ALCEU RIBEIRO Art

'Still Life on Black Background, oil on canvas (circa 1960s), by Edgar Stoëbel (1909-2001). In his inimitable style, artist Stoëbel's abstract still life with black background is a lively and colourful modernist work. This artwork has a powerful intensity of tone and colour which speaks to Stoëbel's very distinctive style but remains completely approachable and appealing. This is part of the post-war concrete abstract movement, or Constructive Art...

Rene Genis (French 1922-2004) “Nature Morte A La Table Pliante” Still Life On A Folding Table. Oil on Woven Paper (BFK). Oranges and reds predominate wit...

Ingfried Paul Henze-Morró Leipzig 1925 -2013 Flower Still Life Oil on canvas Signed lower left Size: 80 x 70 cm Frame: 94 x 84 cm Viewing and collection possible by prior appointm...

Floral painting in the Renaissance Dutch style, oil on canvas, likely dating to the 1800s.. A riot of color, flowers are illuminated in the dark room, framed by an arch and a paned g...

Rene Genis (French 1922-2004) “Fruits, Flures Et Vase Blanc ” Fruits, Flowers And White Vase. Oil on Woven Paper (BFK). Oranges, blacks, greens and shades of pink off-set against a ...

Moses B Russell: 1810-1884. Well listed 19th century American artist. Most known for being a miniature portrait painter, but has similar examples of still lifes as well. His high au...

Friedrich Richard Hartmann 1866-1925 Flower still life Signed lower left Painting 80 x 60 cm Frame: 94 x 74 cm Original hand-carved Impressionist frame. Viewing and collection by...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

Lafuente - Flowers - Oil on canvas Spanish school signed "Lafuente". Oil measures 61x50 cm. Frameless.

Reference number F372 Framed with an ebony color wood floated frame. 49 x 74 cm frame included (29 x 54 cm without frame) This work is painted with oil on a paper that is mounted on ...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...