisher: Art in America Company, Inc., New York
Printer: Art in America Company, Inc., New York
Condition: Well preserved, consistent with age and medium
Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York
Notes:
Excerpted from the 1962 folio:
"In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry."
About the Artist:
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Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980.
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Andrew Wyeth, Brinton’s Mill, from The Four Seasons (after)
By Andrew Wyeth
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled Brinton’s Mill, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s intimate connection to the Brandywine Valley landscape. Brinton’s Mill, a historic gristmill near Chadds Ford, Pennsylvania—later purchased and restored by Wyeth and his wife Betsy—appears here bathed in the gentle light of seasonal transition, a motif of both personal and regional significance rendered with quiet reverence and precision.
Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to illustrate the cycle of renewal and passage. Each image in the series embodies Wyeth’s profound sensitivity to mood, atmosphere, and the subtle interplay between man and nature.
Artwork Details:
Artist: After Andrew Wyeth (1917–2009)
Title: Brinton’s Mill, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962
Medium: Lithograph on velin paper
Dimensions: 17 x 13 inches (43.2 x 33 cm)
Inscription: Unsigned and unnumbered, as issued
Date: 1962
Publisher: Art in America Company, Inc., New York
Printer: Art in America Company, Inc., New York
Condition: Well preserved, consistent with age and medium
Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York
Notes:
Excerpted from the 1962 folio:
"In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry."
About the Artist:
Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy.
Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980.
In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist.
Andrew Wyeth lithograph...
Category
1960s American Realist Adolf Arthur Dehn Figurative Prints
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$716 Sale Price
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Andrew Wyeth, The Berry Picker, from The Four Seasons (after)
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1960s American Realist Adolf Arthur Dehn Figurative Prints
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Adolf Arthur Dehn figurative prints for sale on 1stDibs.
Find a wide variety of authentic Adolf Arthur Dehn figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Adolf Arthur Dehn in lithograph and more. Not every interior allows for large Adolf Arthur Dehn figurative prints, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of John Edward Costigan, Felix de Weldon , and Jerome Myers. Adolf Arthur Dehn figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $550 and tops out at $2,000, while the average work can sell for $1,300.





